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As the school year begins, construction at the Death Star and across campus continues

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A look at the ongoing AB94 Seismic Improvement project and the changes coming to one of UC Davis’ most iconic buildings

 

By: AALIYAH ESPAÑOL-RIVAS — campus@aggie.org 

 

The Social Sciences and Humanities Building, one of the most architecturally confusing landmarks at UC Davis, according to students, continues to be under construction as the 2025-2026 school year gets underway. Referred to by many as the “Death Star,” it is one of six sites on campus involved in structural and seismic construction as part of the ongoing AB94 Seismic Improvement Project, which uses state funding from the 2013-2014 Budget Act (California Assembly Bill 94) to fund needed improvements.

According to Sandra Mott, associate director of Major Capital Projects for UC Davis Design and Construction Management and main project manager for the AB94 program, the main objectives of the project include safety and general improvements in accordance with UC Seismic Safety Policy.

“The primary project goals are seismic strengthening, fire and life safety upgrades, accessibility improvements and [polishing] things up a little wherever we can,” Mott said. 

Other project sites include Jungerman Hall, the Mann Laboratory, Young Hall, Voorhies Hall and the Sprocket Building. Some construction, including at the Mann site and at Jungerman Hall, has already been completed.

The Death Star improvements are the biggest endeavor of the project; Construction began in fall 2024 and is slated for completion in spring 2026. Improvements to the building — which houses the departments of History, Economics, Sociology, Philosophy and the offices of the College of Letters and Sciences — will cost $25 million.

The construction will also result in the most cosmetic changes of any of the sites in the larger AB94 project. According to Mott, the area that previously featured a large stair pit — located directly across from the A Street Field — will be replaced with a plaza.

“There’s a lot of construction activity happening at the North facade of the building,” Mott said. “But the good news is that there’s new paving, sidewalks and a pit infill where the pit stairs were.”

Additionally, construction fences have obstructed one of the two lanes on the North Quad bike path that intersects with A Street.

“The bike path is a huge area of concern,” Mott said. “We’re working on it [on a daily basis] with campus partners […] to try and figure out how we can make that area the safest possible until it opens again.”

For some returning students, like second-year biological sciences major Uchena Nekes, the construction has proven to be an inconvenience. 

“It’s bad,” Nekes said. “I almost get run over by so many bikes every time I’m walking. [Pedestrians] need a bigger space.” 

Kai Dodd, a second-year biology major, also communicated her displeasure with the construction, citing biker and pedestrian inattentiveness as a cause for concern.

 “Nobody listens to the signs. People just put on their headphones and don’t pay attention,” Dodd said. “People are almost getting hit, then they’re getting yelled at and it’s a constant problem. People are getting annoyed and frustrated — it’s scary.”

As of date of publication, the one open bike lane can be utilized by pedestrians, while the sidewalk next to it can be used by bikers. The bike path is scheduled to fully reopen by the end of November.

Incoming students have also found the obstructions confusing to navigate as they acclimate to campus. Isabelle Corona, a first-year chemistry major, expressed concern about student safety given the new routes. 

“I’m worried about the pedestrians and people getting in [my] way, or even crashing into me,” Corona said. “Students are not being attentive to the signs so bikes and people are using the same path.” 

In the meantime, campus officials call on students to remain aware of the signage surrounding the impacted area and slow down while on bicycles. In addition, Aggie Host Security Officers will be posted at each end of the bike path to aid students with the redirection for the first few weeks of the school year.

“I’m all for improving infrastructure, but I don’t think it’s okay [when it] come[s] at the cost of student daily life, especially if it’s not going to get done anytime soon,” Dodd said. 

Other project sites

Meanwhile, Voorhies Hall continues to be under construction, which began in spring 2025. The building saw the demolition of its perimeter, and remained closed from June through Sept. 12. The building, which houses the English department, Medieval and Early Modern Studies and the University Writing Program (UWP), will see upgrades continue until June 2026.

Young Hall enhancements advance with the recent closure of the southern side of the building in late August. Construction began in spring 2025 and is slated to end in summer 2026. The Sprocket Building, which housed the Food Science and Technology Department before the opening of the Robert Mondavi Institute, will see work done through spring 2026.

Ultimately, while ensuring the stability and long-term health of these buildings is the main priority, Mott and the design team hope that students will come to appreciate the more structural and visual effects of their work.

“The main goal of this project is student safety,” Mott said. “But we also hope that everyone will notice the beautification that we’re trying to get done.”

Full information regarding ongoing Seismic Improvement Projects can be found on the UC Davis and Construction Management website.

Written by: Aaliyah Español-Rivascampus@theaggie.org

News explainer: What is ASUCD?

A guide to UC Davis’ student government and its units

 

By VINCE BASADA — campus@theaggie.org

 

For both new students and those returning, the five-letter entity ASUCD may prove confusing in its purpose and its logo’s diverse presence on campus: from mental health posters to bus maps. With a budget of $22 million for the 2025-26 academic year, it’s worth taking the time to understand both what the ASUCD is and what it can do for you.

Firstly, the Associated Students, University of California, Davis (ASUCD, or the Association), acts as both an employer of and governing body for the student population. It has two sides: the elected and appointed student officials who allocate funds and oversee the organization as a whole and the individual units that provide events and services for the student population. Its work can be broadly categorized into four pillars: basic needs and services, advocacy, media and social.

On the government side are the three ASUCD branches: Executive, Legislative and Judicial. Led by ASUCD President Amrita Julka, the Executive Office is the highest representative for all student body affairs. Julka serves as the Association’s Chief Executive Officer (CEO), appointing students to oversee internal and external operations as well as a controller to oversee the budget. The Executive Office also works with some special units; For example, the Student Advocate Office, which helps represent students accused of academic misconduct.

The ASUCD Senate is the main student legislative body, meeting weekly to allocate student funds to units and pass legislation on behalf of the student body. It consists of 12 elected senators, two additional voting members — the international and transfer student representatives — and a handful of other student officers.

The California Aggie covers these meetings, which are also open to the general public, providing coverage of important legislation and developments relevant to the student body. Additionally, senators host office hours and meetings for undergraduates to bring questions to them individually.

Under the Senate are a handful of student commissions and committees that help consult on legislation, including the Environmental and Policy Planning and Gender and Sexuality Commissions.

Senators are elected twice a year: once in fall quarter and again in spring quarter. The spring voting also serves as the election for the office of the ASUCD President and top executive officials.

The Judicial Branch consists of the six justices of the Judicial Council, tasked with reviewing legislation to ensure compliance with the ASUCD Constitution. They also occasionally hold hearings when ASUCD officials are accused of misconduct and failing to perform their duties, such as overseeing executive impeachments.

On a daily basis, it is the service-providing units which students interact with the most. Some of the most popular are: Unitrans, the bus transit system that runs throughout the city of Davis; the Coffee House (CoHo) that works to sell food at affordable prices; the Pantry, the on-campus food bank; the Entertainment Council, which puts on concerts and music festivals, including Sunset Fest and Lawntopia; and Picnic Day, which organizes the yearly open house. Units each have directors and a team of paid staffers, though larger units also rely on volunteers for their operations.

The California Aggie and KDVS 90.3 FM, the student radio station, are also ASUCD units, though they are managed and organized independently.

Units also make up the bulk of the ASUCD employee population; As of time of publication, the ASUCD vacancy site notes that over 1,000 students are employed at some level in the organization. Altogether, the Association employs more students than any other department at UC Davis.

While the inner workings of ASUCD are complex in their vastness, the resources and opportunities they provide are also expansive and wide-reaching. Few university student governments are as comprehensive or as centralized, and fewer can say they employ students as both bus drivers and concert organizers.

Those interested in learning more about their student government or working for an ASUCD unit can visit the ASUCD website for more information. 

Editor’s Note: A version of this article originally appeared in last year’s Orientation issue, printed on Sept. 24, 2024, under the headline, “ASUCD — What is it?” It has since been updated with current information and new details.

 

Written by: Vince Basada campus@theaggie.org

Influential textiles engineering professor Ning Pan passes at 72

Pan received a Master of Science and Ph.D. in Textile Engineering in China before working at UC Davis

 

By ROBIN FRANKLIN — campus@theaggie.org

 

UC Davis Distinguished Professor Emeritus Ning Pan, known for his contributions in textile engineering, passed away on Sept. 7. Pan’s research included work on advancing the engineering of fibrous materials and the applications of nanotechnology in energy storage. He was 72 years old.

 Pan joined UC Davis in 1990 and started teaching as a full-time professor in 1999. He was an active faculty member in both the Department of Biological and Agricultural Engineering (BAE), where he ended his career, and within the now-discontinued Textile and Clothing major. He retired from teaching in 2021. 

According to his department, Pan’s death was related to ongoing health issues. 

In a statement sent to members of the campus community, UC Davis BAE Chair and Professor Fadi Fathallah recognized his contributions and service to the university.

“Professor Pan was deeply respected as a teacher, mentor and colleague, guiding generations of students with dedication and kindness,” Fathallah said. “His scientific achievements and personal impact will continue to influence the field for years to come.”

Pan was born in Xining, China in 1953. He earned his Master of Science in Textile Engineering from Donghua University in Shanghai, China and later earned his Ph.D. there in 1985. He was the first individual to earn a doctorate degree in that field in the country, according to his longtime colleague and friend Professor Gang Sun. Pan went on to be a visiting scholar at San Francisco State in 1988 and a postdoctoral associate at the Massachusetts Institute of Technology (MIT) in 1990.

One of his most influential contributions in the textiles sector was his invention of the PhabrOmeter, a device for measuring drape and wrinkle resistance in materials. A copy of the device — which is now widely used in the industry — can be found in Pan’s former lab in Everson Hall. Alongside his wife, Linda Huang, Pan founded the company Nu Cybertek Inc., which uses the PhabrOmeter to measure fabric quality, according to startup news site Grit Daily

Throughout his life, Professor Pan published more than 200 scholarly papers and was cited in peer-reviewed papers 7,533 times, per his UC Davis faculty page.

Pan’s work resulted in several awards for his research; he was selected as a Fellow of the Textile Institute and the American Society of Mechanical Engineers. He was also honored with the NASA Tech Briefs Nano 50 Award and holds an honorary doctorate from the Technical University of Liberec in the Czech Republic.

Aside from his wife, Pan was survived by his daughter, Katherine Pan. His family could not be reached for comment in time for publication.

 

Written by: Robin Franklincampus@theaggie.org

Aryna Sabalenka defeats Amanda Anisimova for a rare repeat at the 2025 US Open

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An exciting finish for the US Open across all events

 

By DANIELLE WIRNOWSKI — sports@theaggie.org

 

The 2025 US Open Tennis Championships, which sees 128 singles players and 64 doubles teams make their way to New York City for a chance to make Grand Slam history, represents a long-term tennis tradition. Just over the span of three weeks, history was made by both the men’s and women’s singles champions. 

Aryna Sabalenka, at just 27 years old, has demonstrated outstanding focus and powerful play for a rare repeat at the US Open. She became the first woman to win back-to-back singles titles at the US Open since Serena Williams in 2014. 

After seeing unsuccessful finals matches this year at the Australian Open and French Open, Sabalenka earned a major trophy for 2025 at the US Open and fourth overall Grand Slam title in her career.

With only a 45% likelihood of winning the match, according to pre-match odds, against 24-year-old Amanda Anisimova, Sabalenka demonstrated her strength and determination to win the finals in just two sets, with a score of 6-3, 7-6

Anisimova has come up short in consecutive Grand Slam finals, where earlier this year, she fell to Iga Świątek with set scores of 6-0, 6-0 at Wimbledon. Anisimova’s determination and skill show great promise for the young player’s career. 

As for the men’s singles, Carlos Alcaraz defeated Jannik Sinner in the finals match over four sets: 6-2, 3-6, 6-1, 6-4. These two challengers went back and forth across the match, each set bringing the stakes higher and higher. 

While the start of the match had Alcaraz at a 56% likelihood of winning the match, according to pre-match odds, the chance only increased across the sets, despite the fact that he lost the second set to Sinner. This set would be the only one that Alcaraz dropped throughout the entire tournament. 

This was Alcaraz’s second US Open title and his sixth overall Grand Slam title across his career. This year’s title moved him back up to the No. 1 Association of Tennis Professionals (ATP) ranking across the world, putting him in a very strong position heading into 2026 and future tournaments. 

Sinner, despite losing the men’s finals, has reached all four major finals in one calendar year — a rare feat — and has won two Grand Slam titles in 2025. It demonstrates a strong determination from the young player, having achieved a remarkable streak. 

The US Open also experienced both men’s and women’s wheelchair singles, as it has for the past 20 years when it was first added in 2005. 

Yui Kamiji won the women’s singles, taking three sets to defeat Xiaohui Li in the finals match and scoring 0-6, 6-1, 6-3. 

Tokito Oda defeated Gustavo Fernández in the men’s singles match with a third-set tie-break. Similar to the wheelchair women’s singles, these players went to three sets with a score of 6-2, 3-6, 7-6.

As for men’s doubles, Marcel Granollers and Horacio Zeballos won their second Grand Slam title in 2025, previously having won at the French Open. 

Their final match was both exciting and competitive, as they dropped the first set, rallied in the second set with a tiebreak and then pulled through and clinched their win in the third, and final, set. The final score for their winning match was 3-7, 7-6, 7-5. 

Notably, the defending champions from 2024 did not repeat for the title. Max Purcell was suspended from playing, and Jordan Thompson lost within the first round with a new partner. 

The women’s doubles match was striking as well. Gabriela Dabrowski and Erin Routliffe, the No. 3 seeds, defeated the No. 1 seeds in straight sets in the final match. Their final score was 6-4, 6-4. 

This would be Dabrowski and Routliffe’s second US Open title in just three years. Dabrowski made a personal comeback that was particularly inspiring — having been diagnosed with breast cancer in 2024, she defeated it and recovered within a year, returning to win titles. 

The defending women’s champions from 2024, though they played at this year’s US Open, did not play together. They each played with different partners and lost within the first round. 

The 2025 US Open demonstrated a new generation of dominance; the spotlight is moving solidly onto the younger players, especially those in their 20s. It also reinforces the importance of consistency, as seen through Sabalenka’s back-to-back wins and Alcaraz’s clean run. 

While the US Open was the last Grand Slam in 2025, there are still plenty of other championships left in 2025 for tennis enthusiasts. The upcoming tournament is the ATP Finals from Nov. 9 to 16, located in Turin, Italy, and the Women’s Tennis Association (WTA) Finals from Nov. 1 to 8 in Riyadh, Saudi Arabia. This will be the season-ending tournament for the top eight singles players and doubles teams on the ATP and WTA tours. 

 

Written by: Danielle Wirnowski — sports@theaggie.org

UC Davis alum Lan Larison signs contract with New England Patriots, injury cuts season short

A foot injury in a preseason game against the Washington Commanders placed Larison on injured reserve

 

By COLINA HARVEY — sports@theaggie.org

 

Interview contributions by Lilia McCann, reporter for California Polytechnic University, San Luis Obispo Mustang News.

 

In his five seasons with UC Davis football, running back (RB) Lan Larison made a name for himself on the field. He started his college career strong, leading the team in rushing yards as a first-year. In his first season, he was also named to the All-Big Sky Second Team, quickly becoming a well-known, successful player.

In the next few seasons, he continued to rack up a long list of accolades; he was named All-Big Sky First Team three years in a row (2022, 2023, 2024), Big Sky Offensive Player of the Year (2023) and 2024 Football Championship Subdivision (FCS) All-American, according to various publications including the Associated Press

In his last season with the UC Davis Aggies, he broke a school record, recording 2,387 all-purpose yards. He also ended the season with 1,465 rushing yards and 17 rushing touchdowns to go along with 874 receiving yards and six receiving touchdowns. 

He declared for the National Football League (NFL) draft in 2025, and while he was not selected, he was signed as an undrafted free agent (UDFA) by the New England Patriots after the draft. In the contract, Larison was guaranteed $175,000, which is a greater amount than other late draft picks received. 

Signing as a UDFA also gave Larison more control over which team he ended up with. In an interview with Larison during the New England Patriots Training Camp this July and early August, he cited Patriots Coach Mike Vrabel as a key reason for choosing the team. 

“He’s an awesome guy, blue collar, and I kind of like that about his personality,” Larison said.

Further, he described the transition from the FCS to the NFL. 

“Everything’s a little bit quicker, everything’s a little bit faster, but it’s still football,” Larison said. “It’s awesome, just learning how to be a professional and how you practice. […] It’s a big step forward, and it’s been fun.”

He also described how the UC Davis program prepared him for the NFL. 

“I would say that we play at a very high tempo at UC Davis, so that’s kind of how you have to play in the NFL,” Larison said. “[The UC Davis] playbook was broad, and it’s even broader here, so it definitely helped prepare me to play at a higher level.”

When asked about his formula for securing a spot on the roster, Larison said it was to “just come every day, do my part, do my job and compete.”

Larison also described one of the biggest differences between his time at UC Davis and in the NFL. 

“All the fans at practice,” Larison said. “It’s definitely different, but it’s fun.”

In the Patriots’ preseason opener against the Washington Commanders, Larison showcased his hard work by scoring a touchdown, along with 35 rushing yards and nine receiving yards. 

Unfortunately, Larison broke his foot in the same game, for which he later underwent surgery. As a result, the Patriots placed him on injured reserve, meaning that he will not play this season.

The Patriots then signed running back Deneric Prince to fill the fourth-string RB position. 

While Larison will not see the field this NFL season, Aggie fans should stay tuned for Larison’s future performance with the New England Patriots and keep an eye on the UC Davis alum’s post-collegiate career in the NFL. 

 

Written by: Colina Harvey — sports@theaggie.org

Culture Corner

The Arts Desk’s weekly picks for music, movies and more

 

By ALYSSA CREVOISERAT — arts@theaggie.org

 

Album: “Who’s the Clown?” by Audrey Hobert (2025) 

 

Addicting and charming, Audrey Hobert’s “Who’s the Clown?” is the ultimate debut album for the odd, off-putting and strange. Marked by a synthesizer, saxophone and staple guitar, Hobert evokes a strange sense of nostalgia and yearning in the album’s 12 tracks. “Who’s the Clown?” is my favorite album of the year, and Hobert’s witty stream of consciousness has become nothing short of an obsession. 

 

The tracks’ composition is unique and compelling, and Hobert’s narrative-style lyricism has become a trademark of her songwriting. Songs like “Wet Hair” and “Sex and the City” take the listener down fictional paths that speak to feelings typical of a woman in her 20s — sparkly crown on her head and wine bottle in hand. Hobert’s references to pop culture and nods to a shared human experience make the album relatable and authentic. “Who’s the Clown?” encourages listeners to channel their inner weird girl, embrace eccentricity and accept awkwardness as an embarrassing yet endearing inevitability. 

 

“Who’s the Clown?” is a 2000s coming-of-age movie that Hobert writes, directs and stars in, and its tracks are pop perfection for anyone looking for the catchy, witty and personally relatable. If you haven’t listened to the album or watched its equally compelling music videos, what better place to give it a try than a small college town? 

 

Book: “The Scorched Throne” duology by Sara Hashem (2023-2025) 

 

“The Scorched Throne” duology, consisting of “The Jasad Heir” and “The Jasad Crown,” is Sara Hashem’s Egyptian-inspired adult romantic fantasy series. My favorite fantasy reads of the year, this duology is the perfect blend of grounded worldbuilding, compelling characters and relationship dynamics that go beyond tropes and buzzwords. Unlike some of the other books that populate this genre, Hashem’s blend of cultural history and mythology, believable character arcs and commitment to rich, epic storytelling are a testament to her craft. 

 

The series focuses on Sylvia, a fugitive who was once heir to the Jasad throne, who has taken up residence in a small village. With no intention of returning to Jasad and reclaiming the throne, her people — Jasadis, individuals who possess magical capabilities — have been demonized, hunted and killed in the decade following Jasad’s destruction. “The Jasad Heir” follows Sylvia as she is roped into a series of trials and rebellion schemes in order to free herself from persecution and a lifetime of hiding. Sylvia and Arin plague my mind, and unfortunately, I have cried in the car several times thinking of trips to a mist-covered bridge, sesame candies and a fig necklace.  

 

Song: “Janie” by Ethel Cain (2025) 

 

Ethel Cain’s newest album, “Willoughby Tucker, I’ll Always Love You,” is filled with haunting, melancholic tracks, and “Janie” is no different. Brimming with self-loathing, loneliness and mournful resignation, “Janie” denotes the unique sense of abandonment that comes from the change and growth of someone you love — “Please don’t leave me / I’ll always need more / Please leave open your most quiet door.” Cain’s delicate yet intense vocals wash over each of the track’s lyrics, and every second of the song’s five-minute run is lyrically beautiful. 

 

In the track’s opening verse, the narrator’s desperation and torment is overwhelming, as she longs for something to leave a tangible mark — “Shoot me down / Come on, hurt me / I’m wide open and deserving” — rather than the slow decay of neglect and betrayal. Cain’s character considers herself inextricably tied to Janie, and with the death of their friendship comes the loss of Cain’s identity and purpose. With lyrics like, “I can see the end in the beginning of everything / and in it, you don’t want me,” Cain creates a self-fulfilling prophecy where what was once a possibility is now an inevitable loss. If you’re looking for a new song to accompany you on lonely nights, look no further than “Janie.” 

 

TV Show: “The Paper” (2025) 

 

This one goes out to the unique community that appreciates a sitcom and newspaper crossover — if you’re reading The California Aggie Culture Corner, that’s probably you. “The Paper,” a spinoff of “The Office” with the same documentary crew, follows a local newspaper in Toledo, Ohio. Part of a paper company that also specializes in toilet paper, the Toledo Truth-Teller consists of untrained reporters, borderline unethical practices and a newly hired Editor-in-Chief with a passion for journalism. 

 

While the show is not quite on the same level as its predecessor, “The Paper” is not another victim of a spinoff cash grab. The characters are likeable and unique, and the show pays homage to the original without losing originality and charm. For those looking for a comforting, wholesome series: “The Paper” has already been renewed for a second season, and you can watch the first 10 episodes on Peacock now! 

 

Written by: Alyssa Crevoiserat — arts@theaggie.org

Second Friday, first adventure

Fall, friends and Davis’ art-filled nights await

 

By IQRA AHMAD — arts@theaggie.org  

Welcome home Aggies! 

As the leaves begin to blush into shades of red and orange and the Davis bike paths come back to life with sounds of ringing bells and calls of “on your left,” the familiar endearments of fall are finally arriving. There is so much to be excited about, but most especially your very first 2nd Friday ArtAbout.

For the uninitiated, every second Friday of the month, the heart of Downtown Davis throws on its very best creative outfit. Local artists and galleries open their doors, set up booths and invite students and community members to explore. The sidewalks are packed with visitors, and downtown is more bustling than ever. It’s the perfect place to spend a Friday afternoon, especially when you need a fun evening with your friends and want to appreciate the local art scene. 

But what should you visit first and why should you participate? Now we’re asking all of the right questions. 

A cornerstone and beloved treasure of the 2nd Friday ArtAbout is the Pence Gallery, located at 212 D St.

“The Pence Gallery is packed with art throughout our two floors, featuring three gallery spaces for exhibits,” Jenna Matsubara, a marketing associate at the Pence Gallery, said. 

Admission is always free, and the gallery provides an artwalk map to help you explore other local stops. 

“You can view art of all types, meet local artists and even get to know the friendly businesses in town,” Matsubara said. 

Each month, the Pence Gallery also offers something new. 

“You can participate in a fun, art-themed scavenger hunt by exploring the art on display at the Pence and completing all of the clues,” Matsubara said. 

From October to November, you’ll find new exhibits at the Pence Gallery featuring artists like Robert Ortbal, whose exhibition “Encounters” includes a 20-foot sculpture, and Raquel Cox, an oil painter whose works capture moments of beauty and poetry on canvas. Each visit feels new and exciting, whether you’re returning for your second ArtAbout or your 20th.

Now, what about your next stop? 

The answer is The Artery, a repeat champion of the category “Best Place to Buy a Gift” in The Davis Enterprise’s “Best of Yolo” survey. 

“Discover a world of artistic expression as you explore our gallery, featuring a breathtaking array of decorative and functional ceramics, exquisite woodwork, captivating glass creations, intricate fiber arts, timeless sculpture, vibrant paintings, evocative drawings, captivating prints, and stunning photography,” The Artery website reads. 

 Currently, The Artery is showcasing works by Thelma Weatherford, John Scott, Jerry DeCamp and Schorré Chevalier Oldham until Sept. 29 — a perfect preview of local art to check out before your first ArtAbout. 

But, don’t stop there: Davis has many must-visit places. There’s truly something for everyone — Logos Books for literary wanderers, the Davis Craft and Vintage Fair for collectors of handmade charms and The Paint Chip for anyone who wants to pick up a paintbrush. 

If you’re a long-time art lover or just looking for a fun, Friday night adventure, the 2nd Friday ArtAbout is the perfect way to engage with Davis’ creative community and ventures. So, grab some friends, take a stroll downtown and let the art (and maybe the bike bells) guide you.  

 

Written by: Iqra Ahmad — arts@theaggie.org 

Summer of screams

A review of this past season’s most exciting horror releases.

 

By BELLA PETERSON — arts@theaggie.org 

 

This summer, we’ve seen no shortage of releases in the horror genre — both returning titles and newer stories. With this fresh surplus of movies for horror fans to enjoy, it’s difficult to know where to begin. Here’s a highlight of which ones deserve a watch.

 

“Sinners” dir. by Ryan Coogler 

 

In April, we saw arguably the most loved film on this list as it rose to popularity: “Sinners.” The film was another creation of the praised mind of Ryan Coogler. Known for directing “Creed” and “Black Panther,” Coogler is no stranger to delivering amazing movies. To no surprise at all, his take on the horror genre was instantly embraced. It was truly satisfying for horror fans to get a Southern gothic tale as well put together as “Sinners,” taking place in 1932 along the Mississippi Delta. The film follows twin brothers Smoke and Stack, alongside their younger cousin Sammie, as they navigate the opening of their own business — which comes to be disrupted by both vampiric and real life forces of evil. 

The movie is a masterclass on establishing connections between characters with a history that goes beyond the film’s content — relationships that feel both real and heartwrenching in their nature of complexity. The film featured a variety of characters and well-written villains, creating a cinematic atmosphere that is so efficiently built to the viewer’s experience. With new releases, it’s not always a guarantee that the cast of characters will each have a unique performance, but this time it seems they nailed it. The film’s performance in the box office proved the genius that comes with its original storytelling. Not only does this film serve as a thought-provoking horror, but a solid summer thrill with its hot Southern setting and mix of real-world fears with supernatural powers. 

 

“Final Destination: Bloodlines” dir. by Zach Lipovsky and Adam Stein 

 

 Following “Sinners” was the return of a brutal cult classic series: “Final Destination: Bloodlines.” With the revival of such a renowned series, there is no shortage of risks; many films lose their identity in the hands of the wrong people or sometimes have too many ambitions for one movie. Luckily, the film managed to fall right back into the rhythm of its previous installments. As the legend of “Final Destination” goes: after an individual receives a premonition of a fatal catastrophe and intervenes to save lives, death returns to reclaim the survivors’ lives one by one through unnatural, gruesome events.  

The film manages to surprise its audience by revealing the method of how their universe works. Being a part of that audience, I can attest to its impact — as it didn’t stray away from its roots. The fresh reintroduction to the series reignited the faith in future installments the franchise lost some movies ago. This movie serves as a positive sign for other horror series that have quietly left the scene, almost forgotten. Overall, it proved to be a fun film to kick off the summer. ”Final Destination: Bloodlines” was welcomed back into the arms of its fans with the hopes the series will continue to live on.

 

“Bring Her Back” dir. by Danny and Michael Philippou

 

While the Philippou brothers may be new to filmmaking, it isn’t obvious by the examples of their work so far. The pair broke out onto the film scene with their first work “Talk to Me” back in July of 2023, receiving raving reviews. Although many eager fans were expecting another installment of the series, they were instead met with a wholly new title early this summer. “Bring Her Back” took many horror fans by surprise, bringing about a unique story that inspires no shortage of real life discussions about problems people face every day — such as flaws within the foster care system along with themes of abuse and manipulation. The movie follows two siblings, Andy and Piper, after the tragic death of their father. When moved to a foster home, malevolent forces reveal themselves in the foster mother, Sally, and quiet foster brother, Oliver. 

While this film may not have gotten the same attention as “Talk to Me,” it still manages to impress this viewer, as it feels just as emotionally harrowing as it is spine-chilling. The movie allowed for viewers to empathize with all characters involved; even the antagonist, a mother violently grieving the early loss of her daughter. A major mistake many studios fall victim to is making the characters you’re supposed to root for unlikeable — thankfully, “Bring Her Back” is not one of them. The film takes on a similar theme found in the Philippou brothers’ previous work: grief. Many described their first film as brutal, and this new story was no different. It seems the brothers have once again proven themselves worthy to stand amongst the greats of the horror genre. 

 

“28 Years Later” dir. by Danny Boyle  

 

Another returning name to the game was “28 Years Later.” The film entered into popular discussion with its fascinating trailer, which featured a chilling voice over. With the promise of this film came the confirmation of future installments to the series, which isn’t common in the resurgence of once-forgotten horror names. The movie tells a similar tale to its predecessor: what it takes to survive in a world that has since fallen. 

Taking place on an island far from the mainland, we follow the young Spike, a character who searches for a hopeless answer to his mother’s unknown disease amidst a virus that has taken over all of Europe. While promising, the film could’ve done more establishing its presence, as the first half-hour or so felt more like an informational dump that could’ve been sprinkled throughout the movie to allow for better flow. While the introduction of new characters breathed new life into the series, we’ll hopefully see more familiar faces in the upcoming installments as well. The film, having taken some inspiration from other zombie media examples and even being used as a bar for others, has nevertheless proven it has a place amongst the horror icons. 

 

“Together” dir. Michael Shanks

 

Rolling out in the final moments of summer was “Together,” a major curveball on the scene. Those that did get to see this film in theaters might have heard it faced a controversial entrance; Despite this, “Together” manages to be an ingenious new take on the genre. Many debated its validity due to the amount of “gross” content, but “Together” owns its identity under the subgenre known as “body horror.” Not only does this film manage to be witty and confident in its identity, but it’s emotional in a number of ways that most horror fans will appreciate. 

This film featured a main couple being played by real life pair, Dave Franco and Alison Brie, which allowed for the film to have an enriched portrayal of their dynamic. The film depicts the modern day issues many couples are faced with, amidst a supernatural conflict that builds between the two as their bodies become physically entwined. This is a must watch for any horror fan looking for something new that can take them by surprise. “Together” embraced its own brand of weird — and it definitely paid off, according to horror fans. While late to the summer scene, it’s very deserving of its place on this list alongside the other films mentioned.

 

“Weapons” dir. Zach Cregger

Finally we land on perhaps the second most popular of this list: “Weapons.” This film was directed by Zach Cregger, who previously released another horror film, “Barbarian” (2022), to mixed reactions from fans. The film follows young teacher Justine Gandy as she tries to uncover the motive behind the disappearance of her third-grade class after they mysteriously, simultaneously ran out of their houses at 2:17 a.m. the night before. “Weapons” features a star-studded cast whose individual performances allowed for the characters to feel real. The film didn’t shy away from any comedic beats, giving the audience the full experience of what Cregger does best. Much like its predecessor, “Weapons” takes on a pacing that goes against the status quo of most horror films. 

Personally, however, it felt that the film could’ve been a stronger product had it included a more fleshed out villain. Despite the antagonist’s iconic presence, which is already undisputed within the community, her character would have benefited from a more unique motive. With so much excitement surrounding the film, it left too much room for disappointment. These issues aside, no one can deny that this film was a solid ending to this year’s summer of screams, receiving much praise from both regular movie goers as well as the horror junkies looking for a new thrill. 

 

As many people already begin to move on to fall, now is the perfect time to catch up on any of the movies listed above that you might have missed in theaters — all now available to rent or buy on multiple platforms, with “Sinners” and “Final Destination: Bloodlines” now streaming on HBO MAX.  

Written by: Bella Peterson — arts@theaggie.org

Review: Second season of ‘Wednesday’ is woefully underwhelming

The show’s better qualities are obscured by a slow start and bloated cast 

 

BY JULIE HUANG — arts@theaggie.org

 

After nearly three years, the second season of “Wednesday” has finished airing on Netflix. Split into two parts, the first four episodes were released on Aug. 6, followed by the last four episodes on Sept. 4. 

The decision to spread these episodes out over a month was presumably intended to build up suspense and excitement, and yet it ends up detracting instead of adding to the viewing experience. 

Though the show retains the dramatic visuals and generally dark atmosphere that season one became noteworthy for, the first half of the new season is unbearably slow. 

Some lingering threads from season one are quickly brushed off, such as what happened to Wednesday’s potential love-interest Xavier Thorpe (transferred to an academy in Switzerland), after actor Percy Hynes White left the show in 2023 after being accused of sexual misconduct, which he denies. 

New characters, from a new love interest for Wednesday’s roommate Enid to a suspicious psychiatrist named Dr. Fairburn, are introduced left and right, but they mostly serve as landmarks in the background while titular character Wednesday runs around in circles. It is true that some of these new figures, such as new headmaster Principal Barry Dort, play more important roles in the second half of the season, but it still feels wasteful to introduce so many new faces just to have them spend half of a long-awaited season standing around. 

It is also not quite clear what Wednesday herself accomplishes in these four episodes. She spends every one conducting an investigation; first to uncover the identity of her new stalker, then to uncover the identity of a new murderer and then to find a way to save her roommate and best friend Enid from an unclear but impending doom. 

In theory, exciting stuff. Yet much of this excitement is lost in the process of execution, because the show insists on adding an overwrought feeling of intrigue to nearly every moment of every episode without distinction. 

Instead of cultivating a cohesive experience, this heavy-handed emotional homogeneity makes it impossible for tension to crescendo in an organic manner. Every new twist and reveal is treated with the same level of intensity, no matter how insipid. 

The first half of the season ends on a cliffhanger that feels contrived from its inception and is indeed swiftly resolved in the first few minutes of the very next episode. 

The second half of the season improves in viewing experience as the show begins to devote time to developing the characters in ways that last. Five-minute revelations are replaced with plot twists and character interactions that begin to build on each other. Surprisingly, one such moment occurs when Enid and Wednesday’s stalker have a touching moment of connection.

One of the major strengths of “Wednesday” is how it portrays the dynamics between a cast of characters that all have their own quirks and oddities, each an “outcast” in their own way. In season one, the relationship between Wednesday and Enid provided entertainment through the exaggeration of their more extreme character traits in contrast with each other. 

This season, new student Agnes DeMille is among the more notable introductions. The interplay between her obsessive nature and Wednesday’s standoffish attitude is promising, especially by season’s end.  

Greater focus is also given to other Addams family members, with varying degrees of success. Wednesday’s younger brother Pugsley starts at Nevermore, the school for outcasts, but his trouble-making friend is treated as a plot driver while its potential for emotional payoff is largely ignored. Viewers are repeatedly informed of Wednesday’s feud with her mother Morticia, though the reasons for its existence feel flimsy and unjustified. 

Some of these open-ended character dynamics, along with certain plot threads, have doubtless been left unresolved in order to leave new material for a third season, which has already been announced by Netflix.  

The choices made surrounding release timing is reflected in the narrative structure and quality of this season. The first half is less devoted to the development of characters and their relationships. Instead, the show attempts to cultivate a threatening atmosphere of paranoia that fulfills the show’s aesthetic, casting a shadow onto the stronger second half, whose handling of character development could have stood on its own but struggles to make up for the emptiness of the preceding episodes. 

The second season of “Wednesday” makes obvious missteps during the process of building up to a satisfying conclusion. Still, when taken as part of an ongoing project that promises further plot and character development, it may reveal itself to be worth the watch nonetheless.   

 

Written by: Julie Huang — arts@theaggie.org 

Incoming Aggies prepare for their first year

First-year students describe their experiences before moving in

 

By GRACIELA TIU — features@theaggie.org

 

This past week, many incoming first-year UC Davis students have been preparing to leave their homes and transition into their college lives. New students can experience a range of emotions — excitement, nervousness, sadness and more — upon moving into the dorms and acclimating to life on campus.

“This will be my first time not being with my family for a long period of time,” Seren Mah y Busch, a first-year animal science major, said. “I’ve never even traveled without my parents or anything like that, so I would definitely say that’s very new for me. I would also say my family is very, very close-knit, so I’m worried about getting homesick and stuff like that.”

As Mah y Busch said, a significant aspect of the change for many incoming students includes leaving family, friends and loved ones.

“The hardest part is saying goodbye to the people I care about,” Rachel Pangilinan, a first-year philosophy major, said. “But at the same time, I’m excited to have the chance to meet more people I’ll care about, too.”

The transition to college can feel different for every student depending on their background and previous experiences.

“I feel a sense of powerlessness as I’ve only ever gone to small schools where everyone knows each other, and now I’m going from 400 students to 32,000,” Mah y Busch said.

With the uncertainty of a big transition, many incoming students feel pressure to quickly make connections and meet new people.

“Just finding my people — everyone seems to say that they found their lifelong friends in college — adds this pressure to find the perfect people right away, even though that’s not realistic,” Katie Coppersmith, a first-year international relations major, said. “I know I will find my people in time, but it’s definitely something on my mind.”

When anticipating what to expect, many incoming students turn to social media to try to get a sense of what college life is like.

“Social media definitely portrays a version of college that highlights the best parts without showing the challenges,” Coppersmith said. “I just try to remind myself that everyone’s experience is different, and [as] with all things social media, it’s best to take it with a grain of salt.”

A unique element of the transition for many University of California students, in particular, is the timing of the quarter system — especially in comparison to the semester system.

“[My friends] have been moved out for a while now, whereas I’ve been feeling a kind of [fear of missing out], almost like I’m taking a gap [year] or something like that,” Mah y Busch said. “I’m three months out from high school graduation, but I haven’t [necessarily] taken the next step. It feels like something so abstract, especially because all my friends have been telling me about their college experiences.”

Despite the nerves that come with moving away from home, this year’s incoming class of  students are still looking forward to the opportunities their first year can bring.

“A successful first year for me would mean finding my purpose here,” Pangilinan said. “UC Davis has so many resources, and I’m excited to take advantage of them to figure out who I want to be.”

Written by: Graciela Tiu — features@theaggie.org

Davis Sunset Rotary Club hosts movie nights in Central Park

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The service club put on free outdoor movies every Saturday night through Sept. 20

 

By GIA LOOMIS — city@theaggie.org 

 

Each Saturday of September, the Davis Sunset Rotary Club showed weekly movies in the park. The Movies in the Park event is free to all and shows family-friendly movies including “Sonic 3” on Sept. 6, “Moana 2” on Sept. 13 and “Paddington in Peru” on Sept. 20. These outdoor movie nights are hosted in Central Park and begin at sunset, and attendees are encouraged to bring blankets and chairs. 

The event is largely supported by volunteers who aid in set up, equipment assistance and selling snacks such as popcorn, cotton candy and lemonade during the viewing. Additionally, Movies in the Park is supported by several organizations who make the event possible like Western Health Advantage, Swim America and Yolo Berry. 

Beginning in 2006, Movies in the Park was organized and hosted by the city of Davis before budget cuts no longer allowed for the event. This led the Sunset Rotary Club to pick up the event in 2011. 

Many Davis residents appreciate the Davis Rotary Club’s continuation of Movies in the Park. Long-time resident Gloria Aldrich reminisced on the tradition of the outdoor movie nights. 

“I remember bringing my kids to Movies in the Park almost 10 years ago,” Aldrich said. “I’m happy to see that the Rotary Club has kept the event going all these years.”

While attendance at Movies in the Park is free to the public, the Rotary Club manages to fundraise by connecting with sponsors and selling concessions at the event. The proceeds help to support several programs funded by the Sunset Rotary, both locally and globally, including but not limited to the Davis Senior Center, the Ukraine Project and more. 

Yet, Movies in the Park is not the Davis Rotary Club’s only form of fundraising and community service. Rotary Clubs across the country have been helping their community since their founding by Paul P. Harris in Chicago in 1905. 

The Rotary Club’s origins can be found in the extensive history located on their website. 

“Paul P. Harris, called three friends to a meeting,” the Davis Rotary Club’s History of Rotary reads. “What he had in mind was a club that would kindle fellowship among members of the business community. It was an idea that grew from his desire to find within the large city the kind of friendly spirit that he knew in the villages where he had grown up.”

The Rotary Clubs found their way to the West Coast in 1908, with the founding of the San Francisco chapter. The clubs expanded soon after, and by 1921, a Rotary Club could be found on every continent. Eventually, the club found its way to Davis where the local chapter was chartered on March 10, 2003. 

As the club grew, their objectives managed to stay close to their original values — their focus remaining on service, especially to their community. In order to keep their objectives clear, all Rotary Clubs adhere to the same Objects of Rotary and Avenues of Service.

The Davis Rotary Club’s website describes their Avenues of Service based on their Objects of Rotary. 

“For over 70 years (since 1927), the program of Rotary has been carried out on four Avenues of Service (originally called channels),” the Avenues of Service reads. “These avenues — club service, vocational service, community service and international service — closely mirror the four parts of the Object of Rotary.”

These Avenues of Service have guided the Davis Rotary Club to host several events, including Movies in the Park, along with sponsoring other causes in and around Davis. The last Movies in the Park event took place with “Paddington in Peru” on Sept. 20 in Central Park. 

 

Written By: Gia Loomis — city@theaggie.org

What’s new in Davis this September?

The Davis Collection shopping center brings new national retailers and dining options

 

By ALMA CULVERWELL city@theaggie.org 

 

The redevelopment of the former University Mall into The Davis Collection is beginning to take shape. Approved as a commercial-only project under the city’s University Commons plan, the project retains the existing Trader Joe’s and introduces over 100,000 square feet of new commercial retail space. Alongside new landscaping, circulation improvements and gathering areas, several major tenants have recently opened this summer, with more on the way later this year. 

 

The following includes recently opened businesses at The Davis Collection:

 

Nordstrom Rack, the first anchor tenant to debut at the center, brings discounted fashion, shoes and accessories from Nordstrom’s popular brands.

PetSmart opened July 2025 as a new resource for local pet owners and was the second storefront to open at the center. PetSmart carries pet food and supplies as well as grooming services and adoption events.

J.Crew Factory opened July 2025. J.Crew Factory expands fashion choices in Davis, featuring classic styles and accessories at outlet prices.

Ulta Beauty, which opened August 2025, brings a mix of cosmetics, skincare and haircare products, along with salon services. 

Mendocino Farms opened August 2025. This California-based eatery emphasizes gourmet sandwiches, fresh salads and seasonal menu items, with a wide variety of vegan and vegetarian options.

 

Businesses opening in late summer and fall 2025 include:

 

The Melt, a counter-serve comfort food chain best known for its grilled cheese, burgers, mac and cheese and fries. 

Urban Plates, a regional chain that specializes in plates, salads, sandwiches and bowls from scratch. 

Paris Banh Mi, a bakery and cafe serving banh mi sandwiches, bubble tea and pastries. 

Shah’s Halal Food, a staple on the Davis campus, is a halal chain offering platters, gyros and other Middle-Eastern inspired street food.

Fluffy Fluffy Dessert Cafe, a cafe known for their award-winning soufflé pancakes and desserts, serving anything from breakfast to dinner and more. 

88 Bao Bao, a new eatery expected to feature bao buns and other Asian street food dishes.

Additional retailers are anticipated in the coming months, including Calicraft Brewing Company, Good Friends Hawaiian Poke, The Old Tea House, 2nd Street Vintage and Tequileros Taqueria. One 1,300-square-foot space remains available.

The Davis Collection held a celebratory event, “The Davis Collection Unwrapped,” on Wednesday, Sept. 10, from 3 to 5 p.m., according to the city of Davis. The community celebration marks the official unveiling of the shopping center, which replaced the former University Mall. 

The event featured a ribbon-cutting ceremony as well as live music from a local blues band, tastings, store promotions, face painting and giveaways. Along with speeches by Gregory Finley, president of the west region for Brixmor, and Davis Vice Mayor Donna Neville.

The Davis Collection redevelopment marks one of the largest retail additions in the city in years. With a mix of national brands and new dining options, the project aims to serve both UC Davis students and the wider Davis community. 

By Alma Culverwell— city@theaggie.org

Where future healthcare leaders are made: Pre-Health Conference at UC Davis

UC Davis holds the largest pre-health event in the nation, and it’s entirely run by students

 

By NAREN KRISHNA JEGAN – science@theaggie.org

 

During summer break, when UC Davis students are either relaxing, taking summer courses or gaining internship experience, over 75 students spent hours preparing and training to represent UC Davis at one of the largest events in the United States.
Held every fall, this nationally renowned event brings together over 3,000 aspiring healthcare professionals, from future doctors and dentists to veterinarians, nurses and more. Open to students and graduates alike, the Pre-Health Conference (PHC) features the largest pre-health fair in the nation, hosting hundreds of exhibitors and dozens of panels, workshops and networking opportunities.
Long before the crowds arrive and the panels begin, a dedicated team of student ambassadors and moderators work tirelessly behind the scenes to bring the conference to life. Planning begins just two weeks after the previous year’s event ends, with hundreds of student volunteers taking on critical roles that make the day possible.

Wearing brightly colored t-shirts, ambassadors can be found all across campus on conference day guiding guests through Hutchison Field, assisting exhibitors at their booths and offering directions with a welcoming smile. Inside lecture halls, moderators keep the program running smoothly, introducing guest speakers, managing Q&A sessions and ensuring interactive and didactic workshops run smoothly. 

Noelle Law Huynh, a fourth-year biochemistry and molecular biology major and former ambassador, shares how she has seen the event grow from a jumble of ideas in November to one of the largest events organized entirely by student volunteers. 

“[The volunteers’] dedication and teamwork are what transform the conference into more than just a gathering,” Law Huynh said. “It becomes a space where students can learn from each other, share experiences and feel like they are part of something bigger. For me, being part of PHC has meant gaining new friends, mentors and skills, but more importantly, it has shown me how powerful it is when different voices come together with a shared passion for health. The conference truly reflects the strength of our student and pre-health community.”

The conference is split into two main components: the PHC and the workshops. 

The PHC, held on Hutchison Field, has hundreds of tents of exhibitors filled with aspiring healthcare professionals across the globe. Here, attendees can connect directly with admissions officers, learn about academic programs and explore the full range of health-related careers.

The workshops, which are a central feature of the conference, cover a wide range of topics, from how to craft a standout application and prepare for admissions interviews to in-depth panels on careers in medicine, dentistry, veterinary science and beyond. Many sessions feature admissions representatives from top programs, licensed professionals and even current health professional students who share their journeys and give advice. For attendees, these sessions offer not only practical guidance but also hands-on experiences where one can learn how to suture, perform clinical exams and administer hands-on CPR.

One of these volunteers is Ashlynn Vong, a ______ major and PHC moderator, who attended last year’s PHC.

“As a student preparing for a future in healthcare, attending the Pre-Health Conference at UC Davis was truly transformative,” Vong said. “The event gave me the opportunity to connect directly with admissions representatives, healthcare professionals and students from a wide variety of fields. I gained practical advice on the application process, insight into different career paths and motivation from hearing the personal journeys of professionals who were once in my shoes.”

Jamie Zhu, a rising third-year majoring in neurobiology, physiology and behavior and a moderator at last year’s PHC, recalls how volunteering for the event helped her grow as an aspiring healthcare professional.

“My favorite memory was moderating for the Nursing School Admissions Panel,” Zhu said. “The process of drafting emails, writing workshop descriptions, creating panel questions and meeting the speakers in person to ask those questions felt like the last piece to a puzzle. It was super satisfying to see how all the work I did came together and how smooth the panel went. I have always avoided public speaking whenever I can, but the moderator experience encouraged me to step out of my comfort zone more, and one day, I believe with enough practice, I would eventually find comfort in public speaking.”

For students beginning their pre-health journey, the PHC at UC Davis serves as a springboard for students to explore the various fields of study and opportunities to thrive. Trisha Sukale, a rising fourth-year majoring in neurobiology, physiology and behavior and a PHC moderator recalls how attending — and later, volunteering — for the PHC shaped her experience at UC Davis. 

“As a student interested in pursuing a pre-health profession, beginning my journey at UC Davis felt overwhelming,” Sukale said. “I had a general idea of what the next four years might look like, but uncertainty left me with countless questions.”

Sukale continued by describing what the PHC has meant for her.

“Attending my first Pre-Health Conference completely changed that,” Sukale said. “I was immediately immersed in the supportive nature of the pre-health community at Davis. This conference sparked the beginning of my passion for collaborating with like-minded individuals. With the right amount of planning, the event ran much like a well-oiled machine.” 

Additionally, Sukale described the work that goes into the event. 

“Hundreds of volunteers, programs and attendees working together seamlessly to create an experience that would inspire students for years to come,” Sukale said. “It is incredible to witness this passion and dedication that upholds the tradition of the Pre-Health Conference to this day. In the days leading up to the event, Conference ambassadors or volunteers and leadership members come together to ensure that all aspects of the Conference are delivered [Hutchison] Field for the pre-health fair to assembling thousands of attendee bags, the success of the event could not be possible without the planning and the meticulous attention to detail from countless dedicated individuals.”

This year, the PHC at UC Davis will take place on Saturday, October 18. With a few weeks before the big day, the event is starting to take shape, bringing in one of the most diverse and enriching lineup of exhibitors and workshops. Students who are interested in attending or volunteering can find more information on the PHC website

 

Written by: Naren Krishna Jegan — science@theaggie.org

64th Annual Folsom Pro Rodeo: Western Rodeo Days

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Featuring rodeo events for everyone

 

By DANIELLE WIRNOWSKI— sports@theaggie.org

 

Folsom County held the 2025 Folsom Pro Rodeo from July 3 to 5 at the Dan Russell Rodeo Arena. This year’s rodeo was proclaimed “Western Rodeo Days” by Sarah Aquino, the mayor of Folsom, for its 64th annual run.

While the rodeo was established in 1960, it has since then become a beloved Folsom summertime event, meant to celebrate Western heritage, local Folsom community pride, family togetherness and love. 

The Folsom community honored Charlie Grows, a retired firefighter and a longtime volunteer for the rodeo, as the 2025 Grand Marshal. 

The rodeo consisted of the standard Professional Rodeo Cowboys Association (PRCA) events, including but not limited to bull riding, barrel racing, team roping, saddle bronc riding and steer wrestling. The rodeo also consisted of plenty of supporting events, such as the Painted Ladies Drill Team, Flying Cowboys Motocross and mutton busting. 

While most of the public knows what bull riding and bronco riding are, all the other events in the PCRA can be confusing for a first-time rodeo attendee.

The events are split into three categories: timed events, rough stock events and specialty events. 

The events that fall under the “timed” category are barrel racing, breakaway roping, tie-down roping, team roping and steer wrestling. Barrel racing and breakaway roping are solely women’s events, while the other events are men’s. Timed events are scored purely based on the clock: The fastest team wins, but any mistakes made can add seconds or even wipe the run completely. 

Barrel racing is an event that involves a horse and its rider racing in a cloverleaf pattern around three barrels as fast as possible. For this event, the horse and the rider must put speed and precision at the top of their skill list. 

Breakaway roping is when a rider ropes a calf until the rope “breaks away” from the saddle horn, and time is called.
Tie-down roping is all about speed, control and horsemanship, in which a cowboy must rope a calf, dismount and tie three of its legs together. 

Team roping, on the other hand, is dependent on teamwork and timing to be successful. Two riders, a “header” and a “heeler,” each tackle roping the steer’s horn and roping the hind legs, respectively. 

Steer wrestling is similar to tie-down roping, minus the roping aspect. A cowboy must jump from his horse onto a running steer and wrestle it to the ground by the horns. 

On the other hand, rough stock events include bareback riding, saddle bronco riding and bull riding. These events are scored on a 100-point system, with half the points allocated to the rider and the other half to the animal. 

Bareback riding consists of a cowboy riding a bucking horse with only a rigging strap to hold onto. Judges score based on spurring technique, control and matching the horse’s movements. 

Saddle bronc riding, while similar to bareback riding, is when a cowboy tries to stay on a bucking horse using a specialized saddle and rein. Judges focus on rhythm, control and a smooth spur stroke in time with the horse.

Bull riding, the most anticipated and famous event, is where riders attempt to stay on a bucking bull for eight seconds. Scoring for this event is based on control, balance and the ability to stay centered on the bull throughout the whole ride. 

The Painted Ladies Drill team, specializing in precision horseback performances, and Flying Cowboys Motocross, featuring specialized freestyle dirt bike stunts, were woven into the PCRA events, along with various other family-friendly activities. These performances added crowd thrills and filled the silences between events. 

Arguably, the best part of a rodeo — for the kids anyway — is mutton busting. Children, typically between the ages of 4 to 7, attempt to hang onto a woolly sheep for as long as possible, essentially making it a miniature bull riding event. 

While the rodeo is packed full of events and chaos (in only the best way), it is celebrated more for its community spirit and the importance of its heritage rather than for competition results. The best, and really the only way to experience this rodeo, just like any other, is to get out there and witness all these nightly events in person. Two upcoming rodeos near Davis, the Marysville Stampede in Marysville (Sept. 13 to 14) and the Clements Stampede in Clements (Oct. 18 to 19), are sure to capture your attention.

 

Written by: Danielle Wirnowski — sports@theaggie.org

A handful of can’t-miss events this fall quarter

Three fall quarter performances worth fitting into your schedule

 

By NATALIE SALTER — arts@theaggie.org 

 

As we gear up for a brand new school year, the prospect of making the most out of it can be equally exciting and overwhelming. Between classes, clubs, jobs and going out with friends, it can be easy to miss events offered on campus during the fall. Whether you’re a first-year hoping to discover as much as you can or a returning student looking to make new memories, here’s a list of events you can add to this quarter’s calendar.

“Rocky Horror Picture Show” with Erotic Nightmares:

 

Autumn in Davis is especially exciting, and when you’re not picking up pumpkin-spiced pastries from the Coffee House or taking in the seasonal beauty downtown, you may feel inclined to pursue opportunities of the spookier variety. Luckily for you, UC Davis students annually deliver a rendition of a cult-classic Halloween tradition: a showing of the film “Rocky Horror Picture Show” (1975) with a live shadowcast.

For those unfamiliar with this beloved October rite, the campus club Erotic Nightmares invites viewers to not only witness the film’s campy, musical fun, but be active participants in it. Frequent goers memorize chants and dances — volunteers from the crowd are invited to participate in challenges on stage and talented cast members dress up to gleefully reenact the film’s scenes. It’s a raunchy, hilarious and exciting display that is best enjoyed with friends. 

Philharmonia Orchestra at Mondavi Center on Oct. 17: 

 

If you’re looking for a performance with a little less shouting and dancing, a brief perusal of the Mondavi Center’s fall offerings may point you in the right direction. Incoming students are given a courtesy ticket to see one show at the Mondavi for free: an opportunity that you shouldn’t let pass you by. 

The Mondavi hosts an array of performances each quarter, so it’s worth it to keep an eye on their selection year round. One exciting choice amongst this quarter’s musical performers is the Philharmonia Orchestra, a well-known musical ensemble whose career has spanned from old Hollywood film soundtracks to working with the 21st century singer-songwriter Laufey. Their performance is slated for Oct. 17 and is a must-see for any and all with a love for music.

UC Davis’ Video Game Orchestra: 

 

Another must-see live musical performance — put on every quarter — comes from UC Davis students themselves. Taking a contemporary twist on the classic live ensemble, the Video Game Orchestra blends the digital and musical worlds to create a downright magical experience for all in attendance.

Though avid gamers will be especially delighted by this orchestra’s offerings, which cover hundreds of unique video games from across the genre, you don’t need to be one to appreciate the spectacle of the show. Beyond the music itself, there are collectible gifts on sale at each performance, and a raffle whose winner can choose a song to be performed the following quarter. Coming back every quarter is certainly worth it, as the orchestra picks a new theme each time — ranging from “Myths & Magic” to “A New Adventure Awaits” — with a slew of related video game soundtracks to match.

Of course, these events are only a select few of the countless number that are available every quarter. Even more can be discovered through clubs and campus communities, so, whether it’s your first year or your last, don’t pass up on connecting with other students who share your interests and passions — you may make some of your fondest memories in doing so.

Written by: Natalie Salter — arts@theaggie.org