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Tuesday, December 30, 2025
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CD Review: Lana Del Rey

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Lana Del Rey
Born to Die
Interscope Records

Rating: 3.5

Lana Del Rey’s Born to Die includes the melancholic and potent “Video Games” that brought her into fast relevance in the later days of 2011. It is a song that, alone, can elevate an album into the positive echelons of any review. It hits a generational chord that vibrates through and through, as if perfectly synchronized with the melancholic perturbation that is ours, the video game generation. Finally, some real musical depth to the notion.

Her album is good, but it is no generational emotive mirror in music form, and it is not necessarily the coming of any musical prophetess. This is inevitably a disappointment, because who is truly ours? Where is our generational musical reflector, our poet, our melancholic and lyrical boom mic?

We could make cases for many, but it would be easy to doubt every one.

Lana Del Rey presented herself to the world like someone profound and gifted, and then she had the audacity to flop at a “Saturday Night Live” performance and releases an album only moderately excellent. Our greatest sin is hope, they say.

I would not count her out by saying that Born to Die is a flop performance by any means. There are songs here, “Video Games” excluded, that ring with some depth and much catch, like “Blue Jeans” and “National Anthem.” But none, and perhaps this will never be achieved again for her, burn through the soul like “Video Games.”

Of course, she is young and new and there is much time for her to craft something we can canonize in the form of a recurring playlist. There is still hope that the next time she will pull a “Kanye” and force us to not only like her, but love her, it is because she is just so damn good.

Give these tracks a listen: “Video Games,” “Blue Jeans,” “Born to Die”
For Fans Of: Florence and the Machine, Nicola Roberts and Lykke Li

Column: Animating the imaginary

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There are moments where I am sitting in my lecture hall staring down at the 20-something rows of seats in front of me, just listening to the cars whistling by outside. It is crazy to think that the convention between this four-walled and predictably constructed room can no longer hold my attention for more than 20 minutes. As my professor’s voice begins to fade into obscurity, I begin animating in my head.

Animation is one of those concepts that has slowly and weirdly crept back into my adult life. I never thought that the idea of creating imaginary characters could be so refined that it has oozed from the abstract thoughts in my head, through my fingertips and onto this sheet of paper on which I am supposed to be taking notes of the importance of neo-classical and Roman art influences on American paintings and sculptures of the 18th century (blah, blah, blah).

It’s funny to think that I grew up watching “Tom and Jerry,” The Little Mermaid and Japanese anime, thinking that it was just a childish engagement that I would eventually grow out of. But the reality is that I have, more than ever, become obsessed with this genre of art.

Last year, while watching Disney’s animated film Tangled, I felt connected to the film on an unusually strong emotional level. It wasn’t because of the storyline in particular, but through the pairing of Allen Menken’s originally composed music with the constructed visuals, I felt a surge of nostalgia that I hadn’t felt in quite some time.

I was curious as to how a 3D computer-generated film reminded me so much of my childhood in which I grew up watching 2D animations like Aladdin or The Lion King. I eventually realized that it was because animation as a genre itself is meant to, in essence, preserve the innate child in us that is yearning to get out — one that is constantly being repressed by our logic telling us that we need to grow up.

After that strange and embarrassing occurrence in which a Disney film made me sob like a two-year-old, I began researching techniques on how to create stop-motion, 2D and 3D animations (computer-generated imagery or Claymation).

Like stripping off a layer on that very clichéd analogy of an onion, I realized that animation goes beyond sophistication as a form of science meshed with art.

The process of animation is one that is extremely time-consuming. The number of hours you’ll spend making a frame-by-frame (stop-motion) animation is mind-blowing. Depending on how long the frame is played back, a few hundred photographs will make a mere few minutes of footage.

An animator named Bruce Bickford is an example of someone who has taken animation into a form of art that embodies an altered state of mind. He creates hundreds (possibly thousands) of figures using clay and scenic backgrounds. Through a series of slight alterations of the character’s arms, legs or facial expressions, he then takes a snapshot of the minuscule change to document movement. Boar’s Head/Whore’s Bed is one of Bickford’s animations, and it has over 4,500 frames.

Although realistically I know I might not be able to pursue animation as a career, I can’t help but marvel at the medium. It’s important to realize that to appreciate art for what it is, you need to first appreciate it for its process and not the final product or label.

When I walked into the theater that day to watch Tangled, a mass-produced and commercial film, I had no clue that it would provoke this artistic exploration that has opened me up to so many other independent artists like Bickford.

UYEN CAO would like to know what your favorite animated film is. Let her know by e-mailing her at arts@theaggie.org.

Campus Judicial Reports

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Drinking and vandalism don’t mix

Two students were referred to Student Judicial Affairs (SJA) for suspected vandalism and underage drinking. The two students had been drinking and had ventured downtown where they were detained by the police on suspected vandalism.  At an informal meeting with a Judicial Affairs Officer, the two students said that they had been drinking and had gone downtown where they were the suspects of vandalism. The matter was resolved informally and the two students agreed to Disciplinary Probation and a referral to the Alcohol, Tobacco, and Other Drugs Prevention Program. While being on Disciplinary Probation, if a student violates any other university policies, they will likely be suspended or dismissed from the university.

No plagiarism here

A student in a seminar class was referred to SJA for suspected plagiarism. The professor suspected plagiarism because the student’s work seemed out of character from those previously submitted by her. At an informal meeting with a Judicial Affairs Officer, the student admitted that her paper seemed different from her other work because she had expected the paper to require a different writing style. The case was resolved informally and it was agreed that the student had not plagiarized.  The professor agreed that the student’s story seemed credible, and the student’s work was graded normally.  The case was closed.

That’s my art

Two students were referred to SJA for turning in someone else’s work for credit in an art class. Upon an informal meeting with a Judicial Affairs Officer, the students admitted that they did not have time to submit their work and had asked a mutual friend to submit their work for them. They said the work was their own but they had merely asked a friend to submit it for them. The professor said that they had to submit their own work in person and that no one else could turn it in for them. The students replied that they had not been aware of this rule and agreed to an administrative notice.  The case was resolved as a non-dishonest violation of the academic  code, meaning that the students had unknowingly violated the academic code. An administrative notice informs the students that they need to be aware of the rules of their specific class and of the university.

CAMPUS JUDICIAL REPORTS are compiled by members of Student Judicial Affairs.

Column: The real economy

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In Margin Call, a film about the 2008 economic meltdown, an investment banker watches as all of the firm’s financial products become worthless. When his boss attempts to console him, noting that he could have been “digging ditches all these years,” the banker responds, “That’s right. And if I had, there’d be some holes in the ground to show for it.”

This is a common refrain in analysis of the financial crisis: Instead of swapping derivatives on Wall Street, we should be building things.

It’s true that Wall Street is a parasite, producing nothing of value while siphoning off money from the rest of us. The vast majority of transactions exchange existing stocks that don’t even provide additional capital to businesses. Wall Street’s real function is not to fund risky new ventures but to concentrate wealth in the hands of the one percent.

However, bourgeois liberals and right-wing populists who long for a return to good, solid, virtuous industrial capital are living in fantasyland.

Let’s take Apple, a company recently praised by President Barack Obama. Unlike collateralized debt instruments, the commodities that Apple makes have a genuine use value for consumers.

Yet these sleek machines conceal the labor required to manufacture them. According to a recent report by The New York Times, Chinese workers are often made to work over 60 hours per week in dangerous conditions to produce iPads in Apple supplier Foxconn’s factories.

Foxconn, driven by Apple’s relentless demand for products on a slimmer profit margin, drives workers to exhaustion while skimping on ventilation and safety equipment. Last May this led to an explosion which killed four and injured 18.

Meanwhile, Apple inspectors seem to pass over their supplier’s abuses. As one Apple executive said: “You can either manufacture in comfortable, worker-friendly factories, or you can reinvent the product every year, and make it better and faster and cheaper, which requires factories that seem harsh by American standards. And right now, customers care more about a new iPhone than working conditions in China.”

So, while it is true that banks and investors produce nothing of worth, we should also remember that real-world commodities like the latest iPod emerge from the factory stained with blood.

Some might argue that the abuses seen at Foxconn are the result of China’s more authoritarian form of capitalism. Employees are better protected here in the U.S., we’re told.

Of course, no capitalist enterprise would choose to pay an American a living wage when they could just as easily pay someone else a starvation wage.

Indeed, capitalists and their flunkies are overjoyed at the increase in profits made possible by the cheap labor provided by China and the third world. Global capital’s faithful apologist, Thomas Friedman, lavishes praise on one of Apple’s Chinese plants, which woke its workers in the middle of the night for an extra 12-hour shift when an emergency order of iPhone screens came in. “Average is over,” as Friedman puts it.

But even if we somehow repatriated those factories, there’s no reason to believe it would somehow transform them into workers’ utopias.

From the Upper Big Branch Mine disaster to the Triangle Shirtwaist Factory fire, American companies have a long history of preventable deaths. Capitalists will always undermine or ignore safety and labor regulations in their pursuit of ever-expanding profits. It’s just business sense: dangerous, low-paid work is cheaper.

These arguments about a golden era of manufacturing in America represent the latest in an age-old reactionary tradition which blames a single scapegoat for the ills of the entire capitalist system. Automobile tycoon Henry Ford railed against banks, claiming they were an international conspiracy, while police gunned down unemployed protesters in Detroit.

Now, libertarians like Ron Paul attack the bank bailouts but call for a repeal of minimum wage laws and the Occupational Health and Safety Act.

My point is that we shouldn’t ignore the grotesque wealth grabs of the banks. (Even as they help wreck the economy, a Goldman Sachs employee was overheard boasting that “My garbage disposal eats better than 98% of the world.”)  At the same time, we also cannot overlook the exploitation of industrial works.

As long as we remain within capitalism, workers in the real economy will be sacrificed to make more profits.

JORDAN S. CARROLL is a PhD student in English who can be reached at jscarroll@ucdavis.edu.

Letter to the Editor: Response to “Not in our interest”

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In the Jan. 31 editorial “Not in our interest,” the authors make a case against the appropriation of campus resources in order to allow a bank to occupy space in the Memorial Union. However, they attempt to conceal weak arguments behind lofty rhetoric intended to shamelessly romanticize the college campus as an enlightened utopia thriving on the raw power of pristine, distilled human ingenuity. Though they are right to seek to define a campus’ meaning, they fall victim to a pervasive “campus-as-church” fallacy, a hyper-educationalism more akin to a grandfather’s nostalgia about his days at Yale than to the present reality of student life.

The authors contend that the bank consumes “prime campus space that is meant to be a central location for student activity and resources.”  What, then, becomes a permissible student resource for the MU? Perhaps the dining services and coffee shop that dominate half of the main level are acceptable simply because the authors make use of them, whereas the bank is a nuisance because it does not serve their needs.

Whatever their criteria, by the authors’ broad standards and elitist educational puritanism no moneymaking enterprise can dare lay a claim to students’ funds on a college campus. STA Travel — also located in the MU — is a privately run travel agency that charges fees for its services, but no one is calling for its expulsion from campus. Starbucks has locations at the ARC and the Silo, but its overpriced coffee and for-profit mission has not incurred such indignation.

If I can grab a latte after class at Starbucks, what of the students who genuinely desire to use the services of U.S. Bank? The authors paint the bank as some tyrannical vacuum of hard-earned cash. Yet the institution retains its station at the MU precisely because of, not in spite of, the students who use and benefit from its services. These services include investment opportunities from humble savings accounts to more advanced financial products which earn money for clients. The disruptive nature of the student demonstrations at the bank may be directed at bank personnel, but they also have consequences for our fellow students whose right to participate in these services is violated.

Nobody is obliged to do business at U.S. Bank. If a group feels dissatisfied with its presence, the most effective response is a coordinated non-participation in its services. Those students who require financial assistance are not duped into believing that this bank is their only option. They have myriad campus resources to find alternatives.   Yet for those who do choose U.S. Bank as their source of funding, I believe they would see the institution not as a stumbling block to the principles of education, but as the gateway to a more prosperous future thanks to the education they can now afford.

Letter to the Editor: Enough with Occupy

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To put it bluntly, Occupy UC Davis has alienated the student population. The movement received an outpouring of support following the pepper spray incident, but whatever goodwill that existed on Nov. 18 is now nowhere to be found. Students, faculty and staff have been exhausted by the movement’s nonstop actions to disrupt campus business. We have to keep in mind that the great majority of us are here to receive an education.

We all have our academic and personal commitments. Being a student here is hectic enough. What we don’t need is the extra inconvenience of not being able to pay our rent and bills just because a group of the same 14 students sit outside U.S. Bank every single day. Fine, there is another U.S. Bank branch in downtown that people can go to. But what makes the Occupiers so special that they can obstruct others’ rights to access a campus resource? One should ask the question: Would it be alright if Occupiers sat down in front of the CoHo, shutting it down day after day so hungry students couldn’t eat lunch?

Of course, I understand the concerns of the Occupy movement and most students appreciate some of their actions that have raised awareness. At some point, though, enough is enough. We cannot “indefinitely” have an occupation everywhere on campus. They don’t understand the disruption and harm they are causing to our campus community. They want free tuition, yet the Occupiers are causing the university to spend money that would have gone toward student programs and academics, but instead is being spent to clean up beer bottles and marijuana in Dutton Hall and the CCC.

The question we should also ask is: Why is the university not enforcing any rules and laws? The answer: Well, the university is afraid, especially after the pepper spray incident. However, that does not mean Occupiers are justified in taking advantage of the situation and disrupting the campus and thus the students they claim to be representing. The Occupy UC Davis movement has taken a very radical turn — it is now run by anarchists who somehow believe the occupation of the Cross Cultural Center and U.S. Bank will lead to free college tuition for all California residents.

Students, the other 99 percent who are either indifferent or against what Occupy is doing to our campus: You need to rise up and let your voices be heard to the administration. Have no fear about speaking up. Remember, this is your campus. We are all paying tuition here. Send in your e-mails, call up the chancellor. We need your help to get the message across to the administration: Do something. Enough is enough. We are fed up with the spineless indifference of the administration, and we need a return to peace on this campus. Chancellor Katehi, do something!

Davis residents to decide surface water project’s future

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The Davis City Council decided at their Jan. 24 meeting to allow City of Davis residents to finalize what direction the surface water project should take.

In September 2009, the City of Woodland and City of Davis created a joint powers authority called the Woodland-Davis Clean Water Agency (WDCWA). According to the WDCWA, it implements and oversees the regional surface water supply project.

The main debate centering on the water project is the cost. Additionally, there is the question of whether surface water is needed by 2016.

“Both cities [Woodland and Davis] will need to raise water rates significantly to support this project,” said Principal Civil Engineer of the Davis Public Works Department Dianna Jensen in an e-mail. “The city attempted to raise rates last fall and the council did pass a five-year rate plan [Proposition 218], but repealed these rates on Dec. 20 after receiving a water rate referendum on Oct. 24.”

The city council will put a measure on the November general election ballot. The ballot measure is still being drafted by the council.

As of now, Jensen said the expectation is to set new water rates in place by the end of 2012.

“The council directed staff to initiate a new rate study and the formation of a Water Advisory Committee that is tasked with review of the rate study and of the surface water project components,” Jensen said. “The scope of work for the rate study will be before the Water Advisory Committee at their Feb. 9 meeting.”

The current timeline of the water project is to have adopted water rates in effect by January 2013. Jensen said Woodland needs surface water by 2016 to comply with their limit and Davis needs it between 2017 and 2022, depending on the waste water permit that will be renewed at the end of this year.

Jensen said because of the October referendum, the city council acknowledged that residents would like a vote.

“There is a whole spectrum of opinions about whether or not we need the project, whether or not we can continue to use groundwater, whether or not the rates that have been proposed are actually the right numbers,” said Deputy City Manager Kelly Stachowicz. “There are folks who say if we don’t do it now, whatever we have to do in the future will be even more expensive.”

If Davis residents decide to eradicate the surface water project, the city will reassess what to do with the current water and look at groundwater options.

“We can dig more wells and we may need to look at more treatment to water that comes out, if quality of new wells or existing wells isn’t what it was before,” Stachowicz said.

According to Stachowicz, UC Davis is on the fringes and has not committed financially to the project. UC Davis operates on a water system separate from the city’s system.

“UC Davis is a non-voting member of the WDCWA by virtue of the small volume of water the campus would take, because it contributed water rights to the agency and through agreement with the two cities,” said UC Davis Assistant Vice Chancellor Sid England in an e-mail. “The voting status of the campus would not change when we resume financial contributions to the project.”

England said if the university decides to participate in the construction and operation of the water project, it will buy in and continue to pay going forward.

“Right now, the city gets all of its water from wells, meaning we receive groundwater,” Stachowicz said. “And as the city has grown since it was first incorporated back in the 1900s, we question whether in the long-term, having these wells will still allow us to have the water we want and need for the current population.”

Stachowicz said over the past several years, some of the wells had to be shut down or receive treatment, which are considered to be costly ventures. In response, the City of Davis has been looking at surface water coming from the Sacramento River.

“Surface water isn’t necessarily more beneficial than groundwater,” Stachowicz said. “It’s just from a different source. Right now, our groundwater is untreated, nice and clean.”

The groundwater Davis currently uses is hard water, with surface water being of a different composition that contains fewer mineral deposits.

“One of the hopes is that the water won’t be as hard,” Stachowicz said.

CLAIRE TAN can be reached at city@theaggie.org.

California has most unaccredited schools in the nation

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The UC Davis class of 2012 has the educational world at its fingertips. Between graduate programs in public health and law school, business school and veterinary school, masters in fine arts and Ph.D.s in philosophy, the educational opportunities seem boundless.

Typically, the only thing stopping the dream-come-true-after-college plan is money, and a good deal will usually become the after-college-plan-that-actually-comes-true. However, some good deals’ only appeal is their low-cost.

A recent report in The New York Times suggested graduates take heed in the option they decide upon. The report said that California is home to more unaccredited schools than anywhere else in the nation. There are approximately 1,000 unaccredited or questionably accredited colleges and vocational schools in operation.

Accredibase, a service that targets academic fraud for employers, university admission teams and law enforcement agencies sees California as a region that’s inclined to harboring and proliferating unaccredited schools and degree mills because of the state’s easy-to-meet regulation standards and lax enforcement.

Eyal Ben Cohen, an Accredibase representative, said that California is significantly more relaxed about granting operation approval to unaccredited schools than other states are.

“Schools that have been closed, prosecuted, banned and blacklisted by other U.S. states are legally allowed to operate in California,” Cohen said.

Russ Heimrich, a spokesperson for the California Department of Consumer Affairs (CDCA), said that unaccredited schools are not necessarily the rogue and ungoverned institutions that The New York Times makes them out to be. Unaccredited schools still require licensing, the approval of the CDCA and are inspected and regulated. Heimrich said that the problem is not unaccredited schools, but when students don’t understand the difference between an accredited and a non-accredited school.

“Students need to know what their desired degree will allow them to do,” Heimrich said. “A mechanic’s certificate from an unaccredited school will enable you to become a mechanic, but some states won’t allow civil servants to be hired if they graduated from an unaccredited school. In California you can become a lawyer after graduating from an unaccredited school, but other states won’t recognize you.”

The CDCA approves and regulates school, unaccredited and not, on a consumer protection model, not academic quality. Heimrich said that students need to do their homework in order to find out the level of education they will receive from any given institution.

“There are some unlicensed organizations in California that hand out degrees that mean nothing,” Heimrich said. “Obtaining one of these degrees typically costs around $500 to $1,000 and includes little to no learning. The students that receive them are usually just as guilty as the organization that granted it; both parties are usually trying to make a quick buck.”

Debra Miller, JD, an administrator at the People’s College of Law (PCL), an unaccredited, but licensed law school in Los Angeles, said that many unaccredited schools, like PCL, work to provide access to students who cannot afford or qualify for an accredited law school.

She said that many PCL students are above 40, are working and may also be parents. Unlike most law schools, which demand completion of an undergraduate degree and competitive grades, PCL admission only requires that students have a minimum of 60 passing units. The California State Bar administers a “baby bar” to unaccredited law school students in their second year to make sure that they are on track.

“Our students face many challenges, life-wise and educationally, but if they work hard enough, they do pass the bar,” Miller said.

Though all unaccredited schools aren’t trying to rip students off or sell them fake degrees, Heimrich encourages students to be very cautious.

“The rise of internet applications and advertising can trick you into paying for something that you aren’t going to get,” Heimrich said.

In order to avoid getting tricked into paying for a fake, faulty, or lacking degree/program, Heimrich advises students to decide what they want to get out of their graduate education, pick a school that meets those needs, investigate schools’ graduation rates, course catalogues, faculty lists, financial aid, cost, and not jump into what seems to be the best deal too quickly.

SARA ISLAS can be reached at city@theaggie.org.

Women’s Water Polo Preview

Event: Stanford Invitational
Teams: No. 15 UC Davis, No. 1 Stanford, No. 5 San Jose State, No. 3 USC
Records: Aggies (2-4); Cardinal (2-0); Spartans (5-0); Trojans (0-0)
Where: Palo Alto, California
When:  Saturday 8:30 a.m. and 2:45 p.m.; Sunday 9:10 a.m.; TBA

Who to watch: Senior attacker Ariel Feeney leads the team with six assists and her seven goals place her second on the team with 13 total points.

Did you know? This weekend’s tournament in Stanford is comprised of the No. 1 (Stanford), No. 2 (California), No. 3, No. 4 (UCLA), No. 10 (Hawaii), No. 13 (Michigan) and No. 15 (UC Davis) ranked teams in the country.

Preview: The tough early season schedule continues for the UC Davis women’s water polo team this weekend at the Stanford Invitational.
The Aggies will begin with a rematch against the Cardinal and hope for a better showing than last weekend. UC Davis will also play the Spartans for the third time in as many weekends.

“We have to make sure to finish off plays on defense,” Head Coach Jamey Wright said. “We have to get good defensive position, otherwise Stanford will make you pay. We’re working on protecting the ball, staying spread out and transition defense.”

The Aggies will also face another top-five opponent Sunday in their first meeting with USC on the season. UC Davis will also play a fourth game on Sunday against an opponent yet to be decided.

With so many games in one weekend, Wright figures to use the depth of his squad once again.

“The scheduling with so many games in on weekend isn’t that unusual,” Wright said. “It’s a cultural thing in water polo. They’ve all been doing it since they were young playing multiple times in a day at weird hours.”

Wright looks forward playing against all the tough competition, saying it’s much more beneficial for his team to play Stanford and get that experience then it might be for the Cardinal to play the Aggies.

‘Poking at beehives’

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The Nelson Gallery currently offers a new art exhibit titled “Poking At Beehives: Three Painters.” Running now until March 18, the showcase features Leslie Shows, Peter Edlund and Fred Tomaselli’s great foray into postmodern art. Each painter approaches the canvas in a way that figures to redefine what belongs in a canvas.

Shows’s resin-heavy pieces on display at the Nelson reveal her skill in distortion and form. The works are not merely paint on canvas; they involve the seemingly laborious task of striking bold images into glass-like resin.

When asked what summoned Leslie Shows to make art, she replied, “I grew up in Alaska and moved to San Francisco to attend art school, and that’s where I live now.  I always made art and just have the kind of brain that works for art.”

Opposite of Shows’s work hangs Edlund’s critique on the American landscape.

“My work addressed the inherent contradiction between the mythic, utopian image of the great American landscape and the actual social and political reality of racism and genocide,” Edlund said.

However, judging from his sometimes monochromatic paintings of birds imposed on the landscape, the political implications are subtle. Here the images are not distorted, but the colors have been. Deep blues and copper outline the painting, giving the mountains and objects ghosts that appear to stalk the plains.

Jasmine Kim, a second-year studying animal biology, took a break from the covers of an organic chemistry book to wander the Nelson’s gallery.

“I liked the nature paintings the best,” Kim said. “There seems to be a strangeness in how the painting was made — like the picture wants to fall off the wall.”

Another student, Maverick Bohn, a senior majoring in English, also had his wayward eyes set upon Edlund’s pieces hanging on the wall.

“To see how he captures nature [shows that] there was inspiration to gain through his own interpretations in his paintings,” Bohn said.

According to the Brooklyn Museum, Tomaselli’s influences are theme parks, music and the counterculture of Los Angeles during the 1980s. His work comes from Williamsburg, NY, where he has been making art since the 1980s, when the city was different from the hipster playground it is today.

Tomaselli’s art offers an exercise in a ritualistic viewing experience, as all of his pieces have a sort of abject symbolism. Using a variety of mediums such as tapestry, resin and wood panels, the mixed medium pieces put together an appeal to different emotions.

For students on the edge of checking out the Nelson Gallery, Shows assures that viewers will each take something unique from experiencing the work in person.

“Perhaps an encounter with images and materials that destabilizes or disorients by going outside language, or known visual imagery, can facilitate seeing in a new way,” Shows said. “And then a partial reorientation can occur when the viewer knows that the images are photorealistic reproductions of rocks.”

PETER AN can be reached at arts@theaggie.org.

Hellacappella: Bigger and better than ever

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Because of its immense popularity last year, Hellacappella will now be held in the ARC Pavilion, which seats over 8,000 in contrast to Freeborn Hall’s seating capacity of about 1,300. The event, which will be held this Saturday, Feb. 4, is organized by The Spokes, UC Davis’s only all-female a cappella group, and will feature seven other groups from Northern California and one from out of state.

“It started in some classroom and it’s just built up and gotten bigger every year from there,” said Julie Athans, president and fourth-year communication and film studies major. “More people hear about it every year either from word of mouth or from publicity, which we do a lot of now. It started as more of a student event and then became more of a Davis community event and now we are kind of a Sacramento area community event.”

A cappella is a type of musical genre that is composed of just vocals and harmonies. According to Alexandra Sargent, a new member of The Spokes and first-year political science major, a cappella is a form of musical genre that allows for creative expression between individuals.

“I think a cappella is kind of a form of self expression and part of the instrumentation that would normally be going on in the background as accompaniment are voices so everyone gets to add their own flair. It’s just fun and exciting since it’s a collaboration of all these different sounds and voices and personalities that come through,” Sargent said.

This year, Hellacappella plans to attract many people with its lineup. The Spokes switchthe groups each year to introduce variety. Normally, only groups from Northern California are scheduled to perform. This year, however, The Spokes made an exception for On the Rocks, a group from the University of Oregon, who were featured on NBC’s The Sing Off two years ago in 2010.

“It was an amazing experience,” said Jeff Rogers, the On the Rocks booking manager. “We met some amazing groups who just had unreal talent and we felt very humble to be able to be a part of it and compete with groups of that caliber. The exposure it gave is just invaluable and we are so thankful. It’s great to be recognized for something that you put so much time into.”

A big part of the show for many of the groups is being able to see the other teams’ new material and what they have been working on. Each team specializes in particular vocal styles or dances which add variety to their performances.

“I am very excited to see the other groups perform,” said Emily Randall, co-music director for The Spokes and fourth-year Spanish and communication major. “It is a blast performing, but to see how hard the other a cappella groups have been working as well makes you humble and they are just a joy to watch. The community is truly amazing and so supportive; we all compliment each other on our performances, recognizing the amount of rehearsing that went into them.”

The UC Berkeley Men’s Octet has been an established group for about 64 years and has performed throughout the Bay Area and even internationally. They are regulars at Hellacappella.

“It’s going to be awesome. A cappella music is so much fun and it’s different from anything else and has so many different genres that there’s going to be something for everybody,” said Isaac Jackson, the Men’s Octet business manager.

Tickets are currently on sale at the Freeborn Hall ticket booth for $7 (students) and $10 (non-students). The lineup includes (in order of appearance): UC Berkeley Decadence, UC Santa Cruz Cloud, UC Berkeley Artists in Resonance, Stanford Fleet Street, UC Berkeley California Golden Overtones, UC Santa Cruz Acquire, UC Berkeley Men’s Octet, University of Oregon On the Rocks, and The Spokes.

As for what to expect from the show?

“Think of it this way: a few hours of incredible entertainment versus one drink that will only get you slightly tipsy in thrilling downtown Davis,” said Randall.

PAAYAL ZAVERI can be reached at arts@theaggie.org.

Day in the life of…

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When thinking of things I’ve typically had to run out and do at a moment’s notice, jumping into firefighting boots and hopping into an engine to respond to an emergency is certainly not one of them.

Guerrero Lopez, fifth-year political science and sociology double major, is a senior student resident firefighter who has been living at the UC Davis Fire Department for three years. For him, routinely interrupting his studies to answer calls that have been dispatched to Station 34 is part of his job and lifestyle.

“It doesn’t matter what you’re doing — if you’re in the shower or eating dinner and you get a call, you’ve got to go,” Lopez said. “The goal is to get all your gear on and get on the engine in less than a minute.”

I stopped by the UC Davis fire department on a Thursday evening for a tour of the station and to get an idea of what the daily routine of a student firefighter was like. Lopez was not on shift on this particular night, which turned out to be convenient, given that the on-shift firefighters had to leave during the tour to attend to a bike accident.

Student resident firefighters work two days a week and rotate with two other teams that consist of a captain, two career firefighters, a senior resident student firefighter and five student resident firefighters. In exchange for staffing the station’s multiple engines and trucks, students get their own room in the firehouse and sufficient training to have a competitive edge as a career firefighter.

The student residents live on the upper floor of Station 34, which is complete with their own poker room, study room and TV room.

“We live here, so during nights like tonight when I’m not really working, I can study or just hang out,” Lopez said.

However, even when students are not on shift, there are opportunities to take part in the action at the station and earn some extra money at the same time.

“We call it ‘jumping calls,’” Lopez said. “If a call comes in and you’re here and you’re fast enough to get down here, get your stuff on and get on the engine on time, you can make money that way. There’s five spots on the engine, and it’s first-come, first-serve.”

Which is what happened when the bike accident call came in. A student who had just been inside eating dinner ran into the garage where we were, quickly established that there was a seat available on the engine, threw on his jacket, boots, pants and hat over his jeans and rushed out with the rest.

“I try to keep socks in here, so if I’m caught off guard like that I’m not stuck out on a call wearing boots without them,” Lopez said while showing me the cubbies each firefighter had for all of their gear.

After the engine left, Lopez showed me around the rest of the vehicles and the equipment that came with them — ladders that extend to over a hundred feet, airbags that expand to lift up cars, breathing apparatuses and the reputable jaws of life.

“I’ve never used them on a call,” said Michael McCartney, another senior resident student, of the heavy tool used to pry open smashed cars to rescue a person trapped inside. “One time I arrived on the scene of a car accident, and the person was standing outside the car, fine. I was of course glad they were fine! But I still wanted to use them.”

Lopez and McCartney demonstrated professional knowledge of rescue equipment, noting that it took weeks to be familiarized with and much longer to master.

“When you’re testing, there’s all this pressure to remember how everything works, all by yourself,” Lopez said. “But on a real call, everyone’s there to help each other out and make it a group effort.”

The trusty team dynamic at the firehouse was indeed noticeable just from being around for a few hours. The station was more than just housing for those with a shared interest; the student firefighters and career firefighters seemed to form a familial unit.

“Everybody on your shift becomes a second family,” said David Anderson, a career firefighter who was hired full-time after spending four years in the student resident program. “I feel like when people leave professions they miss aspects of the job. When you talk to guys here who have retired, it comes down to really missing the people.”

After allowing me to stop them to ask a few questions, McCartney and Anderson continued preparing for their drill of the evening, a simulation of a roof ventilation procedure that allows rising gases to escape to avoid an explosion.

“When we’re here on shift and we aren’t out on calls, we come out here to train,” Lopez said while watching McCartney and Anderson don their breathing apparatuses, locate the weak areas and support beams of a practice rooftop, and cut large squares into it with a chainsaw. “The drills aren’t just to kill time.”

Another part of training any given night could be to navigate through a confined space drill, a sort of labyrinth designed to prepare firefighters for finding their way out of tight, dark spaces with full gear on before the oxygen in their breathing apparatuses ran out.

“We’ll spend some weekend nights doing training versus going out and having fun, but we make those sacrifices because the benefits outweigh the costs,” Lopez said.

For Lopez, the student resident firefighter program has more than enhanced his time at UC Davis. Upon his graduation in June, he will leave with a double degree and an ample amount of valuable firefighter training and experience.

“I love being able to use my experiences and my abilities in a way that helps others,” Lopez said. “I never wanted a sedentary job, I always wanted one where I could be active. It’s fun and exciting work.”

The UC Davis Student Resident Firefighter program is now accepting applications, which are available at fire.ucdavis.edu/student-resident-fire-fighter-program.

LANI CHAN can be reached at features@theaggie.org.

Column: The other Super Bowl

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Super Bowl XLVI. Patriots vs. Giants. The Golden Boy vs. Peyton’s Little Brother. Beer. Wings. Chips. Six-, nay, seven-layer dip. Commercials.

Campus, the Super Bowl is nearly upon us. In three short days, an estimated 100 million viewers across the nation will gather ‘round the biggest, highest-resolution TV they can find to watch America’s most dominant forces battle for the affection of their fans. Each squad has been preparing all year for the big show, working hard to ensure that their game day strategy will help them achieve their ultimate goal. Critics, injuries and other setbacks along the way — none of them matter now. It all comes down to one game on the world’s biggest stage.

During breaks in the action, there will be some football.

Ever since the NFL championship became a major televised event in 1958, professional football’s title game has steadily gained steam as one of the largest annual media events in the world. Every year, advertisers big and small sprint toward the network hosting the big game in hopes of securing at least one 30-second spot to showcase themselves and their products in an innovative way.

This year, the Super Bowl will air on NBC. As has been the case every year, the cost of a commercial has increased since the previous year, with a 30-second spot selling for $3.5 million on average. I’d love to drop three and a half mil myself on a personal ad, but like other advertisers who didn’t make the cut, I’m either:

  1. Too controversial
  2. Too unstable
  3. Too poor
  4. All of the above

Self-esteem aside, though, these are the hard facts. When you have an estimated viewership of 100 MILLION, little guys are going to get pushed aside by the juggernauts for airtime to literally show us the goods. As usual, big names from all major industries will be putting forth their best efforts this year to capture consumers’ hearts/laughs/wallets, like Coca-Cola, Pepsi, Volkswagen and Anheuser-Busch.

What makes advertising so effective on this day of all days, however, is not only the sheer number of people watching. According to a recent study by Starcom MediaVest Group, 76 percent of Super Bowl viewers say they like the fact that the ads are created specifically for the game. Also, 62 percent say they pay more attention to these ads than usual.

It’s an accepted fact in the sports world that the best performances happen on the biggest stages, and in advertising, this idea is no different. Potential for exposure of this magnitude brings out the best in the creative minds of advertisers, and no plausibly effective avenue is left unused.

This year, for example, many companies plan to promote their Super Bowl ads through Twitter and other social media sites. Targeting younger, more internet-savvy demographics such as us college kids, these businesses hope to keep the conversation going during the game, even after their commercial has aired.

Skeptical about how much activity Coke’s #GameDayPolarBears (yes, the unreasonably dexterous, soda-loving CGI beasts will be back) hashtag will realistically get? Consider this: After Tim “God’s-second-son” Tebow (it’s okay for me to make this joke because I’m a Broncos fan and actually root for the guy) threw a game-winning overtime touchdown against the Pittsburgh Steelers a few weeks ago, there were an alleged 9,000 tweets per second about the play.

Advertisers want in on that kind of babble because, if they can generate a high level of conversation about their ad, they’re far more likely to earn a big payday for themselves in products sold immediately after the Super Bowl. College kids tweeting=money.

Although many people dislike the hype produced by the Super Bowl and the media frenzy that follows it, I believe it’s something to embrace. What’s important to remember, especially for us as the vibrant youth, is that the Super Bowl as a complete package is everything we could ever want in a day: relaxation, food and entertainment.

Probably the only thing to worry about now is a serious lack of opportunities to take a piss.

VICTOR BEIGELMAN is picking Patriots over Giants, Coke over Pepsi, and Bud Light over Miller Light. Send him your picks at vbeigelman@ucdavis.edu.

Protesters march to police department, in solidarity with Occupy Oakland

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Protesters met at the Memorial Union (MU) at noon for a march in solidarity with Occupy Oakland.

“The march is in support of Occupy Oakland in response to the police brutality and the city of Oakland’s unnecessary crackdown on protesters,” said Sophia Kamran, senior philosophy major.

Marchers chanted, “Show me what democracy looks like, this is what democracy looks like” as they entered the ASUCD Coffee House (CoHo). Drums were used until they were asked to stop by CoHo employees.

Marchers continued across campus into the Silo Union, where they continued to chant “no cuts, no lies, occupy and communize.”

The solidarity march ended in front of the UC Davis Police Department, where 22 protesters sat in front of the locked doors to have their general assembly at 1:08 p.m.

— Alicia Kindred

Letter to the Editor: Response to Jan. 31 comic

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I am appalled at the comic from Jan. 31 and honestly surprised to see such a comic in The Aggie. I did not expect to see a comic full of misogyny. After the recent hate event at the WRRC I felt I needed to let you know that publishing this type of material is inappropriate.

Slut shaming is one the oldest methods of oppressing and controlling women. Women are told that expression of their sexuality is wrong, sinful and damaging to their character. So women go through life denying their sexual urges and often being undereducated about sexual health. A woman has every right to express and explore her sexuality as she pleases in a responsible manner. A woman’s sexuality is a personal decision and society should respect that.

I say this to those who work at The Aggie and all those reading this letter: It’s time to decide whether you are going to support misogyny or work to create a world where women are treated as equals in society. And guys, if you find yourself relating to Tuesday’s comic, your search for a girlfriend won’t be ending anytime soon.

Amanda Dunham