58.6 F
Davis

Davis, California

Monday, December 22, 2025
Home Blog Page 1215

The ultimate experience

0

Ultimate. This word both names the sport and describes it.

Although some might see Frisbee as the game in which dogs do the running, there is never a standstill moment in ultimate Frisbee – ultimate for short.

The game seems straightforward, with few rules and one goal: to catch the disc in the opposing end zone. Yet, there are many layers of strategy and constant physical beatings that make the sport so, well, ultimate.

Games are played to fifteen. Some teams can score goals in a matter of seconds, while others may battle several minutes for a single point. Whether stuck in a defensive struggle or battling in a high-scoring shootout, ultimate Frisbee requires a great deal of work and endurance.

To most, this is not an attractive prospect. To the UC Davis club ultimate team, this is a way of life.

As any member of the Davis Dogs will tell you, the game is lightning fast and the only walking involved is the walk of shame to the other side of the field after having been scored on.

Junior co-captain Robby Merk says the game is rather simple, taking minutes to learn but a lifetime to master.

“The fundamentals are throwing and catching, and any athlete can do that,” he said. “But when you get to the next level, it gets faster and more intense. You have to be physically more aggressive – there are people sprinting on offense and defense.”

Sheer athleticism, Merk said, can go a long way in the sport, which is why practices are open to everyone. Still, Merk strongly emphasized the importance of experience, as did fellow captain, senior Taylor Lahey.

Graduating twelve seniors from the roster last season was a big hit to the team, but as younger players began to step into larger role, the Dogs found their stride in the middle of the 2010-11 campaign.

“[This year’s team] was extremely athletic and very dedicated to playing the best Frisbee we could,” Taylor Lahey said. “The thing we struggled with early on was playing intelligently, because we have such a young team.”

Merk says the Dogs’ coach, Kevin Cissna, has helped all players improve, regardless of their Frisbee-playing backgrounds.

“[Cissna] played at a very advanced level and helped us a lot with strategy,” Merk said. “He helped us play zone defense and develop a more versatile playing style.”

Being a club sport, the ultimate team does not have the resources of a varsity Intercollegiate Athletics team. Still, they go through the same process in trying to put together a good squad, which requires a mixture of walk-on athletes and players who participated on club teams in high school.

Like other sports, there is a community of club players in high school, and it is sometimes the prestige and reputation of the college ultimate team that attracts incoming freshman.

Still, outside of those with playing experience, the game is relatively unknown, and Frisbee is recognized as little more than an easygoing game of catch and throw.

Merk attributes this perception to the fact that people can go out and play catch with a Frisbee as a laid- back activity.

“Its background is as a hippie thing,” he said.

Despite the cliché, the sport requires physical prowess, endurance and practice. The Davis Dogs train in three-hour increments a couple times a week.

The club’s top team, also known as the A-team, wrapped up a grueling season at itstheir regional tournament, where teams from all over the Wwest Ccoast competed including squads from Arizona and Mexico. Despite being added as an at-large bid because other teams were unable to attend, the Dogs took fifth place.

“It was a successful weekend, having gotten fifth and beating UC Santa Barbara, who placed second in the Southern California section was a huge upset,” said Patrick Lahey, the sophomore younger brother of captain Taylor.

The team went 3-3 at the event. According to Patrick Lahey, two of the three losses could have gone either way, as a single point decided them.

Taylor, a fifth year veteran on the team, commends this year’s team as the most solid one team he has played on.

“Even if we weren’t the most polished team, this group of guys knew what it took to win Frisbee games,” he said. “That is what made this team special compared to other years.”

Patrick Lahey, is looking forward to the seasons to come, as half the A-team is first years.

“We can’t wait to see what we can do with our young upstart team,” he said. “We have a lot of time to mature and grow.”

So why is ultimate an attractive sport? Why do the Dogs choose to chase a flying disc around like…dogs?

“I like the mix of intensity of fun…whether you’re watching it or playing it with a group of awesome friends, it all makes for a great time,” Patrick Lahey said. “The way the disc stays in the air allows for so many sick highlights.”

The Davis Dogs hold open practices. Anyone interested should send an e-mail to mensultimate@campusrec.ucdavis.edu.

Matthew Yuen can be reached at sports@theaggie.org.

Men’s Golf Preview

0

Event: NCAA Regionals

Where: Omni Tucson National Golf Club – Tucson, Ariz.

When: Today through Saturday, all day

Who to Watch: If the Aggies want to qualify for the NCAA Championships, senior Austin Graham will be key.

The San Clemente, Calif. native and lone senior on the UC Davis roster won the Big West Conference Individual Championship earlier this month.

Did you know? This will be the third time in the Aggies four year Division I history that they qualified for the NCAA Regionals.

Preview: The UC Davis men’s golf team will be traveling to familiar territory.

After clinching their second Big West Team Title in three years earlier this month, the Aggies will be traveling to the Omni Tucson National Golf Club in Tucson, Ariz. for the NCAA Division I Arizona Regional Tournament. The top five schools and top individual from this event will qualify to advance to the National Championship event in Oklahoma later in May.

The Aggies are seeded tenth out of 13 teams, and this will unquestionably be their most difficult field of opponents yet.

Among their competitors are No. 6 Texas A&M, No. 15 Texas Tech, No. 19 California, No. 27 Liberty, No. 36 Pepperdine and No. 46 Oregon State, whereas the Aggies, with all their success this year, have amounted to a national ranking of No. 48.

The competition seems very tough, but head coach Cy Williams is not afraid. The keys to success appear to be what they always have been with Williams.

“Our goals are to prepare our very best and to compete for 54 holes,” Williams said.

The consistent confidence displayed by Williams seems to have trickled down to his players as well. Tyler Raber and Austin Graham won first team all-Big West conference awards, Matt Hansen won Big West Freshman of the Year award and Williams received Big West Coach of the Year.

“They are pretty low key about it, but I think they are very happy and they know they have a lot more to accomplish this year,” Williams said.

“We are delighted with our individual performances this year and expect to advance to the NCAA National Championship.

“Go to Vegas and bet on the Aggies!”

– Ron Hooper

Baseball Preview

0

Teams: UC Davis vs. UC Santa Barbara

Records: Aggies 16-30 (8-10), Gauchos 21-24 (6-12)

Where: Dobbins Stadium

When: Friday at 2:30 p.m.; Saturday at 1 p.m.; Sunday at 1 p.m.

Who to watch: Senior lefty Scott Chew received UC Davis’ first Big West Pitcher of the Week award of the 2011 campaign for his stellar outing against Santa Clara last Wednesday.

In his first start of the 2011 season, the Milpitas, Calif. native used just 92 pitches to shut out the Broncos, surrendering only four hits in a complete-game performance.

Chew faced just one batter over the minimum and the only multiple-base hit he allowed was a double in the top of the ninth inning.

Did you know? Members of the UC Davis baseball team are participating in what they call “Mustache May,” where every player grows some under-the-nose facial hair to rally for late-season victories.

Preview: With seven games left on the schedule, the Aggies will look for a series win, beginning Friday afternoon against the Gauchos.

To get into the win column, UC Davis will simply need to play the right lineup, according to coach Rex Peters.

“We’re just trying to find guys that will compete hard,” Peters said after last weekend’s losses to Cal Poly. “It’s something we’ve been struggling with all year. We’re trying to find the right combination of guys who will be willing to compete for it.”

UC Santa Barbara will be coming off three losses to UC Irvine in last weekend’s series.

The last time the Aggies faced the Gauchos was just under one year ago, when UC Davis came alive at the plate for a total of 42 hits on the series sweep. The Aggies outscored the Gauchos 26-19 in the three games.

UC Davis took the final 9-8 win when UC Santa Barbara left-handed pitcher Connor Whalen struggled through the top of the 10th inning.

Whalen first walked Seth Batty, and, with two outs, hit Justin Schafer and walked Scott Heylman to load the bases.

Whalen then hit David Popkins to bring in Seth Batty for what would be the deciding run.

If the Aggies put forth a similar offensive effort to last year’s series against the Gauchos and maintain sound defense, they won’t have to rely on such luck to get around the base paths.

After Tuesday’s game was postponed due to inclement weather, the Aggies hosted the No. 25 California Golden Bears Wednesday afternoon. UC Davis fell to nationally ranked Cal 8-3, getting outhit 13-4.

– Grace Sprague

CD Review: Gorillaz

Gorillaz

The Fall

EMI Records

Rating: 4

This album was created on the iPad.

Take a moment to let that sink in, because once you start listening to The Fall, you won’t believe it. The hypnotic beats and electronic effects are executed better here than in other artists’ tracks recorded in a full studio.

Each track in The Fall is exhilarating in its novelty. Vocals are minimal; some tracks, such as “Phoner to Arizona” and “Detroit,” are purely instrumental. In fact, it’s when vocals are abandoned that the album really soars with innovation and tongue-in-cheek nods to our current disconnectedness and obsession with technology. At different points in the album, we hear samples of a Texas radio broadcast, old-school video games, spoken word and much more.

The Fall has 15 tracks, half of which are less than three minutes long. While this provides ample opportunities for composers Damon Albarn and Jamie Hewlitt to pursue all their creative impulses and keep the album moving briskly, it makes the tracks feel more like samplings than full-fledged works. Just when we’re beginning to adjust to a track’s unique aesthetic and effects, it’s over. Someone ought to tell Gorillaz that they’ve got something brilliant here – don’t stop.

Give these tracks a listen: “Phoner to Arizona,” “Revolving Doors,” “California and the Slipping of the Sun”

For fans of: Gnarls Barkley, OutKast, Daft Punk

– Robin Migdol

CD Review: Justin Nozuka

Justin Nozuka

You I Wind Land & Sea

Glassnote Records

Rating: 4

Listening to singer-songwriter Justin Nozuka’s sophomore effort, You I Wind Land & Sea, is every romantic’s delight. The 12-track album is full of unexpected maturity. Although he is only in his early 20s, it feels like he has had years of experience dealing with the many facets of love. From crooning sweetly about how he has wholeheartedly given his heart to a special love on “Love”, to the beat-thumping ode of the tragic falling apart of a relationship on “I Carried You,” it’s hard to stop listening.

Not only are the soft instrumentals a pleasure to the ears, but the poetic lyrics give each song an otherworldly atmosphere. This album is the equivalent of a heartbroken girl’s tub of chocolate ice cream, except that taking a listen won’t make anybody gain a few pounds more.

Give these tracks a listen: “Gray,” “Carried You,” “Love”

Fans of: Jason Mraz, Jack Johnson, Colbie Caillat

– Michelle Ruan

CD Review: Glee: The Music Presents the Warblers

Glee: The Music Presents the Warblers

Twentieth Century Fox

Rating: 5

This album is a must buy for Glee fans, especially for fans of Darren Criss and the Warblers. It shows just how incredible a capella arrangement can sound. Darren Criss’s version of “Teenage Dream” was arguably as good as, or even better, than Katy Perry’s original song. Another notable song was Criss’s version of pop song “Bills, Bills Bills,” which is extremely catchy and sure to be stuck in your head once you hear it.

This album also shows us how talented Kurt is, played by actor Chris Colfer. His touching rendition of “Blackbird” is simply amazing. We finally see his full range of talent. We also hear him on a few duets with Darren Criss, such as in the melodious number “Candles.”

The album has mostly pop songs, but it shows the great selection of songs Glee chooses. They always have a balance of Top 40 songs and a few oldies, so the album is sure to appeal to all ages. The way the Warblers cover these popular songs a capella-style is fabulous to hear.

Give these tracks a listen: “Teenage Dream,” “Blackbird,” “Misery”

For Fans of: Katy Perry, Lady Gaga, Maroon 5

-Paayal Zaveri

Art and family come together in new exhibit at Nelson Gallery

Art takes a new direction with Josh Greene and his Least Favorite exhibit at the Nelson Gallery. The San Franciscoan-based artist brings the new term “social practice movement” to light with his approach of untraditional art objects.

“Josh is a leader in this emerging field of artists who don’t just make paintings or take photos; he sets up social situations, or social practice,” said Nelson Gallery curator Renny Pritikin.

Inspired by a conversation with his wife, The Least Favorite exhibit resembles the beginnings of his MFA show at the California College of the Arts in San Francisco. For his MFA project, Greene asked his family what he should do for his show. With their responses, he created the MFA project. The Least Favorite exhibit was inspired by similar dialogue.

“My wife mentioned that one of my projects was her least favorite and randomly my mom made a comment about a different project the next day,” Greene said.

Turning the clock back almost ten years, Greene repeated a similar process for getting ideas. Asking his immediate relatives to evaluate his past work and choose their least favorite, Greene got to work.

“It was interesting to hear my wife and my mom’s perspectives on my work,” Greene said. “I decided to solicit other members of my family and made a small book with footnotes.”

Avoiding traditional photos, sculptures and paintings, Greene creates circumstances that encourage people to make connections with each other, thus strengthening communities and enhancing shared experiences. His unique approach has a variety of effects on different groups of people.

“From a young age, Josh was always an observer of behavior,” said Greene’s mother Ellen Medway. “He often made comments that were older than his years. I don’t know if he would agree to this, but I think the divorce had a major impact on his developing empathy at an early age. This may have contributed to his ability to express things in a unique way.”

Whether it is a whole wall of self-written descriptions from his family members or a room dedicated to breathing and experiencing others’ pain and suffering, Greene’s art brings something different to the public.

“I hope that people get a bunch of things out of my art,” Greene said. “I get inspired from a combination of things – ideas, interactions and conversations I’ve had.”

The interactions that inspire Greene’s work draw either on anything from light and random events to deeper emotional experiences.

“Since the onset of this project, Josh’s father died unexpectedly and tragically of a massive heart attack as he was mountain biking in Mammoth. Seeing the photo of his empty chair at his law office casts a sad veil over the exhibit,” Medway said.

Typical art showcased in museums and galleries includes the traditional and well-known paintings, recognizable artists or and even sculptures that make no sense to someone without an art background. The Nelson Gallery wanted a new type of art to be integrated into these public places.

“I was trying to bring interesting, cutting edge work to the Bay Area to expose people to young artists. I want students to have an expanded view of what art can be,” Pritikin said.

Greene’s ability to express himself in a different way than many other artists of this time is expressed in the reviews and comments on his creations.

“[Greene] has a great imagination and a willingness to be vulnerable when he displays things like his relationship with his wife displayed on the wall,” Pritikin said.

Medway is proud of how her son has grown as a person and an artist.

“Josh has worked for a lot of years to create conceptual art and the life of a creative person is never easy,” she said. “I admire his tenacity and, most of all, I admire the wonderful way he has taken on the art of being a new father and a loving husband.”

The Least Favorite exhibit opened at the Nelson Gallery March 31 and runs through May 22.

ELIZABETH ORPINA can be reached at arts@theaggie.org.

Eleventh annual UC Davis Film Festival may feature the next Spielberg

Every year in May, UC Davis’ department of theatre and dance hosts its own version of the Cannes Film Festival with the UC Davis Film Festival. The festival will kick off on May 25 and 26 at Varsity Theatre at 8:30 p.m.

This year, the festival is co-sponsored by the technocultural studies, film studies and art studio departments.

There were 50 film submissions, all produced by students. Both undergraduate and graduate student-directors submitted pieces to the festival in nearly all genres of films, including comedy and documentary.

Meredith Sward, a junior technocultural studies major, is a returning festival participant. Sward submitted an experimental piece last year called Oh Dear. The film dealt with representations of beauty and sexuality in children and how they can be seen as violent acts conceived against them. This year, Sward submitted another experimental work titled Perfect Plastic.

“I have been working on a video this year about plastic surgery and the media that combines interviews, performance and found footages,” Sward said.

Sward believes that the festival is a great place to show work and see what other students have been working on.

“The festival is a great opportunity for students to get their work shown and can provide an introduction to the process of submitting to other festivals,” Sward said. “I submitted to the festival because it will be my first opportunity to have my video shown outside of an academic research context and hopefully it will be able to stand alone as a film.”

Jason Ronzani, a senior graduating film studies major and animator, shares the same positive outlook on why the film festival is great for blossoming filmmakers.

“I think the reason why we make films is to, hopefully, show them to an audience one day,” Ronzani said. “The UC Davis Film Festival provides the audience and gives students a chance to see their work on the big screen in a theater setting. It’s always a treat to see how the audience reacts to your film.”

Ronzani is also a returning filmmaker and has submitted a film titled The Trophy Collector.

“My film is a film noir inspired stop-motion animation about a poor man who is killed while trying to sell his last valuable possession,” Ronzani said. “The film explores the themes of love and greed, while blurring the line between supernatural and psychological phenomenon.”

In addition to the experience of showing films to an audience, student filmmakers also get feedback on their films from a panel of faculty members-all of which have many years of experience in the industry themselves. This year’s faculty producers are Sarah Pia Anderson, Jesse Drew and John Iacovelli.

“I really enjoy the faculty and student interaction,” Ronzani said. “At the pre-submission screening, students can get feedback in person from the faculty members about their films before the final submission. I have been given a lot of useful advice at these screenings and they have enhanced the final edit of my film.”

For the past two years, Pamela Orebaugh, a film studies and English double major, has been the festival’s student producer. Orebaugh encourages people to come see the featured short films.

“We have a lot of very diverse and interesting submissions this year,” Orebaugh said. “But what I’m mostly impressed with is the improved quality of the submissions. I mean technically and visually, the films literally look better and we have a lot of very visually stunning and provocative work submitted, the content of the films being very intriguing.”

Every evening, audience choice votes will be taken and tallied. The winners will be presented and announced with awards on the second night. Tickets are currently on sale for $7 at Varsity Theatre.

MICHELLE RUAN can be reached at arts@theaggie.org.

Arts Week

THIS WEEK IN DAVIS

The Who’s Tommy

Today, 8 p.m., $15

Main Theatre, Wright Hall

http://theatredance.ucdavis.edu/images/upload/img_upload/5.JPG

Music on the Green with Kevin Devine

Friday, 6 p.m., free

Central Park, 401 C St.

http://i663.photobucket.com/albums/uu358/The405_photo/KevinDevine.jpg

UC Davis Jazz Band, “Guest Artists”

Wednesday, 7 p.m., $8

Mondavi Center, Vanderhoef Studio Theatre

http://mondaviarts.org/images/events_large/2009/event_2010_0519a.jpg

MUSIC

The Chillage People

Today, 10 p.m., $5

Tres Hermanas, 805 Second St.

It’s Thursday and what better way to celebrate the long week than getting your dance-on on the dance floor? Tonight will be the debut performance of The Chillage People – a group of student composers who just love music and creating contagious electronic beats. The night will feature a range of soul in an eclectic mix.

Music on the Green with Kevin Devine

Friday, 6 p.m., free

Central Park, 401 C St.

There are not many things better than a free concert on the grass, on a warm spring evening. Friday evening, Entertainment Council presents its annual Music on the Green concert event. This year features Kevin Devine, a Brooklyn native with a touch of mellow blues and folk. Don’t forget to bring a blanket and someone to cozy up with.

STAND, Mayday: A Call for Solidarity

Today, 5 p.m., $5

Central Park, 401 C St.

Join a good cause and you get to enjoy good music while doing so? Win-win? Yes. Today in Central Park downtown, STAND (a student anti-genocide coalition) presents its annual concert event. There will be live music by local musicians and a capella groups and spoken-word performances by SickSpits.

AT THE MOVIES

UC Davis Film Festival

Wednesday to Thursday, 8:30 p.m., $7

Davis Varsity Theatre, 616 Second St.

Local artists and truth-seekers will reveal their artistic research and epiphanies through film and cinematography at the UC Davis Film Festival. The technocultural studies, film studies and art studio departments joined forces to create a night that will certainly make you laugh, cry and gasp in awe with a variety of film categories.

THEATER/MONDAVI

The Who’s Tommy

Today, 8 p.m., $15

Main Theatre, Wright Hall

‘Tommy, can you hear me?!’ Get ready to rock out to America’s rock n’ roll Broadway musical. The production is presented by the UC Davis department of theatre and dance as a part of their chosen spring piece. With The Who being a classic in American music, there will be no shortage of intensity as you hear the verses of each song pulsing to the thick beat of heavy guitars and the ensemble cast.

UC Davis Jazz Band, “Guest Artists”

Wednesday, 7 p.m., $8

Mondavi Center, Vanderhoef Studio Theatre

Let that heart-warming feel of jazz and blues take you over in a performance by composer, arranger and saxophonist Gregory Yasinitsky with UCD’s Jazz band. Yasinitsky has worked with Fitzgerald, Ray Charles, Louis Bellson and other renowned musicians in the industry. Musical guests Carlos Medrano (congas) and Tim Acosta (trumpet) will be joining Yasinitsky for the night of smooth music.

The Empyrean Ensemble

Monday, 7 p.m., $8

Mondavi Center, Vanderhoef Studio Theatre

Need a good de-stressor? What’s better than the sounds of strings and piano melodies to soothe the nerves? The Empyrean Ensemble understands how to create visual music through beautiful repertoire and precision of instruments. They will be premiering compositions by UCD’s music department of graduate student composers.

LITERATURE/POETRY

Sickspits Poetry Slam featuring VerBS & Keno

Friday, 7:30 p.m., free

Art Annex, Technocultural Studies Building

Words. Words. Words. The power of words. Friday night, spoken word group Sickspits will present a night filled with enlightenment and good sensations. Special guests include VerBS from the Patron of the Movement II and Keno from Sacramento. Watch, listen and be prepared to verbally show some love.

Presentation by Author Mark Jerng

Wednesday, noon, free

Memorial Union, The Bookstore Lounge

UCD English professor Mark Jerng will speak about his new book entitled Claiming Others. Jerng tackles the controversial subject of transracial adoption and the issues of race and nationality and how adoption plays into these two factors. There will be a Q&A and book signing after the presentation.

UYEN CAO can be reached at arts@theaggie.org.

Dead Arts Society makes performance world accessible to all majors

What happens if you are an engineering, exercise biology, or managerial economics major and you find yourself falling in love with the performance world? Do you have to choose between the two?

The Dead Arts Society was created to help students pursue various forms of performance work on a relatively low level of commitment. It will perform four works as part of its quarter showcase in Wright Hall’s Lab A from Tuesday until June 2.

The organization was conceived from another student organization on campus called Studio 301 in Winter Quarter last year; it was previously called the Dead Playwright’s Society.

“The Dead Arts Society provides students with an outlet for artistic self-expression,” said Nehorai Gold, treasurer for The Dead Arts Society. “Being in a show takes up a lot of time and many students, especially those who are new to theatre or aren’t drama majors, just don’t have the time to commit to being in a full-scale production. This way, any student can freely explore whichever theatrical and performative skills they desire in a comfortable, supportive and less committed setting.”

Traditionally, in the first five weeks of the quarter, members spend their time collectively writing pieces such as plays, raps, songs or skits. The following five weeks are spent piecing together the devised work through casting, staging and directing at technical rehearsals.

In past years, the group has performed quarterly showcases of original student works ranging from comedies, dramas, soap operas and jazz dances to rap, instrumental and a capella songs.

This year, however, The Dead Arts Society is taking on the new and challenging undertaking of presenting full-length, one-act plays written, casted and directed by students from all areas of interest.

“This quarter, we’re taking on a much more serious endeavor,” Gold said. “A few of our members have been interested in writing full-length and one-act plays. As longer works require more rehearsal time, the pieces had to be completed prior to the start of the quarter.”

Like many of its other performances, The Dead Arts Society urged students from all majors and educational backgrounds to audition for shows. Rehearsals for the one-acts began once the auditions were completed at the end of the first week of the overall process.

John Malin, a cell biology major, devised and wrote the piece entitled “Jasper,” which is about a young man with an imaginary friend and alternate personality named Jasper.

“As a playwright, it is an immensely rewarding experience,” Malin said. “It’s hard to describe how it feels so see something go from a tiny idea in your mind to a fully developed dramatic production that you can share with an audience.”

The Dead Arts Society is currently venturing into new mediums such as film, short stories and music videos that will be featured on their Youtube site, which is currently under construction.

“The focus of this club has always been on the students,” said Jessamyn Lett, production manager and junior Landscape Architecture major. “We wanted to create a club that was all about student work, student writing, student directing and student acting. This diversity of interests allows us to provide a unique experience.”

For more information about The Dead Arts Society or how to get involved with the organization for upcoming projects, e-mail deadartssociety@gmail.com.

UYEN CAO can be reached at arts@theaggie.org.

Korean Culture Night: A Fun Fundraiser

Heartful, the annual Korean Culture Night celebrating Korean-American talent and culture, is fast approaching. Held on Wednesday night at Freeborn Hall, the event is a collaborative effort put on by the UC Davis Korean American Student Association and UCD Sigma Kappa Rho.

The show will feature various campus organizations, as well as popular up- and- coming artists from all around the nation. Some performers include MK Modern, the UC Davis hip-hop dance team, Fong Tran, Ben and the Shooting Stars and Mickey Cho. The headliners are Dumbfoundead and Clara C. Most of the headliners will be singing, but there will also be dance, spoken word and comedy. The event will encompass everything in the media -related to Korean Americans today.

Kenny Kato, a junior in Sigma Kappa Rho, was one of the main organizers of the event. For him, getting artists to perform was a way to reach out to the students at UC Davis.

“It’s geared more towards the younger crowd which is basically the college age group,” Kato said. “That’s the reason why we wanted to do KCN. Part of it is to focus on that age group, the new generation of Korean Americans today. It’s showing them that if these people can do it, you can do the same thing from where you are.”

There is a VIP ticket available that allows people to see the program from the first row and meet the artists after the show. However, this isn’t the main reason for the show. The key motive for putting on the event is to fundraise.

All of the proceeds from the show will be donated to the LiNK organization, which stands for Liberty in North Korea. This is one of the only full- time grassroots organizations dedicated to helping North Korean refugees and offering them humanitarian aid. They provide protection to North Korean refugees hiding in China, and by utilizing a modern-day underground railroad throughout Southeast Asia, they rescue refugees and help them reach freedom. Also, a portion of the proceeds will go to the Japan Earthquake relief fund.

“We can’t stress enough how much it is about the cause. As cool as it is to see all these artists and things like that, it’s always important to remind ourselves of why we’re doing it and not to get caught up,” Kato said.

Making the show a fundraiser for LiNK will also help inform people about the cause and the dire situation in North Korea. As Kato was making the Facebook page for the event, he wanted to include a history section, and it struck him how much people don’t’ know about the situation.

“It just takes a few statistics to realize and come to grips with what’s going on over there,” Kato said.

Planning the event has been both a challenge and a learning experience. Financing the event has been a major obstacle. It has been an eye opener to the organizers about what is available on campus and what is not.

Two student organizations, UC Davis KASA and Sigma Kappa Rho, collaborated to put on the event, and they’ve been able to make it more elaborate than any of the previous years. In the past, the event has been held at Wright Hall or Varsity Theatre downtown, because they only expected around 200 people. This year they are expecting a bigger crowd.

James Oh, a senior in Sigma Kappa Rho, has helped put on the event in hopes that it will have a greater impact on the audience now than in previous years.

“What I want the audience to take away is that if these people can do something they really care about and take it to the next level, then we’re all in school trying to learn something and we can take our aspirations to the next level as well,” Oh said.

This year they are hoping KCN will be bigger and better than before. It has taken six months to plan and organize the show.

“It’s five times as big, five times the work, five times the cost, but hopefully it’s all worth it. It’s basically five times the risk for five times the reward,” Kato said.

The organizers hope the hard work will pay off when the proceeds are donated to LiNK and the Japan Earthquake relief fund.

“Any help can bless the souls back in North Korea. There are people way worse off than we are now. I want everyone to know that they can do something to help out,” said Mingi Kang, a junior in the UC Davis KASA organization.

Tickets are available at the Freeborn Ticket office. They are $12 presale and $15 at the door, and VIP tickets are $30. For more information, visit the Facebook event page.

PAAYAL ZAVERI can be reached at arts@theaggie.org.

Rock opera Tommy to open with a bang this Thursday

Rock band The Who came out with Tommy in 1969, a rock opera concept album about a boy who is deafened and blinded after witnessing a murder. Tommy grows up to become a pinball wizard and a rock star.

Unlike any other album in its time, Tommy became revolutionary once again when it was brought to the Broadway stage in the 1990s, and started the trend of rock musicals that we are familiar with today.

Granada Artist-in-Resident Mindy Cooper, who worked on the original Broadway production assistant to the choreographer, has directed a version of Tommy adapted for the UC Davis stage. Cooper believed the opera’s thematic elements would resonate with students.

“I knew the nature of [Tommy] was young and very thought-provoking. Pete Townshend wrote it as a cathartic experience from his troubled childhood. He takes a kid who is traumatized at four years old and then abused by family members and family friends, so it’s not an easy kind of digested work. But I thought for this campus it would be a good production in terms of how thought-provoking it is,” she said.

The heavier themes and characters have been a fun challenge for Davis students as they’ve learned how to embody their characters. dramatic arts major Malia Abayon has found this to be an especially enlightening experience.

“I play the Gypsy/Acid Queen, a prostitute that has the power to sexually awaken Tommy. This character allows me to embrace a different, darker side of myself ,” Abayon said. “The Acid Queen is all about confidence, which I have found is hard for me to embrace because I am a very self-conscious person. As the Acid Queen, Mindy has to constantly remind me to walk slow and plant myself. I adopted the habit of walking really slow through the quad on campus, eyeing everyone around me [to help build confidence].”

Although the performance contains a number of heavy themes, Cooper says there’s a major message she hopes people will take away from the musical.

“We’re going to take the audience on a journey,” Cooper said. “The show, in my opinion, has a very strong message about rebirth and second chances, and I hope the audience takes that away with them. The evening as a whole really catapults us into hope for the future.”

With themes so pertinent to young people, Cooper gave the actors, all of whom are UC Davis students, a lot of freedom in morphing their characters.

“I like to let actors have a lot of input, and I love smart, opinionated actors,” Cooper said. “I like to see where the actor takes things, and oftentimes they take them to very interesting places. This version is uniquely theirs; they’ve created it.”

As a rock opera, Tommy is not your average musical. It has only approximately twenty lines of dialogue, relying instead on the lyrics to tell the story.

For Chris McCoy, a sophomore performance studies Ph.D. candidate playing Captain Walker, Tommy’s father, this reliance on music has been an interesting component in developing his character.

“The music is as much a character as any of the bodies on stage,” McCoy said. “While the story uses a linear plot progression, it jumps years in favor of focusing on moments of heightened emotion, even stemming into almost allegorical expression. I took as many cues about my character’s emotional state from the music as I did from the lyrics.”

According to Cooper, the rock opera format makes Tommy play out more like a rock concert with a story line, with one song ending and another song beginning. The possibilities of such a unique format excited Cooper as a director.

“I’m usually not into playing to an audience with a piece, but this one I am. I kind of want to blow the roof off the joint. I’d also like to get people to come see a show that wouldn’t otherwise see a musical and build a whole new audience for theatre,” she said.

For music director Graham Sobelman, the rock music was especially exciting for the band and he promises that the music offers an exciting variation.

“The band really gets to play the score with some verve – and since it’s rock music, there is a little bit more freedom in the way we perform it,” Sobelman said. “But also, there are some really well orchestrated sections. The French horn has some beautiful melodies and the guitar parts just scorch.”

Cooper promises the same kind of variation in the types of songs that will be performed.

“The genres of songs performed go across the boards. There are some big anthem songs, some ballads and duets, some gut-wrenching solos, there’s something for everyone,” she said.

Along with show-stopping tunes, Cooper will be utilizing multimedia video to further add to the story and aid the visual aspect of the production.

“I’m using film, video, still images, and live feed,” Cooper said. “There’s a film that opens the show that’s the overture and the prologue [that tells] the backstory. I used still imagery and video to set the tone of where we are, in lieuew of, say, trucking a lot of scenery. The live feed is used when Tommy becomes a big rock star and we follow him around with a camera.”

With video, huge rock song productions, and dramatic acting and costumes, McCoy believes Tommy will be one of UC Davis’ biggest theater productions yet.

“Not only does the show contain the expected singing, dancing, and acting aspects, but we also have an impressive mechanized set, film and live projections, numerous costume changes, and a rock band on-stage with the performers,” McCoy said. “I think audiences are going to be impressed by the spectacle while being challenged with the biting social critique written into the show.”

Tommy opens tonight night at 8 p.m. in the Main Theatre at Wright Hall and runs until Sunday. Tickets start at $18 and can be purchased online or at the Main Theatre box office on the day of the show.

ANNETA KONSTANTINIDES can be reached at arts@theaggie.org

Column: Goodbye, Oprah

This time next week, the woman who brought us Favorite Things, the Book Club and Tom Cruise jumping on a couch will have officially closed the curtain on the most iconic daytime talk show of the last 25 years.

You must know whom I’m talking about. After 25 years, this Wednesday is the last time you will ever be able to plop down on the couch at 4 p.m. and settle in to an episode of “The Oprah Winfrey Show.”

Sure, there’s Oprah’s new network, OWN, with hours of new shows about inspirational people, celebrities, lifestyles, travel and more – technically, everything Oprah’s show gave us – but two things will be missing, and that’s the live studio audience and Oprah herself.

No pre-taped show can capture the excitement of watching Oprah interview guests in front of a studio audience. With her congenial, quirky personality, she could ask the questions we were all dying to know the answers to in a supportive and non-threatening atmosphere. The studio was America’s living room, and Oprah was the fabulous hostess of a dinner party with the most fascinating guests.

Two and a half decades is beyond ancient in television years, but Oprah never felt stale or out of touch. No other show on TV would feature interviews with celebrities from Michael Jackson to Barack Obama in the same week as practical financial advice from Suze Orman or harrowing tales of survival from ordinary Americans.

Everyone had a platform to speak about his or her life with Oprah. In one episode in 1987, the show relocated to Williamson, W. Va., where the town’s only openly gay man, who happened to have AIDS, addressed his homophobic neighbors in a nail-biting town hall-style meeting. In another episode just this past November, the studio audience was made up entirely of men who had been sexually molested as children. Oprah spoke with relatives of convicted murderers, politicians and philanthropists equally, allowing viewers to truly walk a mile (or an hour) in another person’s shoes.

Then there were the giveaways. No holiday season was complete without watching an unsuspecting studio audience get showered with thousands of dollars’ worth of Oprah’s Favorite Things. Oprah kicked off the 25th season by flying an entire audience to Australia (in John Travolta’s plane, natch) where they frolicked in the Outback and watched as Hugh Jackman nearly took his eye out zip lining onto the Australian stage.

The mother of all giveaways also gave us one of TV’s most classic lines: “You get a car! You get a car! You get a car! EVERYBODY GETS A CAAAAAAR!”

Seriously, did daytime TV ever get any better?

Without Oprah, there will be a void in American pop culture. There are other programs that cover a wide range of topics, like “60 Minutes,” “Piers Morgan Tonight” or even “The View,” but none with Oprah’s signature knack for getting everyone – studio and home audiences alike – engaged and even mobilized behind every episode.

Oprah’s not called the “Queen of Daytime Television” for nothing. As long as she’s living, her presence will be known, and the legacy of “The Oprah Winfrey Show” will live on for decades to come.

But for now, let’s all take a minute and have an ugly cry in her honor.

ROBIN MIGDOL is sad that she can no longer fantasize about being on “Oprah.” Send suggestions for new talk shows for her to daydream about to arts@theaggie.org.

Guest Opinion: Organic Foods

0

In response to the May 5 EPPC commentary on organic foods, the issue of whether organic produce benefits the well-being of the environment and livestock is not so clear cut. I am a senior with a minor in aAnimal sScience lLivestock/dDairy pProduction, and I grew up on a beef cattle ranch. From my classroom as well as personal experience, I believe that sustainable agriculture and animal welfare are not always best obtained by strict adherence to organic production practices. In fact, there are a number of ways that organic production methods are actually worse for the environment and for the welfare of livestock.

The EPPC commentary stated “pesticides…are very detrimental to human health and animal well-being.” While overuse of pesticides is an environmental problem, pesticides in general actually improve animal welfare, since they are often used to control pests that adversely impact the welfare of livestock. Especially in the summertime, cattle are bothered by many different species of bloodsucking flies unless they are provided some sort of relief. Currently, one of the most effective fly control methods is to use some pesticide products. By comparison, most humans use pesticides in mosquito repellent.

The article continued with the following claim: “Thirdly, organic farmers do not use breeding hormones, meaning their animals live in less stressful environments and the food that results has less harmful chemicals.” Hormone use does not actually cause animals stress and should not adversely impact animal welfare. Also, levels of antibiotics and hormones are carefully regulated to prevent residues in meat and milk. In fact, a serving of lettuce contains far more estrogen than a serving of beef! Additionally, many hormones are peptide (protein-based) hormones, so even if humans ingested large amounts, the hormones would be digested as any other protein and would not be harmful.

“Fourthly, organic farms refrain from using antibiotics, choosing to rely on natural measures to promote good animal health.” It is true that organic producers use natural treatments instead of antibiotics, and sometimes these natural treatments are effective in preventing or curing illness. However, requiring organic producers to avoid antibiotics can give producers an economic incentive to refrain from medicating animals that perhaps should be medicated. Livestock are subject to a number of diseases, many of which cause them to suffer if not treated effectively. For example, beef cattle often get pinkeye, which is a bacterial infection that causes a painful ulcer to develop on their eye and can lead to blindness if not treated. Organic beef cattle are treated for pinkeye; however, organic pinkeye treatments are not as effective as using antibiotics.

Organic cattle can also suffer from a number of treatable parasites, both internal and external, such as a common parasitic fly that can be easily treated by administering a safe wormer (ivermectin, commonly used for preventing heartworm in dogs) once a year. Nonetheless, ivermectin is not organic, so it cannot be used in an organic system. Healthy, parasite-free cattle can literally grow twice as fast as cattle with a heavy parasite load, making the production of beef more efficient and environmentally friendly when the animals are effectively treated for parasites. Insisting on organic production methods can mean turning back the clock on technology that improves animal welfare and increases production.

Finally, organic milk or beef production actually produces more greenhouses gases per unit of food than conventional systems. Taking dairy production as an example, industry estimates for average milk production are about 40 to 50 pounds of milk per cow per day for organic cows but about 70 to 85 pounds of milk per cow per day for conventionally raised dairy cows. If an organic cow averages 45 pounds of milk per day and a conventional cow averages 75 pounds of milk per day, the organic cow produces about 40 percent less than the conventional cow. This means one and two-thirds organic cows would be needed to produce the same amount of milk as one conventional cow.

However, the methane output per cow is about the same for both organic and conventional systems. Thus, organic milk production, when compared to conventional milk production, can result in a more than 50 percent increase in greenhouse gases produced per gallon of milk. Also, conventional milk is often higher quality than organic milk, due in part to the cows being less likely to have subclinical mastitis (a low-grade udder infection).

While it is great that many people care enough about sustainable agriculture to buy organic produce, it is important to realize that the issues are not clear-cut. Adhering to organic practices can have unintended negative effects on an animal’s well being and on the environment. Additionally, agricultural producers following conventional production practices have worked to improve the efficiency and sustainability of production as well as the health and well being of livestock.

Kristen Perano

Biological Systems Engineering

Editorial: UC Davis athletics moving in right direction

0

Last week, UC Davis athletic director Greg Warzecka announced his retirement after 16 years of service.

With Warzecka moving on, UC Davis athletics will have the chance to move forward. The program has been stagnant in recent years, and at this point, any change is good change.

Warzecka led UC Davis to some meaningful accomplishments during his tenure. He oversaw the Aggies’ transition to Division I. He also helped facilitate the football team’s move into the Big Sky Conference in 2012 and was present as UC Davis made its first-ever appearance in the NCAA Women’s Basketball Tournament.

While Warzecka deserves some credit for the growth of UC Davis athletics, his decisions over the past several years have been questionable at best.

He chose to retain men’s basketball coach Gary Stewart through the end of the 2010-11 season, despite protest from Stewart’s own players a year before. This action set back the men’s basketball program for the next few years.

It was under Warzecka’s watch that four sports were cut. While Warzecka can hardly be blamed for tough economic times, he showed severe misjudgment by adding a field hockey program just one year prior to the cuts. His office also demonstrated a lack of transparency in releasing information about the teams to be eliminated.

With Warzecka out of the picture, UC Davis athletics will have a chance to build a better program.

Ironically, the transition to the post-Warzecka era will be largely centered around his final major hiring: head men’s basketball coach Jim Les.

Les was let go from his previous post at Bradley University in the middle of the 2010-11 season for multiple reasons. The fact that his son is on the UC Davis team has raised questions about the department’s “nationwide search.” Nonetheless, his hire does mark a significant step forward for the program.

Les has compiled a winning record over his career and his experience guiding Bradley to a Sweet 16 appearance should energize the team for the rebuilding stretch.

The one remaining step for the Aggies to move on is hiring a new athletic director.

While the athletics department claims it will conduct yet another “nationwide search,” its best option may be in its own backyard.

While it is unlikely either would take the job, head football coach Bob Biggs and former women’s basketball coach Sandy Simpson fit the mold. They both have in-depth knowledge of the UC Davis sports scene, as well as experience building a winning program.