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Tuesday, December 23, 2025
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LASER series brings art and science into new light

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Today, Dec. 4, the Leonardo Art Science Evening Rendezvous (LASER) speaker series will return to the UC Davis campus. Every session features four new speakers of diverse trades presenting their work, followed by a Q&A with the audience. LASER devotes itself to exposing the general public to its immediate cultural environment, as well as to discovering the joined forces of science and art.

The LASER series has frequently occurred at fellow California universities, such as UC Berkeley, UC Santa Cruz, the University of San Francisco and Stanford University. Anna Davidson, a Ph.D student in UC Davis’ Department of Plant Sciences, only recently brought the twice-a-month series to UC Davis.

Davidson has been a longtime fan of LASER, often traveling to the bay to partake in the art-, science- and technology-infused communities. Davidson said that organizing LASER for UC Davis has been an increasingly enlightening experience.

“I decided that there is plenty of talent in Davis to just start my own LASER, so I did and [the outcome] has been great!” Davidson said. “I try to keep the speakers gender-balanced and have a good representation from the arts and good representation from the sciences.”

For Davidson personally, the fusion of art and science allows for the visual expression of her scientific intrigue. LASER aims to fulfill such objectives and beyond.

“It is very important that society is reminded of our fragile environment, ever-changing climate and dwindling diversity, while at the same time being warmed by the beauty, precision, power and poetics of nature,” Davidson said.

Venkatesan Sundaresan, a UC Davis professor of plant biology, will be present the “Mysteries of the Silent Kingdom” at the upcoming LASER event. Inspired by the book What is Life? by physician Erwin Schrodinger, Sundaresan’s work explores unheard of concepts within botany and will be complemented by illustrations of the connections between plants and music by local web-designer Deepa Thalikar.

Sundaresan said that he hopes his involvement in LASER will develop new ways to unite not just the science and art disciplines, but also the science and art communities.

“I hope that [my talk] will open the eyes of people in other disciplines, [like non-science majors and the like], to the wonderful things that we scientists are learning about the natural world,” Sundaresan said. “[I also hope] that by connecting with people in the arts, it may be possible to create new forms that increase appreciation of both science and art.”

Robin Hill, an artist and a UC Davis professor of studio art, will also speak at the event. Titled “Idea Cultivation in the Studio,” Hill’s talk dissects art like a science, exploring the ways artists develop their research questions and process in the studio.

Through her talk, Hill said she hopes to clear up any myths that might undermine the truly complex process of art, as well as to convey the powerful collaboration between diverse fields, such as the arts and the sciences. Hill plans to share her personal creative process to put her message into perspective.

“My creative process at its core is sight-responsive, not sight-specific; it’s a response to what’s around me,” Hill said. “Working in the academic field, a lot of what’s around me is other people’s research.”

Hill hopes that her involvement with LASER will motivate others to implement their surroundings into their own line of work.

“I hope to provide some kind of template for people to develop an awareness of what’s around them — to not be limited by the set parameters of their field,” Hill said.

To witness the art and science extravaganza in person, stop by 3001 Plant and Environmental Sciences Building from 6:30 to 9 p.m. For more information, visit their Facebook event page.

 

(Re)Fashioning gender: The art of androgyny

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In the past few years, there has been an influx of clothing that caters to folks who wish to defy the gender binary.  More than ever, runways are being overtaken by collections inspired by androgynous and gender-bending apparel. At the same time, there have been loads of start-ups, both online and off, which feature similar fashions. It’s impossible to say exactly why androgyny has become so prevalent – have people become more aware and accepting of the idea that gender does not strictly exist inside of a binary? Have those who are frustrated with the mainstream perception of gender become more active in the fashion industry? Or, is it simply an increase in both areas?  Whatever the reason, genderless fashion is making big waves, which is an inevitable step towards broadening common ideas about gender identity.

It’s easy to see that androgyny has become extremely popular in recent high-fashion.  Designer Vivienne Westwood, for example, created a collection for Autumn/Winter ‘14 that was largely inspired by Androgyny Queen (patent pending) Tilda Swinton. Then there are designers like Craig Green, whose Autumn/Winter collection featuring “romantic menswear” like tunics and skirts are flipping gender roles on their heads.  Each of these movements in high-fashion could mean big things for the ways that society perceives gender in general. Fashion, after all, is part of how we choose to represent our identities – and a large part of our identities revolves around our gender.

This could be one of the reasons why many start-ups geared toward, and created by, LGBTQ individuals have begun to pop up all over the place. Companies such as Sharpe Shooting and Greyscale Goods have begun to offer suits and other garments tailored to queer and trans-identified folks. A lot of these companies function mainly online, such as DapperQ and Original Tomboy, allowing them to cater to a much wider clientele.  This is a huge deal for those who have attempted to purchase and wear clothes designed for a gender that does not match their physical bodies. It seems that this issue has been used as motivation for designers and business-owners though, as more and more companies which center around exactly that dilemma are beginning to populate the fashion industry.

Androgynous fashion is still kind of a niche overall – not all of these gender-bending start-ups are exactly affordable, nor are they available in most large retailers – it’s certainly a step toward dismantling binaristic notions of gender identity. Genderless fashion refuses to assign an individual a gender based on their body type. This is awesome, because it allows people to accurately express themselves without being limited by the size and shape of the clothes they’re shopping for.

To reach CHELSEA SPILLER, email her at ctspiller@ucdavis.edu.

Graphic by Jennifer Wu

Tunespoon: So this is Xmas

Jingle bells, silver bells, it’s beginning to look a lot like a one-horse open sleigh ride together with you my heart, but the very next day, you are sleeping, he knows when you’re awake, he is come, let Earth receive her presents underneath the Christmas tree, O Christmas we wish you a merry Christmas and a happy new year!

Your broken bones from Black Friday are slowly healing, meaning that the holiday season is nigh. That also means that you’ve heard one of the above lyrics by now, crooned by the creamy-smooth voice of a ’50s legend or pop-ified by a fledgling starlet. The reach of Christmas-themed music is inevitable and basically omnipresent, and whether you revel in its cozy hot cocoa warmth or deflect it with bitter bah-humbug cynicism, there is no denying that ‘tis the season to make some sweet Christmas bank.

No occasion, no matter how sacred (perhaps literally so, in this case) is safe from the talon-sharp clutches of industry. The Christmas season is a magical time for the music industry, as artists of many genres capitalize on holiday cheer; this year we have offerings from YouTube all-star quintet Pentatonix, classical-crossovers Celtic Thunder, and the Frozen icy voice we’re all tired of. In past years, artists as well-known as Justin Bieber, as hipster-obscure as Sufjan Stevens, and as out-of-nowhere as Bob Dylan have released their renditions of Christmas tunes. What is it about Christmas music that artists from far and wide flock to record?

Nostalgia. Hope. That ideal altruism that Christmas specials instilled into many of us who, in childhood, sat transfixed by snowy greens and reds on the television. All sorts of good feelings come packed into these songs, shiny little presents in themselves raring to burst forth with holiday happiness. Christmas songs are hardly one-trick ponies either. Quick-moving melodies evoke the whirling, happy chaos of glistening snowfall; slow ballads crackle by the fireplace; sacred hymns are humble or triumphant or ominous depending on where in the Nativity you are. The Christmas song canon’s abundance of song styles, all of which generate endorphin-charged good feelings, makes for an incredibly lucrative business venture.

But, to be honest, the Christmas business is actually one part of the usually-evil, typically devilish music industry that doesn’t feel seedy or manipulative. The joy of the holiday season is a truly unusual special thing. It comes from hopeful celebration of the miraculous birth of Jesus, or the strange and loving act of wrapping boxes in shiny paper destined to be torn apart and thrown away, or hanging out with familiar company in weird knit sweaters, or not really subscribing to a particular holiday and jiving with the feel-good air of December. It’s like some sort of peek into a global armistice, where love is a warm and beautiful thing we’re all capable of sharing — whether it’s through Mariah Carey’s romantic profession of love to a significant other, laughing at the dark humor of Santa committing a gruesome hit-and-run on a young boy’s grandmother (whose belief in Santa Claus is affirmed, nonetheless), or Lennon and Ono’s idealistic and optimistic look into a warless future.

Optimism is something that’s so uncommon in the world that I embrace it any opportunity I can. Music whose sole purpose is to make me feel optimistic in a genuine, honest fashion is something I cannot turn away. Personally, I’m not one to deck myself in an ugly sweater or make cookies for plump, midnight chimney intruders. But I can happily envelop myself in the sounds of the season because, in that moment, I am convinced that the world could be a wonderful place.

Bask in holiday warmth with STEVEN ILAGAN at smilagan@ucdavis.edu.

Graphic by Andrew Li

 

Edumacation with Calvin and Hobbes: Calvin’s Tuition

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About two weeks ago, the UC Board of Regents decided in a 7-2 vote to increase tuition across the University of California (UC) system. This vote marked a showdown between the UC and state legislature. The tuition raise is a threat to the legislature: increase state funding of UCs or we will put the burden on our students. It’s a “live through recess” way of treating the student.

The issue of funding is central to any discussion concerning higher education. Money may as well be synonymous with practicality. Many of the ideas which I have proposed in past columns could only hope to be achieved through a greater investment in education. But today, we find ourselves in a situation where money is being used to simply keep our current, ailing system afloat, rather than make substantial improvements.

If unremedied, this tuition raise will prevent many potential students from enrolling in the UC system. It will propagate a contemporary trend of increasing inequality that has defined the United States. Still, the raise should not deter families from sending their children to UCs. As the price of college education increases, the demand for a degree is similarly increasing. It is more valuable than ever to attend a four-year institution, even as tuition increases.

Ultimately, these increasing demands amount to a do-or-die situation, similar to Calvin’s: you will pay and you will be better off. Many college brochures tout the “investment” that you make when you enroll in University X. And after that, in smaller font: the price. Even though college is still worth it,  many families may view the investment as a risk. When students take out large student loans, it takes them longer to pay off the debt, hindering a family’s ability to foresee the benefit of education.

It’s hard to reconcile this analysis when talking about a public school. When I was a high school senior, cost was how I weighed whether or not to attend a private school. For prospective high school students in 2019, annual fees for a UC may exceed $15,000.  And while the UC argues that most students do not pay in full, there is still the issue of financial aid. Currently, financial aid (like the Cal Grant) is subsidized through taxpayer money. In effect, the regents have control over the demand for financial aid as well as tuition.

Between the arguments over inequality and price is the inclusivity debate. The UC says tuition will be used to accommodate for a larger student population. This position has its merits. Despite the negative connotations associated with a bigger student body, there are creative ways to ensure each student learns. But what kinds of students would we be welcoming in? Under the raise – only students who could afford to pay. Notwithstanding scholarships and grants, the economic diversity of UC campuses would decrease.

While the UC should not have raised tuition in the first place, I hope the state will match the raise with funding. Ideally, the state would have been first to act. As a result of the raise, everybody is politically stunted. If the state decides to remain silent, the UC system will continue to be demonized, and rightfully so. If they do match funding, it gives the UC too much bargaining power on the issue of state funding.

The effects of this raise will be felt in the long-term. A healthy economy is built on spending. Millennials are already having a hard time paying off their loans. And in response, this burgeoning demographic will spend less and less, and take longer to settle down. I have a mixed opinion about the stereotype that millennials are an infantile generation, but it’s easy to see how they may be more dependent on help than past generations.

Students have been very vocal on this issue, which makes me happy, though its easy to see us in Calvin’s position. Like him we are loudmouths, but perhaps more importantly, we are similarly limited in our power. Let’s just hope our “worthy cause” becomes cheaper. Calvin’s ten cents at six is our fifteen-thousand at nineteen.

To share your story on the tuition raise, you can reach ELI FLESCH at ekflesch@ucdavis.edu or tweet him @eliflesch

Graphic by Jennifer Wu

 

City welcomes holiday season with festive downtown activities

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Holiday Parade and Tree Lighting

The Annual City of Davis Holiday Parade and tree lighting will be held in E Street Plaza today. The children’s parade starts at 6:00 p.m. at the Co-op (620 G St.). The parade will kick off at the E Street Plaza. The tree at the plaza will be lit at 6:30 p.m. by members of the Davis City Council. Activities will include entertainment by the Davis Children’s Chorale, “Visits by Santa,” and a free screening of How The Grinch Stole Christmas. Showtimes are at 6, 6:40, 7:20 and 8 p.m. at the Varsity Theatre.

 

Gingerbread House Workshop

Carlton Plaza will be hosting a free gingerbread house workshop for the general public today from 4 to 6 p.m. Another workshop will be held on Sunday from 1 to 3 p.m., and Dec. 10, from 4 to 6 p.m.  Carlton Plaza will provide the materials needed to build a gingerbread house. This includes gingerbread, icing and candy; Participants are allowed to bring any additional sweet treats.

For more information, visit the community at 2726 Fifth St., call (530) 564-7002 or log on to carltonseniorliving.com/location/davis-carlton-plaza.

 

Davis Arts Center’s Annual Holiday Sale

The Davis Arts Center (1919 F St.) is hosting its Annual Holiday Sale. The sale features 60 vendors selling functional and fine art goods. Some of the goods sold will include ceramics, textiles, soaps and much more. There is also a Children’s Secret Store, made especially for children, where children can make their own gifts in a pottery and painting studio. Food vendors at the sale will include Let Them Eat Cake Cafe, Common Grounds Coffee, Culinerdy Cruzer – only on Friday and Saturday – and Fat Face — only on Sunday. The event will be held on both Thursday and Friday, from noon to 7 p.m.; Saturday, 10 a.m to 6 p.m. and Sunday 10 a.m. to 5 p.m.

For more information, call (530) 756-4100 or visit davisartscenter.org/events/annual-holiday-sale.

Co-op program allows shoppers to donate spare change to schools

The Davis Food Co-op completed its first month of its new program, Round Up at the Registers this November. This initiative allows shoppers at the grocery store to bring their total to the nearest whole dollar, and all of the change collected is donated each month to a different school in the Davis Joint Unified School District (DJUSD).

The program, according to Julie Cross, the marketing director of the Davis Food Co-op, raised $685 last month for Fairfield Elementary — a two-room school and the smallest school in the Davis school district.

Cross said that the Round Up program replaced an older program in which schools would buy Co-op gift certificates and resell them to parents to raise money.

“It was pretty cumbersome and expensive to run and didn’t have a huge amount of participation, so we thought we would get rid of something that didn’t work very well and replace it with something easier,” Cross said.

According to the Co-op’s website, one DJUSD elementary or junior high school is signed up each month through July of next year to receive the benefits from Round Up. Patwin Elementary School will be the recipient of all December proceeds.

The Davis Food Co-op is a full supermarket that is run cooperatively. Its website explains that any California resident can become a member of the Co-op to receive member prices on food and play a role in how the store operates.

“I really like my interactions with the customers, especially people who have been invested in the Co-op for a while [that] feel like it’s…a part of their community,” said Liliana Jacobs, a fourth-year sustainable agriculture and food systems major who is a cashier at the Co-op.

The cashiers are responsible for promoting and executing the Round Up program. Jacobs said that in her experience, many customers want to round up simply because it is convenient for them to bring their price to the nearest dollar. Customers paying in cash especially appreciate not having to receive change.

The Co-op has other programs to involve children in the community, including Carrots in the Classroom, which is offered for free to DJUSD elementary schools.

“We go to a different elementary school classroom every week and offer cooking, yoga and storytelling, so we have three different instructors who go. That’s something that our staff is really excited about,” Cross said.

This holiday season, the Co-op has more programs to support the community, beginning with the children’s candlelight parade that starts at the store Dec. 4. Later this month, the Co-op will put on its 29th annual Holiday Meal. This event is held on Christmas Eve at the Veterans Memorial Center in Davis. Cross said that about 800 people attend the meal, including homeless people, senior citizens without families nearby, UC Davis students who cannot make it home for the holidays and Co-op members who have made it part of their holiday tradition. The meal is free, but they accept monetary donations from attendees to donate to another non-profit. This year the funds will be allocated to support the Yolo Food Bank.

The Co-op engages with the community in other ways as well, with projects such as cooking classes and interest groups. There are cooking classes for adults, such as the “Intro to Caramel” class this Friday, and hands-on classes for children. Interest groups that meet regularly include those based on veganism, a gluten-free diet, permaculture and crafting. The cooking classes charge a small amount to cover the costs, but all of the interest groups are free and open to anyone.

For more information, visit the Co-op’s website at davisfood.coop.

Exploring Shields

Graphic by Jennifer Wu
Graphic by Jennifer Wu

With finals week right around the corner, the weary students of UC Davis have been seen flocking to Shields Library to get their study on. Amidst stacks of literary anthologies, piles of highlighter-soaked biochemistry notes and iPhones filled with photos of lectures slides that no one bothered to handwrite, some students will drown in the library’s sea of last-minute crammers. Others will emerge from the Shields’ automatic doors having fully embraced this study space.

After extensive observation, we have come to the conclusion that there are five types of Shields Library patrons. Some are rarer than others, but all can be spotted gathering amid this literary habitat during these “testing” times. Here are the types of patrons we have noted:

  1.   The Curve-Setters: Clad with full coffee mugs, fully-charged laptops and occasionally, a change of clothes, these study-savvy patrons can be seen claiming full tables on the Lower Level and glued to desks littered with flashcards in the Main Reading Room. Curve-Setters are notorious for spending hours on end in the depths of Shields and are even known to stay full days in the 24/7 Study Room, their eyes bloodshot from a natural diet of Dutch Bros. and Diet Coke.
  2.   The Nesters: After attempting to memorize calculus formulas or trying to read all of The Canterbury Tales, these drowsy dreamers can be found napping in the sunlight on the fourth floor window sills or drooling on their study guides in the silent zones of the Lower Level. If spotted during the day, be careful not to wake these little patrons, as they probably need the rest and tend to be nocturnal.
  3.   The Gamers: These patrons are masters of disguise and often appear to be Curve-Setters at first glance. Beneath their piles of untouched graph paper, though, exists their portals (likely League of Legends) to far off lands devoid of hard-grading TAs and Smartsite. One might ask why such patrons bother to populate the Shields watering hole if they aren’t interested in the learned atmosphere. The answer is simple: strong free WiFi, plenty of electrical outlets and zero nagging roommates.
  4.   The Lovebirds: Thinking that studying together was a plausible concept, these courtly couples can be seen canoodling at tables full of uncomfortable Curve-Setters, taking “#instalove” selfies, or sending flirty Snapchats in the Shields courtyard on the benches built for two. These patrons, if still in the honeymoon stage, can be markedly giggly and thus, a possible distraction to another’s concentration. Luckily, Lovebirds are easily spotted, thanks to their tendency to loudly whisper sweet-nothings, and therefore can be easily avoided.
  5.   The Graduates: Locked in the hidden study cages of Shields, these patrons are sleep-deprived M.A. and Ph.D. candidates working in the darkest shadows of the shelves. When migrating through the library to their ink-stained caves, these life-long students are easily mistaken for attractively-disheveled undergrads. If one is quiet enough, it is possible to observe Graduates in their natural habitat and watch as they scroll through pages of research articles and student loan summaries.


The Editorial Board wishes all UC Davis students the best on their academic endeavours this testing season!

Graphic by Jennifer Wu

This week in women’s sports

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This Week in Women's Sports

Basketball (3-2):

UC Davis vs. Utah Valley (W, 59-49)

UC Davis vs. Pacific (W, 60-53)

The UC Davis women’s basketball team improved with a 3-2 overall record after defeating Utah Valley on Wednesday with a score of 59-49 and University of the Pacific, 60-53, on Saturday. The Aggies have won three of the last four games.

Senior forward Sydnee Fipps, who has been a consistent force for the Aggies in the past three seasons, led with 19 points against Utah Valley and 21 against Pacific. Fipps is averaging 15.8 points per game this season, third in the Big West. Junior forward Alyson Doherty complements Fipps’ game, averaging 8.8 rebounds per game.

UC Davis will defend home court when it faces the University of San Francisco today, Dec. 2, at the Pavilion in Davis, Calif.

 

Volleyball (15-14)

UC Davis vs. Hawai’i (L, 3-0)

UC Davis women’s volleyball dropped its season finale in three sets against the University of Hawai’i, 25-19, 25-16 and 25-15. Sophomore outside hitter Allie Wegener led the team with nine kills and senior outside hitter Hollan Seymour hit .455 with 11 attempts on offense, but the team only hit .090 and struggled as a whole.

The Aggies conclude their season with a 15-14 overall record and 10-6 in conference play under head coach Dan Conners during his first season as the Aggies’ head coach.

Graphic by Andrew Li

 

This week in men’s sports

As autumn fades into winter, the sports scene also experiences a shift. Fall favorites like football and soccer have wrapped up, and many athletes enjoy a bit of well-earned rest from competition until mid-winter when sports like baseball and golf return. However, while many folks were taking post-Thanksgiving naps this past week, the UC Davis basketball team was hard at work in the Pavilion.

 

Basketball (5-0):

UC Davis vs. Utah State (W, 77-70 ot)

The Aggies’ victory on Wednesday against Utah State at the Pavilion moved their record to 4-0, their best since 1999-2000.

It was far from an easy win for UC Davis. Going into halftime, the Aggies trailed by two points, posting a score of 29-27. At the beginning of the second half, junior forward Josh Fox began an 11-0 run for the Aggies by nailing a layup with 18:02 left in the game. Fox scored six of these points to contribute to a career high of 23 points in the game. After taking a 42-31 lead with 15:34 on the clock, a strong play for the rest of the game by Utah State gave them a three-point lead with just five seconds left to play.

With the buzzer winding down, senior guard Tyler Les hit a 25-foot three pointer which put the game into overtime. Junior forward J.T. Adenrele scored the first four points of the overtime, and senior guard Corey Hawkins’ final four points solidified the Aggies’ victory.

Notably, senior guard/forward Josh Ritchart’s 14-point contribution made him just the 21st player in UC Davis history to score 1,000 career points.

 

UC Davis vs. Utah Valley (W, 64-43)

The Aggies swept the competition on Saturday against Utah Valley in the Pavilion, posting an impressive 64-43 win. UC Davis held the lead from start to finish, with the Wolverines never sniffing the lead.

Beginning the game with a 16-point unanswered scoring run, the Aggies set a fierce tone early on that they maintained throughout the game. Hawkins led the Aggies with 18 points. Also scoring in double figures were junior forwards Fox (No. 12) and Adenrele (No. 11). Hawkins met the 100 career steal mark, managing three of UC Davis’ nine steals for this game. The Aggies’ 51.9 field goal percentage crushed that of the Wolverines’, who shot at a 29.4 percent clip.

The Aggies also showed their strength in shooting down low, defeating UVU in the paint by 36-16.

The Aggies’ victory brought their season record to 5-0, a feat that has not been managed by UC Davis since 1952. The team will look to continue that streak during another exciting home game on Wednesday against San Jose State.

Graphic by Andrew Li

Film Review: ‘Interstellar’

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If you thought listening to Matthew McConaughey’s southern drawl was cumbersome in Dallas Buyers Club, try listening to him use it to talk about galactical jargon for three hours in Christopher Nolan’s latest science fiction thriller Interstellar.

In Interstellar, Nolan depicts a dystopian world plagued by hunger, sandstorms and depleting resources. McConaughey portrays Cooper, a former NASA pilot turned farmer who finds himself struggling in a world that has no use for engineers, and has lost all hope for survival. Cooper’s daughter Murphy (Mackenzie Foy) shares similar sentiments with her father, and discovers a mysterious, encoded message in her room that leads the two to a secret NASA base.

There, Cooper meets scientists Professor Brand (Michael Caine) and his daughter Amelia (Anne Hathaway), who inform Cooper of NASA’s plan to locate hospitable planets for humanity to move to, and subsequently recruit Cooper as the pilot for the mission. Cooper reluctantly agrees and leaves his family to embark on a lifelong mission in search of a solution for the world. Accompanied by a group of scientists and a talking robot, Cooper goes off into space where he watches people die, fights off Matt Damon and finds a bizarre bookshelf that allows him to creep on his daughter by knocking off books and pouring sand on the floor.

Nolan uses time interestingly to distinguish between Cooper’s life in space and the lives of characters still left on earth. While Cooper remains relatively the same age throughout the course of the movie, the audience sees Murphy age from a child to an adult to an elderly woman on her death bed.

Nolan accomplishes a unique feat in mimicking what is on the screen with how the audience is feeling. When Cooper feels time slowing down while in space, the audience also feels a similar slowing down of time when watching the film’s monotonous and confusing scenes.

Interstellar is a valiant effort for Nolan; however, the film’s major plot flaws and unoriginal premise weigh it down to something that resembles an unnecessarily complicated space flick. Though Interstellar is a cinematically beautiful piece that magnificently captures the depth and loneliness of space, the film is poorly timed and pales in comparison to last year’s Gravity.

McConaughey is once again McConaughey, this time in an astronaut suit. While he is believable as a Southern farmer turned space explorer, McConaughey’s performance is not strong enough to hold the audience’s attention for three hours. The actor, who is overshadowed by his daughters’ performance, does not even find the story’s central solution, which confuses me as to why the film focuses on him.

Hathaway is forgettable in her portrayal as the headstrong scientist Amelia. Though the actress does a solid job and commands a few of the film’s powerful moments, her chemistry and debatable on-screen romance with McConaughey is almost as missing as the wreckage that flies off into space.

However, the cast is livened up by newcomer Foy, who is best known for her role in the Twilight saga. At a young age, Foy masterfully holds her own against McConaughey and even surpasses him in several scenes as his stubborn and insanely intelligent daughter who eventually saves the world. Jessica Chastain is once again captivating in her performance as an older, wiser Murphy. The only problem with Chastain’s performance was how underused she was.

Interstellar is an ambitious feat for Nolan that unfortunately did not pay off. The film is splattered with lackluster performances and confusing storylines that just make the piece tedious to watch as an audience member. Although the film wasn’t horrible, it didn’t live up to its stellar name either. If it’s one thing I took away from Interstellar, it’s that I hope time travel actually does exist so I could take my three hours back.

Film Review: ‘Big Hero 6’

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This time last year Frozen was dominating the screens. This year, however, children have a new lovable character to fawn over in Walt Disney Pictures’ latest animated feature Big Hero 6.

Based on the Marvel comics of the same name, Big Hero 6 marks Disney’s first on-screen collaboration with the comic book company, who they partnered with in 2009.

Set in the fictional metropolis of San Fransokyo, Big Hero 6 follows Hiro Hamada, a 14-year-old boy genius who, much to his brother’s dismay, would rather spend his time competing in clandestine robot-fighting matches than use his intelligence for something productive. In order to shake Hiro out of his habits, Tadashi, Hiro’s older brother, takes him to his university’s robotics lab, where Hiro meets four of Tadashi’s friends who later make up the Big Hero 6. At the lab, Hiro also meets Baymax, a robotic, personal healthcare companion who Tadashi has been working on and that rounds out the film’s superhero sextuplet.

Inspired to pursue robotic engineering after visiting his brother’s lab, Hiro makes it his mission to get accepted into the university. However, on the day Hiro presents his work, a tragic fire occurs at the university, taking the lives of both Tadashi and Professor Callaghan, the head of the robotics program, who accepts Hiro into the program only moments before the accident. Suspicious of whether the fire was truly an accident and fueled by Tadashi’s death, Hiro, accompanied by the other five members of Big Hero 6, embarks on a mission to find his brother’s murderer and seek justice for his brother.

Like most Disney films, Big Hero 6 tells a moral story. By depicting Hiro’s quest to right his brother’s death, the film explores themes of vengeance, compassion and forgiveness. In mirroring Hiro’s quest with that of the movie’s villain, Big Hero 6 presents an important message to young viewers that revenge is only a temporary fix, while forgiveness is something that will heal you forever.

Ingeniously written and hilariously timed, Big Hero 6 features a multitude of laugh-out-loud moments with both family friendly jokes and more mature jokes that will go over children’s heads — a Disney staple in entertaining older audience members. Along with the feel-good moments, Disney concocts its next iconic character in the film’s lovable Baymax, who serves both as the movie’s voice of reason and the picture’s comic relief through his robotic, aloof humor.

Big Hero 6 marks a momentous occasion for Disney regarding diversity in children’s animated cinema. Featuring a diverse main cast voiced by multicultural actors — two of which are female scientists — Big Hero 6 hails over last year’s snow white Frozen, which faced controversy over the same issue Big Hero 6 managed to use to its advantage.

The film even features an animated cameo from former Marvel president Stan Lee himself, a quintessential Easter egg Marvel fans look for in each of the company’s movies.

Though Big Hero 6’s plotline is not entirely original and the movie often seems more like a Saturday morning cartoon special instead of a feature film, the animated flick is well-crafted enough to earn the long string of sequels it hints at in the movie’s after-credits scene.

Brilliantly constructed and charmingly written, Disney succeeds once again in creating an entertaining yet touching tale about a boy and his robot companion. Big Hero 6 gets a big whopping 10 out of 10 stars in my book. I predict this holiday to be a silent night as kids finally stop singing “Let It Go” and find their next fascination in the cuddly, lovable Baymax.

Artsweek

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MUSIC

 

Dr. John & The Nite Trippers

Dec. 3, 8:00 p.m., $37+

Mondavi Center

Six-time Grammy-award winning artist, Dr. John, will be performing a medley of his unique style of music. His sound reminisces the energy of his hometown of New Orleans and combines genres — jazz, R&B, funk, boogie woogie and psychedelic rock and roll.

 

Benjamin Piekut, Musicologist

Dec. 4, 4:00-6:00 p.m., free

Everson Hall Room 266

Musicologist Benjamin Piekut will be lecturing on his music research titled “Henry Cow, Rock Experimentalism, and the Vernacular Avant-Garde”.

 

AlottaCappella 2014

Dec. 5, 8:30 p.m., prices vary from $5 to $10

123 Science Lecture Hall

This a cappella showcase will feature musical arrangements from UC Davis a cappella groups including the Liquid Hotplates, The Afterglow, Jhankaar at UC Davis, The Lounge Lizards, The Spokes, Cloud 9 of UC Santa Cruz and the Davis Chamber Choir.

 

ART

 

Leonardo Art Science Evening Rendezvous (L.A.S.E.R.)

Dec. 4, 6:30-9:00 p.m., free

3001 Plant & Environmental Sciences, UC Davis

Four speakers will discuss the intersection of art and science, and the importance of continuing to offer cross-disciplinary courses at universities.

 

THEATER AND DANCE

 

The Fantasticks

Dec. 4, 5 and 6, 8:00-10:00 p.m.; Dec. 7, 2:00-4:00 p.m., $15

UC Davis Wyatt Pavillion Theatre

The Department of Theater and Dance will debut their fall musical this Thursday. This off-Broadway production will be directed by Kathy Morison.

 

Annie, Jr.

Dec. 5, 7:15 p.m.; Dec. 6 and 7, 2:15 p.m., $8

Davis Musical Theatre Company

The DMTC presents the classic tale of orphan Annie, featuring the young talent of Davis.

 

LITERATURE AND POETRY

 

SickSpits Fall Poetry Slam featuring Roxy Azari

Dec. 3, 7:00 p.m., free

TCS Building (Art Annex)

Two rounds of slam poetry – one featuring student poets and another by traveling featured poet, Roxy Azari

 

OTHER

 

Holiday Parade & Tree Lighting

Dec. 4, 6:00 p.m., free

Downtown Davis

This holiday parade begins at the Co-Op and ends at the E Street Plaza where the tree lighting will commence at 6:30 p.m., accompanied by musical performances. There will be free screenings of How The Grinch Stole Christmas at the Davis Varsity Theater (6:00 p.m., 6:40 p.m., 7:20 p.m. and 8:00 p.m.) as well as free horse-drawn carriage rides departing every 20 minutes from the 2nd Street curb.

 

Holiday Craft Auction

Nov. 12 – Dec. 5

UC Davis Craft Center

Bid for hand-crafted gifts at the Craft Center’s 13th annual Holiday Auction. Closing reception on Dec. 5 from 5:30 p.m. to 7:30 p.m., where the live auction items will be auctioned off starting at 6:00 p.m. Proceeds from the auction benefit the Craft Center programs.

 

ALLISON REISS can be reached at arts@theaggie.org

Crafting Gemeinschaft: There’s beauty in the breakdown

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Protesting as a means of expressing discontent is a recurring theme recently, as it has been the response to both the proposals for UC tuition increases and the ruling in the Ferguson case. Then there are the people protesting about workers having to work at 6 p.m. on Thanksgiving. On top of protests on Black Friday about unfair treatment of minimum wage employees, there were the protesters calling out the shoppers who prioritized discounts on vacuums over recent racial injustices, using the terms #BlackLivesMatter and #BlackoutBlackFriday in relationship to the ruling on the Ferguson case.

I am curious to see how much surface area of the world would be covered if you highlighted all of the places where people were protesting. Some of the pictures of the protesting look pretty apocalyptic too, like a scene out of War of the Worlds. We aren’t even under alien attack, unless you count a flawed judicial system, militant police officers and economic inequality as extraterrestrial.

In all of this chaos it’s common for some people to shame rioting and highlight the negative impacts of protesting and what effective social organizing looks like. I understand where some of these riot shamers are coming from when I think about everyone trying to commute to work and those who are trying to enjoy the little time they do get off of work. In my own experience back home in the Bay Area, I know that the closure of several BART stations impacted peoples’ plans to explore the city when they were in the area visiting family. However, the frustration that comes from showing up late to work and not being able to make it somewhere is nothing in comparison to feeling as if your life does not matter. When it comes to the riots taking place on campus about the tuition increase proposal, some people look down upon it because they think that it’s ironic that students are skipping class that they pay tuition for in order to protest about how much tuition they pay. But if their voices aren’t heard now, there is always the possibility that they may never be able to attend another class at a UC again.

Instead of commenting about how everyone is doing it wrong, I think President Obama’s outlook toward the Ferguson case and the resulting protests can be used to lessen some of the riot shaming. Obama revealed in his ABC interview with George Stephanopoulos that he thinks there is an “empathy deficit” and that both sides need to acknowledge the concerns of the other. The president also thinks that police officers should “work with the community, not against the community” and that protesters should remain peaceful. Even though saying that there is an “empathy deficit” is a relatively passive response, I think we should still acknowledge it.

If there was more empathy involved in our reaction to the protests, we would be able to see the beauty in some of the ways communities have come together amidst all this chaos instead of the way the media portrays it. One example of community are the protesters who stood in front of a store to prevent it from being looted by other protesters on Black Friday. When news reporters asked them their intention in standing there, they said that they came just to peacefully protest and did not want anything bad to happen. Then there is the popular photo of the police officer hugging the black boy holding a “Free Hugs” sign at a Ferguson rally in Portland. It is important that we keep these images in our mind instead of solely focusing on all the destruction the protests have led to. The protests have played their role in fostering a sense of community among a group of people who have a desperate need for it, as they feel alienated from their justice system, the armed force and their employers.

If you want to find beauty in the breakdown instead of looking down on people for standing up for what they believe in you can email NICOLE NELSON at nsnelson@ucdavis.edu.

Graphic by Jennifer Wu

Science is Serendipitous: What would you research?

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Science is Serendipitous

Did you enjoy your Thanksgiving holiday break? I know I did, which is why this column will be shorter than my previous ones. My main point throughout my writing has been to show you, the reader, how science can make a positive impact in society. Scientists spend their lives researching things ranging from stem cell cancer research to making a Mountain Dew drink that taste like Doritos (it’s actually real and called Dewritos). No matter how small or big, or how expensive or costless — someone always wants to conduct research. My question to the readers is this: What would you research?

We are part of what some might call the “ivory tower” schools. The university is in fact a public research institution, whose purpose is to produce the next generation of thinkers who solve our state’s, nation’s and ultimately the world’s questions. As students, we may not have the privilege of being in our own research lab 24 hours a day, but we are encouraged to answer the burning questions in our mind about pretty much anything. This had me thinking: Why not gather your questions through this column and pursue an impromptu research opportunity?

Is there something you’ve always wanted to know about things at the UC Davis? Do student sleep patterns correlate with their grades? Would we have a happier student body if Taco Bell closed at 10 p.m. at the Silo? Do students actually know who Gunrock is? These are some questions I had in my mind (and not the only ones, mind you…). I would like to know what kind of questions you have in your mind, and, if possible, pursue a research project to attempt to solve that question. I don’t have any funding at all, let alone a lab to work in, so in the immortal words of Bon Qui Qui: “Don’t get crazy.”

Why would I want to do something like this? I believe that research, in any form, is an expression of the scientific method. We can learn something about ourselves and even solve a problem, no matter how small. Should you wish to participate and help out with a potential research opportunity, send me an email (which you can find in my contact line). If you have a question you’d like to see researched (something UC Davis-related, or local), send me an email as well!

If you’re interested in this venture, email me your ideas (uwsufi@ucdavis.edu) or tweet them (@umayrsufi).

Graphic by Jennifer Wu

Guest Opinion: “Biting the bullet”

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During class today, a professor inquired about our involvement in the student protests. Her sly smile revealed optimism and pride stemming from her past involvement in political movements. A few students raised their hands, radiating immense feelings of gratification. However, one student raised his hand to disclose his opinion about the protests.

“Hasn’t the tuition already gone up?” he asked, insinuating that there was a lack of purpose to the protests. Immediately I realized that many students are missing the point of these public demonstrations.

The cost of a bachelor’s degree goes far beyond that of a quarterly tuition. Instead, an education will also cost you the high price of your time, your soul and your sanity. We students willingly sacrifice ourselves for a degree, a vast testament to our dedication to education. Now, this very dedication is used as collateral. Our degrees are held ransom by the university, unless we are prepared to pay the price. Some of the students have already invested years toward their degrees, so it is unlikely that we will forfeit our intellectual capital. Instead, we bite the bullet.

As a first generation college student, I already understand that post-college life involves repayment of loans, repayment of loans… oh, and repayment of loans. Basically, I am sacrificing my financial future for a degree. However, I did not realize that the university was going to keep doling out debt to students, with a blatant infringement on the right to an education. A college degree should not be limited to those that can afford to pay. Enough is enough.

The protests represent a communal voice and an opportunity for change. The marches, sit-ins, occupations and demonstrations speak to the sacrifices that thousands of students have made. More importantly, these protests empower students that have fallen victim to the tuition hikes (unfortunately, not everyone was able to afford the ransom). The protesters’ occupation in Olson Hall is a nostalgic and romantic gesture that reflects the history of student dissent. We are dissatisfied with the UC system and its lack of empathy for its students. It is time for change, and all good changes start with a voice. I am certainly relieved that the voice of the student community has spoken. While we may be willing to bite the bullet, we sure as hell will tell the chef how bad it tastes.

CHELSI FOREMAN can be reached at cbforeman@ucdavis.edu.

Graphic by Jennifer Wu