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Sunday, January 11, 2026
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Column: Baby blue

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Do you like Joni Mitchell? I love Joni Mitchell. When I was little my mom used to sing this one song to me, “Little Green,” which is about the child Joni gave up for adoption when she was 22. It’s the saddest song in the world and I absolutely loved it. My mom is great. Happy belated mother’s day, love you Mama!

The song is on Joni’s fourth album, entitled “Blue.” The album also features the song “Blue,” which has to be one of my least favorite Joni Mitchell songs. The lyrics start out “Blue songs are like tattoos / You know I’ve been to sea before / Crown and anchor me / Or let me sail away”. I mean come on Joni, you’re better than that.

But as dumb as those particular lines are, we sort of know what she means. It has something to do with tattoos that sailors would get or with loving someone who won’t take you or leave you or possibly about Joni’s failed career in the Merchant Marines.

But why do we understand so clearly what she means by “blue?” Blue has all these intense cultural associations — you can feel blue, sing the blues, you dress a baby boy in blue, blue bloods are the elite, the Virgin Mary wears blue and there is a particular shade called Aggie Blue and no one seems able to explain what makes it special or even what it is.

Hey, since we were talking about “Little Green” earlier, did you know that some languages don’t have separate words for green and blue? Tswana, Vietnamese and the Lakota Sioux language use the same word for both colors. In all three you sort of have to guess the shade based on context.

Anyway, why do we put so much emphasis on blue in the first place? Well, there’s the sky for starters. It’s above us, and it sure does look blue. I say “look” blue because as we all know the sky is in fact every color but blue. The atmospheric particles absorb light of longer wavelengths — reddish/yellowish light — but scatter the blue/green/violet end of the spectrum.

Then there’s water. I hear you out there, fellow humanities majors, being all sassy and telling me that bodies of water are just blue because they reflect the sky. Um, first of all, don’t sass me, and second of all WRONG! Because science says that while water may appear colorless in small quantities, it actually has a slight blue tint.

So blue is all around us, and it makes sense that we would be interested in it. But that doesn’t explain why we give it the meanings we do. I mean, why is sadness blue? Real talk? I don’t know. The first association of the color and the feeling in print is from Chaucer’s “Complaint of Mars” from 1385. So it’s real old. The internet seems to think it goes back to the phrase “to have the blue devils,” (i.e. to be depressed.) But the origins of that phrase seem to be lost to us.

The other associations are easier to explain and I’m gonna do it really fast. Before 1900, kids wore neutral colors and styles. Then in the 1900s, blue was the color used to dress little girls because it was seen as delicate and contemplative and boys wore pink because it’s a more childlike version of testosterone-laden red. Then suddenly in the ‘40s, manufacturers decided to market just the opposite pairings and American parents were like, “Oh no, we’ve been turning our little boys into perverts and we didn’t even know!”  So we all made the switch.

We call rich people “blue bloods” because in the old-timey Europe they stayed inside all day and didn’t have to work in the fields, so their pale skin showed their veins, which appear blue through some skin colors.

The Virgin Mary wears blue because Byzantine royalty wore blue, and the Byzantines were some of the first people to make Christian art, so they basically painted her as a queen. Also in Medieval times, lapis lazuli was the most expensive gem around, so making paint out of it to depict Mary showed that you really, really liked Jesus, or at least that your wealthy patron did.

I can’t help you with the Aggie Blue thing. Some things in life are meant to remain mysteries.

For a complete list of songs that KATELYN HEMPSTEAD’s mother used to sing to her — that now completely explain her personality — e-mail her at khempstead@ucdavis.edu.

Managing campus fire extinguishers is no easy feat

For Rocky Twitchell, every building at UC Davis has a number.

The Robert and Margrit Mondavi Center is 125, for example. Chemistry Annex? More than 200. Giedt Hall, a particular favorite of Twitchell’s, is a merciful four.

“Meyer has way too many,” he says emphatically driving past the rectangular hall on a busy Friday afternoon.

He’s no mathematician, but there is a common denominator in this numerical puzzle: fire extinguishers.

As the UC Davis Fire Department’s only physical plant mechanic, it is Twitchell’s job to monitor and service the 6,000 extinguishers spread throughout campus, as well as teach students, faculty and staff how to properly use them in his fire prevention classes.

It’s tedious work that he admitted often goes unnoticed by students and staff — but you’d be hard-pressed to find anyone more enthusiastic about those cylindrical red canisters.

“People say, ‘I’m not going to worry about [fire extinguishers]’, and that’s good — get out if there’s a big fire. But by the time we get there, people could be dead,” said Twitchell, a fast-talking guy with seemingly unlimited energy. He takes pride in his work — often referring to the extinguishers as “his.” “People don’t realize [extinguishers] are there for you. They’re the first line of defense.”

For the past six years Twitchell has been the keeper of the extinguishers, so to speak; a job he earned after working for four years as a groundskeeper at the UC Davis Medical Center. He was encouraged to apply for the job by UC Davis Fire Inspector Mark Moreno and worked for a fire extinguisher company before starting in order to gain the proper technical expertise.

Next to his desk in the fire department offices hangs a campus map divided into sections that each correspond to a month. His goal is to inspect every fire extinguisher in every building in a particular group by the end of its month, which averages out to about 500 extinguishers inspected per month.

Before setting out to a building to do an inspection, Twitchell loads up his truck with a box of new extinguishers and puts on a pouch filled with his necessary tools: a stack of green tags used to label the extinguishers, markers, a hole punch, safety seals and zip ties to hold the extinguisher’s pin in-place, and the keys to every door on campus.

“People, I’m ready for combat — I’m doing special work behind the scenes,” Twitchell said.

Next, he heads out to a building and begins making his way to each glass cabinet that houses an extinguisher. He checks to make sure the extinguisher is easily visible, hanging at the correct height and in its proper spot, not on the floor or buried behind a bookcase or lab coats.

Finally, he inspects the extinguisher itself, making sure that the safety seal is not missing from holding the pin in-place, the extinguisher has a green tag on it and the yellow pressure gauge is “in the green”, the shell is not damaged, and that the instructions can be easily read.

If it passes his inspection, Twitchell replaces its green tag, signs the date and scans its barcode with his scanner — which records the date of his visit and sends the data to his computer. If it doesn’t, he replaces the extinguisher immediately with one of the back-ups in his truck. He tries to fix as many of the the damaged extinguishers as he can and sends the rest to his supplier, River City Fire Equipment, for service. The “old generals,” as he calls them, that can’t be fixed are drained and thrown away.

While on his rounds, Twitchell also scans the hallways and mechanical rooms for fire hazards such as piles of cardboard boxes. The amount of time it takes to fully inspect each building depends on its size; Mrak Hall takes him about two hours.

He said a lot of students never see him on campus, since he tries to avoid inspecting classrooms during class time, when professors have viewed him as a disruption. Often, though, students’ curiosity will get the best of them.

“Some will say, ‘What are you doing here? I’ve never seen you before, what do you do?’ So I tell them, and they’ll say, ‘We have someone who does that?’” Twitchell said. “Then sometimes they’ll tell me if I missed [an extinguisher].”

A source of constant frustration is the number of extinguishers that are stolen or even thrown from the top of parking structures — phenomena Twitchell has tried to solve to no avail.

“There are no valuable parts on it. I can’t figure it out,” Twitchell said. “One time I wrote ‘GPS unit inside’ on it, to make them think it was being tracked. But no one ever fell for it.”

In his fire prevention classes, which he leads at the fire department and on the Quad during Fire Prevention Week, Twitchell and a student firefighter assistant use propane to set up a flame and give the class an opportunity to put it out.

Twitchell teaches his students to operate an extinguisher using the acronym PASS: Pull, Aim, Squeeze and Sweep. Grab the base of the canister, pull out the pin, aim the hose, squeeze the nozzle and sweep the spray back and forth.

“When people are in a fire, they don’t remember how to use an extinguisher. That’s why I hold the class,” Twitchell said. “One girl in the class couldn’t pull out the pin — she said, ‘I’m too weak.’ But I said, ‘You’re not trying hard enough. Just twist it.’ ‘Oh.’”

Campus Fire Marshal Morgana Yahnke said that Twitchell’s passion for safety made him a great advocate for fire prevention.

“Everyone has been receptive to his training and one of our goals is to make [his class] more widely available,” Yahnke said.

Fire Prevention Assistant Kimberly Stephens described Twitchell as dedicated and said his good old-fashioned work ethic is what enables him to take on the challenge of managing 6,000 fire extinguishers a year.

“It’s a demanding job, but he’s got a schedule and sticks to it,” Stephens said. “Every day he has a smile and a story.”

Despite recent cuts to the fire department’s budget that Twitchell said have led some administrators to discuss whether his job is necessary for the university, as well as the intense workload he often struggles to keep up with, he is adamant about his contributions to the campus.

“I’m making sure [students] are being kept safe. If you use an extinguisher, you just saved all kinds of property damage, and maybe even yourself,” Twitchell said. “[The university] needs me. I’m the only one who does my job.”

ERIN MIGDOL can be reached at features@theaggie.org.

UC Davis finishes third in Big West Conference

The exciting 2012 UC Davis softball campaign, which was highlighted by an upset over No. 8 Stanford as well as a lengthy battle for the conference championship, came to an end this weekend.

Although they were unable to achieve their dream of claiming a piece of the Big West regular season championship, the Aggies made it a season and weekend to remember with two strong victories against Cal State Fullerton.

Similar to the entire season, the final series of the year was an entire team effort as every starter recorded a hit or an RBI over the weekend.

On the mound, freshman Justine Vela, who started all three games, ended her extraordinary first season with two complete-game victories. With her strong weekend performances, Vela finished first in the Big West with the lowest conference ERA (0.95) and most strikeouts (272).

The Aggies finished with a final record of 24-28 and 14-7 in Big West Conference play. UC Davis came in just two games behind eventual Big West Champion Long Beach State and one game behind second-place Pacific.

Friday — UC Davis 5, CSU Fullerton 0
In a crucial game to keep UC Davis’ league title hopes alive, the Aggies came out strong in the series opener.

Vela performed well, allowing just two hits and striking out nine Titans.

“[Vela] is having good command of her pitches and is hitting her spots,” said head coach Karen Yoder. “She is mature beyond her freshman year of experience.”

The game was an exciting pitcher’s duel as each team managed just one hit through five innings.

UC Davis pulled away in the late innings however as RBIs by freshman, Cassandra Ginnis and seniors Kelly Harman and Rachel Miller gave the Aggies a 3-0 lead in the sixth inning before freshman Amy Nunez added a two-run homerun in the seventh to seal the game.

Friday — CSU Fullerton 9, UC Davis 1 (Five innings)
Needing a win to stay in the title race, the Aggies fell in the shortened game as two errors allowed the Titans to score eight unearned runs in their blowout victory.

After Megan Guzman singled to drive in fellow junior JJ Wagoner in the second inning, the game remained tied at one apiece through the top half of the fifth inning.

Unfortunately for UC Davis, a disastrous bottom of the fifth inning, marked by eight unearned Titan runs, ended the Aggies’ title dreams.

Saturday — UC Davis 5, Pacific 2
The Aggies ended their season on a high note by winning the rubber match of the year’s final series.

Seniors Kylie Fan and Heather Zimmerman combined to drive in three runs for UC Davis and three errors by the Titans allowed the Aggies to add two more in the close game.

The teams battled back and forth and traded the lead three times before Zimmerman’s sixth inning RBI single to drive in Fan gave the Aggies the lead for good. Harman would also score an insurance run in the final inning for UC Davis following a Fan single.

The win marked the end of the collegiate careers of seniors Fan, Miller, Zimmerman, Harman and Allison Smith.

DOUG BONHAM can be reached at sports@theaggie.org.

Senate briefs

ASUCD Senate meetings are scheduled to begin Thursdays at 6:10 p.m. Times listed are according to the clock at the May 10 meeting location, the Wall Hall meeting room at Tercero. The ASUCD president is not required to attend senate meetings.

Meeting called to order at 6:10 p.m.

Rebecca Sterling, ASUCD president, present
Yena Bae, ASUCD vice president, present, left early at 12:06  a.m.
Kabir Kapur, ASUCD senator, present, arrived late at 6:17 p.m.
Jared Crisologo-Smith, ASUCD senator, absent
Bradley Bottoms, ASUCD senator, present
Justin Goss, ASUCD senator, present
Anni Kimball, ASUCD senator, present
Paul Min, ASUCD senator, present
Don Gilbert, ASUCD senator, present
Joyce Han, ASUCD senator, present
Erica Padgett, ASUCD senator, present
Beatriz Anguiano, ASUCD senator, present, arrived late at 6:20 p.m.
Patrick Sheehan, ASUCD senator, pro tempore, present
Yara Zokaie, ASUCD senator, present

Presentations
Various groups attended to give presentations on why their organizations should receive funds during the budget hearings that took place Friday to Sunday.

Sherri Atkinson represented the LGBTRC and explained the lack of funding for SAFE Zone. ASUCD funds sponsored LGBTRC events with $1,500 per week.

Sydney Kofford, a representative from Safe Boats, explained that along with fundraised money, grants from ASUCD would assist in staffing boats with EMTs to tend to student medical attention during houseboat trips. This is also funded through student fees.

Steven Baissa, Director of the Cross Cultural Center (CCC) presented the need for grants so that the CCC could continue to provide programs such as the REACH Retreat, Black Family Week and Native American Culture Day, as well as to continue to recruit and support students of various cultures. Students also contributed to the presentation by addressing how budget cuts to the CCC would impact students.

Students for Justice in Palestine (SJP) expressed a censure in senators signing a resolution with the title of ‘senator’ in support of the United States of America-Israel relationship and requested a formal apology. ASUCD President Rebecca Sterling said that all senator signatures that were placed on the document would be removed as it violates ASUCD policy that forbids the utilization of the ‘senator’ title in matters unaffiliated with ASUCD. Some senators and Vice President Bae also apologized for the use of the senator title.

Upward Bound (UB) lobbied for more funds to benefit students and help them succeed in college. UB is a federal program that is funded in-part by the US Department of Education and has helped students apply to college through introducing them to college application and financial aid workshops.

Edward Yoo urged for the approval of  various resolutions that are approved by newly elected Police Chief Matt Carmichael to improve police activity on campus and police policy and procedure  and communication between the police departments and university constituents. Senators also addressed re-evaluating the WarnMe system notifications.

Britney Garzaniti expressed her liking of cultural days and urged for more information on allocation of senate reserves together in a public location and for more transparency in budget allocations.

Former ASUCD Controller Don Ho presented the negative sides of pre-treating t-shirts so that white ink can adhere to colored shirts and the benefits of purchasing a necessary heat press for ASUCD unit, Aggie Threads.

Appointments and confirmations
Daniel Connor was confirmed as Student Police Relations Commissioner. This position aims to improve the relationship between students and campus police officers.

Consideration of old legislation
Senate Bill 108, introduced by Bottoms, to allocate $4,349.99 from Campus Copies/Classical Notes equipment reserves to purchase necessary equipment for Aggie Threads to buy a pretreatment machine for higher quality shirts and to begin producing a greater amount of shirts. The bill passed unanimously.

Public discussion
Goss was elected to serve as a temporary protemp when Bae, stepped out.

Internal Affairs Commission Chair Sergio Cano proposed that all senate presentations that may run over 20 minutes should need to be approved three days ahead of the scheduled date.

Public announcements
There will be a UCSA-Regents meeting in Sacramento. Regents announced the option of a 60 percent budget hike. The meeting will take place at the capitol on May 16, 17 and 18.

Sterling announced the partnership between Creative Media and various ASUCD units to make advancements on their functionality and marketing.  Units such as Experimental College, Entertainment Council, Bike Barn, Classical Notes and the Elections committee have confirmed their interest in the proposal.

Padgett announced that The Pantry will be giving away 50 bags of groceries to students.

Sheehan announced that he and interns are making progress on the “A+” legislation.

Meeting adjourned at 12:36 a.m.

Open positions within ASUCD can be found at vacancy.ucdavis.edu. MUNA SADEK compiled the senate briefs. She can be reached at campus@theaggie.org.

Davis Dozen pleads ‘not guilty’ to U.S. Bank blockade charges

The Davis Dozen, 11 students and one professor who allegedly instigated the closing of the U.S. Bank in the Memorial Union, pled ‘not guilty’ at their second arraignment, Thursday, May 10.

A trial date will be set during a trial setting conference on Friday, June 1. The case was assigned to Judge Reed in Department 6 at 1:30 p.m. at Yolo Superior Court, said Assistant Chief Deputy District Attorney, Michael Cabral.

The Davis Dozen were offered a plea deal of 80 hours of community service, should they have pled guilty.

Over 20 counts of obstructing movement in a public place and one count of conspiracy to commit a misdemeanor were charged against them  on March 30.

“I think that the DA’s office knows it has a weak case and that is why they floated a plea deal, leaking it to the media well in advance of the court date. I think they wish this case would go away, but that they are being pressured by [Linda P.B. Katehi’s] administration to prosecute the dozen,” said Jonathan Dettman, a UC Davis Ph.D. Candidate in Spanish and Portuguese. Dettman has been in active opposition to UC privatization since the 2009 student-faculty walkout and runs a blog that often comments on the Occupy movement and student protests.

Dettman said that the District Attorney’s decision to continue charge the Dozen is upsetting.

“It’s disappointing that the District Attorney’s office has chosen to continue to press charges at the request of UC Davis administrators who have made many poor decisions regarding the law and its application to protesters,” Dettman said. “In three years of intense political dissent on campus, not a single protester has ever been convicted of a crime, while Katehi and the police have made many mistakes that have injured students and/or caused them to suffer other kinds of hardship, both legal and academic.”

Supporters of the Davis Dozen have been raising money for their legal funds on campus by asking for donations and selling t-shirts.

MUNA SADEK can be reached at campus@theaggie.org.

UC Davis files complaint against U.S. Bank

On Friday, May 4, UC Davis filed a complaint against U.S. Bank for its alleged breach of contract.

The suit claims the bank “assumes all responsibility for the protection of the Bank, its agents and invitees from acts of third parties… the Lease does not obligate the Regents to indemnify the Bank for the costs of providing security.”

There has been no news of U.S. Bank filing a countersuit.

The bank announced it was closing its doors on the UC Davis campus on March 1, subsequent to student protesters blockading the entryway and exit of the bank. The bank allegedly suffered significant losses due to the disruptions caused by the protests.

U.S. Bank collaborated with UC Davis in 2009, signing a ten-year contract that granted the university campus with a U.S. Bank branch. The program was set to bring forth a significant amount of revenue for the University; in 2011 alone, $167,000 in funding for student programs was generated through the proposal.

In the contract between U.S. Bank and UC Davis, it states payments must be made in the event of an early termination (13.7).

“Upon termination of this Lease … an equitable adjustment shall be made concerning advance payments under the Financial Services Partnership Agreement and any advance payments made by the Bank to University. University shall, in addition, return to Bank so much of Bank’s security deposit as has not therefore been applied to the University,” stated the contract.

In concurrence with the Occupy movement, student protesters sat in front of the bank in January and February, ultimately leading the bank either to close its doors early, or not open at all over the course of approximately seven weeks. Eleven students and one faculty member are facing charges following the protests. All twelve pleaded not guilty at an arraignment on May 10.

“Students and non-students forcefully blocked the only entrance and exit of the bank. These same protesters put their hands on bank customers and assaulted them, pushed them away, grabbed at their arms and hands,” said senior women’s studies major and former U.S. Bank employee Hassan Shabbir.

“I never expected the campus police to remain idle while these ‘protesters’ assaulted my co-worker, ripping bank documents out of his pockets and his hands as he tried to enter the office.”

Under the Information on Rights and Responsibilities Concerning Peaceful Protest at UC Davis, protesters allegedly violated the Relevant UC Davis Time, Place, and Manner Requirements, disobeying the clause stating “Does not interfere with property entrances and or exits,” in addition to a disregard for several other requirements, including the “Disruption or Interference with University Operations.”

“The last thing in the world you want to see is 11 students and a faculty

member facing charges — even misdemeanors that reportedly could be
resolved through community service and no jail time,” said UC Davis spokesperson Barry Shiller.

“It’s vital to remember that the charges were filed only after campus police received multiple complaints from students and others alleging that they had been prevented from entering or leaving the campus U.S. Bank branch. And the blockades continued despite 12 attempts — six in writing — by campus staff to educate protesters about the risks of continuing their actions,”  Shiller said.

“It’s an inconvenience because it’s the only bank which is on-campus; it was the only reason I chose U.S. Bank. However, I’m glad there’s a U.S. Bank ATM because getting charged two dollars in tax is unnecessary,” said international student and first year psychology major Anum Idris.

GHEED SAEED can be reached at campus@theaggie.org.

Open Door Art Studios brings artists together

The Open Door Art Studios held its second open door event in Downtown Davis on Friday, May 11 from 5 to 8 p.m. The studio is located on 231 G Street in the Court and Cedar Plaza. It spans several units and occupies a large portion of the second floor.

Open Door is currently a collective effort between a group of artists looking to showcase their work and to create an interest in the procedure of making art. Each artist will be able to rent a space in the studio and subsequently work on and showcase their art in said space.

The first opening back in April received positive support, including prominent local figures such as several city council members. The summer heat and Whole Earth Festival may have slightly hampered Friday’s turnout, the organizers said.

Marieke de Waard, an art teacher at the UC Davis Craft Center, is one of the artists participating in the studio.

“We want to be as diverse as possible, meaning photographers, quilters, painters, even sculptors,” de Waard said. “We hope it will evolve.”

On display were a variety of works ranging from abstract paintings to photographs. In the future, the space will have actual artists working in them alongside displays of their work. People will be encouraged to not only admire the artwork, but to get a chance to ask the artists themselves about techniques, inspirations or anything else.

“Everything is in Davis already, we have the art galleries, we have the art school, and this is not meant to be a competition, it’s meant to be a supplement,” de Waard said. “Something kind of in-between, so if the art school would do something with us, we are here to cooperate with each other.”

De Waard was also very open to students coming in and getting involved too. When the studio is fully underway, there will be plans to keep it open until 8 p.m. Students could come in after eating downtown and enjoy the art.

Jamie Anderson, a veterinarian who runs a practice in San Francisco, is an abstract artist on the side. She has three degrees from UC Davis, but has never taken an art class.
“In 2004, I went into an art gallery and I saw these beautiful abstract works. And something just clicked in me. I’ve never done art before. I’ve never purchased any art before, but after purchasing two works I became passionate about abstract art,” Anderson said. “There’s something really freeing about abstract art because anybody who looks at it may see something different.”

For Anderson, art is more of an outlet, something totally separate from the circumstances she has to deal with as a veterinarian. She wants to see the art community thrive in Davis.
“That’s what the world needs, some sharing and kindness and have it not be so serious,” said Anderson.

Ben Tuason, a photographer who moved to Davis recently, showcased a different facet of art at the event. He previously had an art venture in Sacramento and has work featured at Crepeville.
Tuason held a casual interest in photography since his college years. At first he would primarily do family or personal portraits, but with time his work became less focused on the people themselves and more on moments in time.

“I can go back to a place and catch the same picture again,” said Tuason. “With trees and landscapes you can go back one hundred times and still capture the same picture. But by capturing that one moment in time, it gives it some dimension that you cannot recapture.”

“If I was late or too early, I would not be able to capture this particular action,” he said in regards to a photograph of a boy suspended in motion on a bustling street.

Each artist specializes in vastly different areas of art, but they can all come together for a singular cause: encouraging a keener interest in art for the community.

De Waard said students have not shown a strong interest in the studio as of yet, but they are more than welcome to do so.

“They should bother us,” de Waard said.

Plans are still underway for the full opening of the studio and each artist will have to go through an impartial jury selection process before they are allowed to work at the site.
Further updates and additional information can be found at opendoorartstudios.org.

ANDREW POH can be reached city@theaggie.org.

An Interview with Dave Nachmanoff

Dave Nachmanoff is a busy man. He’s a prolific singer-songwriter, the father of two, with a doctorate in philosophy from UC Davis who also tours with Al Stewart and plays a variety of instruments. In addition he has just released his new album Step Up, nearly five years after his previous release. Despite his busy schedule, Nachmanoff still somehow manages to find time to not only perform at the Whole Earth Festival (WEF) at 11 a.m. on the main stage on May 12 but to also play at Luigi’s on May 10 with Hardwater, a local band. The Aggie caught up with Nachmanoff to learn more about his new CD and upcoming performances.

MUSE: Can you give a quick introduction about yourself?

NACHMANOFF: I am a longtime Davis resident, a UCD alum and a professional musician. Most of my gigs are actually out-of-town, though, so I haven’t been as much a part of the local music scene as I’d like to be. I grew up in Virginia, but moved to London and New York City in my late teens. I had been a big fan of Al Stewart for years and through a mixture of luck and being prepared I became his lead guitarist and touring partner around 2001. I’ve toured as a solo acoustic artist, and have nine CDs out (plus numerous side projects). But I really enjoy playing with a full band, and since my new CD, Step Up, is less folk and more rock/adult-contemporary, I’m starting to do more full-band shows, including the two Davis shows in May.

How many times have you played at the Whole Earth Festival?

This will be my fifth or sixth time over the years. I played a set on the quad stage back in 1997 or 1998 soon after my first CD was released and several times in the years right after that. I’ve played on the kids stage, the acoustic stage, and then for a number of years I didn’t apply for the festival, as I was usually on the road somewhere when it was taking place. This will be the first time back on the quad stage in quite a few years, and I’m really looking forward to it.

Will you be performing with anybody else (because Hardwater is performing with you at Luigi’s)?

This set (as well as the show at Luigi’s) will be a full-band show, with some wonderful musicians who are all longtime friends of mine. The guitarist, Martin Lewis, used to play with me in the late 80’s when we were students at Oxford University and then in New York City. Jeff Simons (bass) is pretty well-known both as one of the owners of Watermelon Music, but also as a phenomenally talented bassist and guitarist who has played with many different artists. The drummer, Graham Roggli, grew up in Davis and brings the average age of the band down considerably (yay Graham). We will also have my good friend Donna Lemongello (a.k.a. the “harmony machine”) joining us for some of the set on vocals. So, it should be a nice big sound.

As an acclaimed songwriter, what’s the most interesting songwriting workshop you’ve ever led?

It’s hard to pick a single example as I’ve been lucky enough to do work with some really diverse groups. One of the most interesting was a center for aphasia patients in New Jersey. Aphasia is a language disorder that is often the result of a stroke or brain injury that renders people unable to speak (and sometimes unable to write as well). With the help of a friend of mine, Bruce Kalter, who regularly volunteers at the center, I led a three-hour workshop in which they wrote not one, but two songs, one of which (“Tip of My Tongue”) was all about what it’s like to have aphasia. It was a very challenging, slow process, but incredibly rewarding.

I’m really grateful for the chance to play at WEF once again and for the great musicians that are coming to join me. There is a ton of stuff on YouTube, and if people want to hear some samples of the music, or read more details about what I do, I’d encourage them to visit my main site, davenach.com. Thanks for helping to spread the word. Go Aggies!

WEF is free for all. The show at Luigi’s will be $10 for adults and free for kids.

MICHELLE RUAN can be reached at arts@theaggie.org.

ASUCD faces 1.52 percent tax from University Office of the President

The UC Office of the President recently decided to place a university-wide 1.52 percent tax on the expenses of ASUCD units.

In the past, money from individual campuses was centralized at the UC Office of the President before being redistributed. This new tax, however, will allow campuses to maintain control over their individual revenues while paying the 1.52 percent tax.

“It’s a 1.52 assessment from the Office of the President and is UC-wide. In the past, the Office of the President used to get all of the money, but now they are flipping it and every campus retains their own money,” said ASUCD Business Manager Brett Burns.
The decision was made by UC President Mark Yudof and it has been said that it was not an easy decision. Money from the tax will go to funding the UC Office of the President. Yudof left it up to the chancellors of each campus to choose where to find the funding for the tax.
Specifically at UC Davis, the ASUCD Coffee House will be assessed $67,175 and Unitrans $65,721 for the 2012-13 school year.
“They are phasing in ASUCD. They think that it takes off a slight burden, but it doesn’t do justice,” said ASUCD President Rebecca Sterling.
Over three years, ASUCD will need to assess the full tax, rather than the one-third it is currently responsible for. For the first year ASUCD will pay one-third of the tax, for the second year two-thirds of the tax and for the third year the full 1.52 percent tax.
“We are pretty scared about how it will impact things like the Coffee House and Unitrans. How many students employed, prices offered and hours open will be affected,” Sterling said.

When the tax was first being considered, ASUCD knew it would need to bear the burden, but was upset that it would need to assume the tax.

According to Sterling, ASUCD is confident that it will be funded through the first year, but is worried about what will happen once the assessment triples.

“I think two years from now ASUCD will be making different decisions,” said Melanie Maemura, ASUCD Controller.
As ASUCD Budget Hearings approach, ASUCD is working to adjust the budget to allow for the new tax.

DANIELLE HUDDLESTUN can be reached at campus@theaggie.org.

Tipper, Kraddy, and Joe Daddy come to Freeborn for Whole Earth

Last year’s Wellman DJ Pit, once a feature of Davis’ Whole Earth Festival that was canceled over growing safety concerns after reports of a rape, among other charges, will be replaced this Whole Earth Festival by a performance by Tipper, Kraddy and Joe Daddy in Freeborn Hall.

The venue change from the Wellman Pit to Freeborn Hall comes less an as abolition of the “DJ pit” than as an alteration toward increased security. The pit of Wellman will be vacant and lifeless this year, but the halls of Freeborn will be, as intended, thumping.

“After hearing that the Wellman Pit would not be happening, I decided that Entertainment Council could create a safe space and hold an event in Freeborn Hall in place of the Wellman Pit,” said Entertainment Council director Henry Chatfield. “My goal is that attendees of the festival will still be able to have a place to dance and enjoy the same type of music that the Wellman Pit offered, but in a much more controlled space to make sure everyone is safe.”

Chatfield went on to make it clear that the move away from the Wellman Pit is not the only change being implemented. Entertainment Council has, he emphasized, gone the extra length to compensate for whatever loss Whole Earth fans might have felt in the wake of the Wellman Pit’s cancellation.

“We are bringing in two big and very well-respected electronic DJs and a huge sound system with twelve subs that will line the front of Freeborn Hall and professional lighting with lasers and the whole nine yards,” Chatfield said. “We also have a team of art students who are collaborating with us to build a really cool installment for the stage design. Even if you’ve never heard of the artists, it will be worth the $12 flat admission fee just to check out the extraordinary environment we are creating inside Freeborn Hall.”

The lineup will add to the robust environment that Kraddy, a previous member of Glitch Mob and a long time electronic veteran, creates.

“For anyone who likes dubstep, glitch hop or bass music in general is going to really enjoy dancing and listening to his set,” Chatfield said.

The second headliner, Tipper, is someone Chatfield explained to me as a highly respected figure within the electronic community, and is widely regarded as a sound design and bass music genius/prodigy.

“… anyone who has heard Tipper’s music, especially live, is entranced by it. His live performances are actually pretty rare,” Chatfield said. “I was very happily surprised when we were able to work out a deal to be able to bring him to Davis and this really is a once-in-a-lifetime opportunity to see him in this setting.”

The set will be this Friday in Freeborn Hall starting at 8 p.m. Tickets are $12.

JAMES O’HARA can be contacted at arts@theaggie.org.

Campus Judicial Report

Caught on Tape

A student was referred to Student Judicial Affairs (SJA) for stealing from the university bookstore after a security officer observed and identified the student with security cameras.  The student admitted to stealing over $175 worth of merchandise over multiple days.  When he met with a Judicial Officer, the student agreed to be placed on Disciplinary Probation for two years.  If a student on probation violates the rules again, he or she will likely be suspended or dismissed from the University.  In addition to this disciplinary sanction from SJA, the student agreed to pay $1,400 in restitution to the bookstore.

Overnight Success

A student was referred to SJA for allegedly plagiarizing an essay in an English class.  The professor noticed that the essay was significantly better than the student’s previous work and suspected that it was not the student’s own work.  When the student was called into SJA, she explained that a friend of hers had proofread the paper, pointed out mistakes and corrected errors.  She asserted that she did not have anyone proofread her earlier papers because she wanted to show improvement by the end of the quarter.  The SJA officer in charge of the case did not find this explanation credible, but was not able to find a source that the student had clearly plagiarized from.  In the end, they agreed to resolve the case with a Censure.  A Censure is a written notice that a violation has occurred — and in this case the student admitted that she had probably received more help than allowed from her friend.  If the student is found in violation again, she will likely receive further disciplinary action.

Not-So-Smart Phone

An  economics professor referred a student for using unauthorized materials during an exam.  The professor noticed that the student was looking at his cell phone, which he held between his knees during the exam.  When asked to see the phone, the professor found many pages of typed and scanned notes on the screen, containing information that the student was being tested on.  The student admitted to having his cell phone out but alleged that he was not looking at the notes on the screen.  However, simply having a cell phone out and on is prohibited during testing — whether or not a student intends to cheat using the phone — and constitutes as “use of unauthorized materials during an exam.”  The student agreed to Deferred Separation, meaning that if he is found in violation again, he will likely be suspended or dismissed from the University.

Column: World, here we come

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“I want to go on exchange because I dream a lot. I dream of having a big family, changing the world through environmental education and being loved. These are my big dreams. However, I also dream of seeing a Broadway show, enjoying summer all year round (at least for a year), hiking in the Rockies, speaking French everyday or living in a city where my great-grandfather was born.”

I wrote this a year and a half ago in the application for my university’s international exchange program. Barnard College in New York City, University of British Columbia (UBC), McGill University, University of Chicago and, of course, University of California, were included in my top five destinations. Needless to say, I would have been very excited to go to any of those other places had I gotten an offer from, but how come all the school who accepted my application were in North America?

In the words of my brother — I wasn’t brave enough! He’s now considering to go on exchange for his third year. Chicago and UBC seem possible destinations, but he thinks that the other options of Chile and Vietnam would be simply too much. Similarly, I had my eyes set on New Zealand for a long time. But when it came to filling the application, I didn’t have courage to put NZ universities on it — it just seemed too drastic.

North America seemed much closer to home, more familiar, less uncertain. I have friends who studied here, family friends living here, family history that was born here and I’ve had a dream of this place ever since I had first heard about it. All my chosen places seemed exotic enough to justify the internationality of the exchange (Canada!). I was more than OK with going to California.

Leaving my home country Lithuania to study abroad in Edinburgh then leaving Scotland for California, of course, takes guts. I seem so worldly, but Edinburgh was a safe choice; I knew the language and many Lithuanians study in the UK so I was familiar with all the procedures and what to expect before I even got there. Apart from hearing about occasional earthquakes and scary stories, I thought Los Angeles, California was also a safe choice.

Why do other exchange students come to California? Good schools, great climate, surfing, skiing, Hollywood, California Gurls, U2’s The Joshua Tree (maybe just me for the last one). Most people think that they have California all figured out — even without visiting it! In reality, California is even more magical now that I know how much I don’t know about it.

What this year taught me, however, is that the world is our oyster. No more dream places — I see these now as inevitable plans for my future.

When people ask why we chose UC Davis, we laugh and say that we didn’t. Some invisible people decided for us that we will be going to Davis for a year and not Berkeley, San Diego or Santa Barbara. And it turned out to be not bad at all.

Davis was never my dream. (I didn’t even know about Davis until a year and a half ago! Heck, my first reaction to this placement was no no no no!) But now I will always dream about Davis. Everyone should end up going to their Chiles and New Zealands, but they should also go to their undreamed-of Davises. Even if it is as close as the Bay Area or as far as the actual New Zealand, nothing’s gonna stop us now.

Times have changed since my great-grandfather was born in Chicago in 1916. Several years later the family returned to Lithuania then communists came and everything changed. All his life my great-grandfather wanted to go back to the United States, but he was never allowed to. And here I am, his great-granddaughter, living under the amazing California sun and telling his story to the world.

So, I did end up getting my all-year-round summer. But I also got so much more — starting with a stronger faith in dreams.

Even when she’s daydreaming, you can catch KRISTINA SIMONAITYTE at ksimonaityte@ucdavis.edu.

Letter to the Editor: Summer Session fees

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The May 1 editorial on Summer Sessions costs is a serious reminder of the pressure students face with significantly rising tuition and fees. These are difficult times and, as we look for ways to continue offering a quality education with an ever-increasing budget gap, we commiserate with you.

Unfortunately, UC, CSU and community college fees will likely continue to rise as the state’s budget deficit does not appear to be reversing direction.  Under this uncertain future, students may view Summer Session as a hedge against future higher tuitions and fees.

Summer Sessions is developing strategies to offer more seats in the courses students need. We are collaborating with academic departments to increase the number of courses and raise enrollment caps for high demand courses. We are working with Academic Technology Services toward offering at least one or two full lecture capture courses this summer, and hope to offer online and hybrid courses in the summer of 2013.

Summer Sessions may play a minimal role in the education of many UC Davis students, but it can be a valuable tool to those who want to leverage their time here.

Mary P. Wall
Director, UC Davis Summer Sessions

Guest Opinion: ASUCD budget hearings

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On Friday, ASUCD will begin the process of finalizing its budget for the 2012-13 fiscal year. On its face, the budget is an enormous and esoteric book containing numbers which correspond to financial line items most of the student body has never heard of. But once the book closes and the budget is finalized, the fiscal effects reflected in your student government’s deliberations will begin to permeate noticeable aspects of campus life.
If you’re a member of a club, if you eat at the CoHo, if you have ever received a piece of Aggie Pack swag or attended a culture day, then you will notice the impacts these numbers have. Politics is a matter of priorities. There is no such thing as a completely fair or equitable budget; thus, when the Senate debates where to allocate scarce resources, it’s a reflection of our priorities as senators and where we think the student body wants to see their hard-earned fees allocated.
But senators are ignorant and, at times, completely disconnected from the tenor and feelings of the student body at large. Aristotle said that in the absence of perfect practical knowledge, the next best thing is to aggregate as many dissenting opinions as possible and attempt to get as asymptotically close to the truth as possible.

So I urge you, come, be that aggregate and tell your senators where you want your fees allocated, because those fees are yours.  ASUCD is bankrolled by the students and is in turn meant to serve them. Come to budget hearings, beginning on Friday at 5 p.m., on the third floor of the Memorial Union, and ensure your fees are being used properly, because government transparency only matters if there’s someone to stare through the glass.

Event seasons are ending…

Time is running out — as the Mondavi Center, the Department of Theatre and Dance and the Department of Music seasons come to a close, so does the curtain on the opportunity for your free ticket to any show.

All first-year students, whether undergraduate, graduate students or transfer students, are given the opportunity to redeem one free ticket to any event during their first year at UC Davis. This deal only applies to Mondavi Center Presents, Department of Theatre and Dance or Department of Music events.

As soon as students are registered for their first quarter of classes, they become eligible to redeem their free ticket.

“There are only a few events left for the season, so don’t miss out on using this use-it-or-lose-it ticket,” said Mondavi’s Public Relations Coordinator Amanda Caraway. Tickets can be reserved either by phone or in person at the ticket office.

In addition to this first-year deal, all UC Davis students save 50% on tickets for Mondavi Center Presents events. These are not to be mistaken for shows such as Florence + The Machine, though, as the Mondavi Center also serves as an entertainment venue rented out by outside groups.

To further make entertainment and tickets more accessible for students, the Mondavi Center sets aside a number of tickets for each show to be purchased before the show is sold publicly.

“We have ‘on-sale’ days before every season and ‘just-added’ shows,” Caraway said. “For two to three days, we allow students to purchase tickets before the public has access.”

There are additional discounts awarded for season subscribers or “choose your own package” purchases where specific shows can be picked out from a variety of series and combined for a small discount.

The Mondavi Center celebrates its ten-year anniversary next season, boasting events and shows in the new lineup. Brand-new events were just added to the Mondavi Center calendar, including Lyle Lovett on July 7, Steve Martin on August 25 and Eddie Izzard on October 26.

“The upcoming shows are exciting,” Caraway said. “I would advise students not to walk, but to run, to the ticket office for Steve Martin.”

For more information about the remaining shows of the season and next year’s events, visit mondaviarts.org, theatredance.ucdavis.edu and music.ucdavis.edu.

ELIZABETH ORPINA can be reached at arts@theaggie.org.