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Tuesday, December 30, 2025
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Campus Judicial Report

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A first-year student (Student A) was referred to Student Judicial Affairs (SJA) for possibly collaborating with or giving assistance to another student during an exam (Student B). Specifically, during the exam the proctor noticed that Student B was copying from the person sitting next to her, namely Student A. However, the proctor was unsure if Student A, the one being copied from, was intentionally allowing it, so both students were referred to SJA. In her meeting with a Judicial Officer, Student A stated that she had not known she was being copied from and did not in any way assist Student B. She said that she had been wholly focused on completing her own exam. Since there was no evidence of her having helped the other student, the university decided that Student A was innocent and no disciplinary sanctions were pursued against her.

A student was referred to SJA on suspicion of providing unauthorized assistance to another student in connection with a lower division class. In particular, the student was observed to be answering questions on two clickers, one for himself and one for someone else. In his meeting with a Judicial Officer, the student admitted that he had been answering the questions for his friend, who couldn’t be in class, even though the instructor had expressly stated that this is considered academic misconduct. The student agreed to accept a Censure, which is a formal warning that outlines the policies of the university, and to do some community service. If the student violates the Code of Academic Conduct again, he will face more serious disciplinary sanctions.

A student was referred to SJA for possible unauthorized assistance on his homework assignments. Specifically, the instructor noticed that the wording of the homework and the generally high grades of the individual assignments were inconsistent with the student’s test scores. Furthermore, the instructor noticed that the homework assignments were almost identical to the solutions manual. In the meeting with a Judicial Officer, the student admitted to having the solutions manual but claimed he only used it to double check his work. However, the student eventually admitted that although he didn’t think he was copying as he completed the homework, it was likely that he had inadvertently copied due to the close similarity of his assignments with the manual. He agreed to the disciplinary sanction of Deferred Separation.

CAMPUS JUDICIAL REPORTS are compiled by members of Student Judicial Affairs.

Column: Place that product

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“It’s like people only do things because they get paid, and that’s just really sad.”

Fans of Wayne’s World, and just comedy in general, might fondly recall this ironic line by Dana Carvey while portraying a ‘90s nerd/hippie/hard rock fanatic dressed head to toe in exclusively Reebok gear.

In the scene, network cable stars Garth Algar and buddy Wayne Campbell (one of Mike Myers’s best characters) cleverly use product placement to mock advertising and “selling out.” While eating Doritos and Pizza Hut and drinking Pepsi (in a sincerely blatant manner), they argue with their boss about making time on the show for the sponsor to promote his own products.

While Wayne and Garth make fun of the practice of infiltrating creative work with commercial messages in a lighthearted way, 20 years later product placement has evolved into forms that seem excessive, if not a bit disturbing.

The common view of product placement is that it occurs strictly in the entertainment industry — films, TV shows, etc. But there’s another type of it growing rapidly at schools all over the United States: college brand ambassadors.

They walk amongst us in plain view, blending seamlessly into the busy ecosystem that is a college campus. Some wear t-shirts promoting a brand or product, some set up tables by the Quad. They all have one thing in common, however. They are all students.

Companies like American Eagle, Microsoft and Red Bull, like many others with products that cater towards a younger crowd, have always had advertising campaigns geared towards college students. Very recently, though, there has been a change in how these companies reach out to one of their target demographics. Instead of marketing to students, they have begun to market through students.

A college brand ambassador is hired by a company, sometimes for pay and sometimes purely as an internship, to market the company’s brand and products directly towards his or her friends and peers. Now, what at first glance seems like an evil scheme involving the brainwashing of students for the use of further brainwashing is actually a pretty smart business move.

The kinds of students companies target to fill these roles are very active socially. You know, your run-of-the-mill 1,300 Facebook friends, greek life die-hard, sports fanatic student. College-aged kids who fit this bill are essentially spiders threading an enormous networking web around themselves. In other words, they’re mainstream.

Don’t get offended if you meet the requirements above and disagree with the “mainstream” label. This isn’t Jock v. Hipster or Mainstream v. Alt (cases that could soon hit the Supreme Court). This is purely how large companies identify the best candidates for spreading their brand on a college campus.

College-aged brand ambassadors have a much stronger effect on their peers than any older representative that works for a company could ever achieve. Students are more trusting of their friends, and friends of friends, that inhabit the same campus, and are thus more likely to accept offers from them to buy a product.

Part of human nature, no matter how far off the mainstream one may be, is to take notice in what those close to you are interested in. We’re far more likely to buy and drink Red Bull if our friends regularly champion and drink it themselves.

Big brand names have started to capitalize on this tendency to generate more revenue. They believe if they can find the “cool” kids on campus to market their products, others will want to emulate them and achieve coolness by shelling out cash for a product. And as awful as that may sound, it works.

Many of us would like to think we’re impervious to the ever-growing influence of commercialism, but the truth is, unless you’re ditching common society to hitchhike up to Alaska and live in a deserted bus à la Into the Wild, you can’t completely escape anymore. Businesses are always on the prowl for innovative methods of spreading brand awareness, and even if you do opt for the wilderness route, it’s possible they’ll reach you there one day too.

In conclusion, Red Bull gives you wings.

VICTOR BEIGELMAN isn’t trying to be a buzzkill; he’s just bringing the facts. Harass him about it anyway at vbeigelman@ucdavis.edu.

News-in-Brief: First Davis Flea Market is this Sunday

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The first ever Davis Flea Market will be held Sunday in downtown. The E Street Plaza will host the new monthly market from 11 a.m. to 3 p.m.

Davis residents can sell books, CDs, furniture, clothing, knick-knacks, toys, arts and crafts and electronics. There will also be live music.

News-in-Brief: Rebuilding Haiti event tonight

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Tonight the UC Haiti Initiative and ASUCD are holding an event in honor of the two-year anniversary of the earthquake in Haiti.

Students are encouraged to attend and learn about rebuilding higher education in Haiti. Speakers will include professor and physician Dr. Douglas Gross, law school professor Holly Cooper and the 2011-12 Humprey’s Fellow Hughes Jacques. There will be a discussion and Q & A session after the presentations.

The event will be held tonight at  7 p.m. at Memorial Union’s Griffin Lounge.

Gymnastics preview

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Teams: UC Davis vs. California, Seattle Pacific
Records: Aggies, 1-4; Bears, 1-2; Falcons, 1-1
Where: The Pavilion
When:  Friday at 7 p.m.
Who to watch: Sophomore Madeline Kennedy set or tied career bests in three events at Sunday’s home meet. Her scores were good for second-place finishes on vault and floor and helped UC Davis to capture its first win of the season.
Did you know? The last time that the Aggies hosted California, UC Davis posted its second-highest score of the 2011 season (194.050). Cal finished second in the dual with a score of 191.500.
Preview: UC Davis will compete at home on Friday for the second time this week as it hosts Cal and Mountain Pacific Sports Federation rival Seattle Pacific.

After a strong home opener on Sunday, the Aggies hope to build upon their success as they once again perform with the support of a hometown audience.

“We’re really working on increasing our level of performance,” head coach John Lavallee said. “We’re still working on being comfortable in meets and being confident that we can perform like we do in practice. It’s a process, but we’re on the right track.”

Seattle Pacific will enter the triangular coming off of a meet against San Jose State University in which it improved its initial season score by nearly two points.

Cal was defeated by Pac-12 rival Arizona State in its last meet, but the team notched a season-high score of 194.050 in the dual-meet.

While the competition promises to be intense, the Aggies are not intimidated.

“We’re really looking forward to the match-up this weekend,” said Lavallee. “Seattle Pacific has been one of UC Davis’ biggest rivals for [years]. And any time we compete against Cal it’s a good day to go out and compete well.”

At one of only five home meets, the team is eager to have a strong fanbase at the meet, similar to the crowd of more than 500 that cheered the Aggies to victory over Air Force on Sunday.

“We’re really hoping we can draw a similar crowd,” confirmed Lavallee. “It was really energetic.”

Column: Parenting Iran

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Iran is in a serious time-out, having just been sent to the proverbial oil sanction corner on Monday by Daddy and Mommy European Union. Iran’s punishment comes after growing threats that the country is increasing funding for an already sizable nuclear program.

The language used in describing this world news story is really that of a parent disciplining a naughty child. While following the reporting, I almost felt like the goody-goody sister eavesdropping from the stair banister, secretly reveling in my sibling’s sharp vicissitude. It felt uncomfortably self-righteous.

Within two paragraphs, I’ve already grown fond of this familial metaphor so I’m going to make it an extended one. Entertain us both and you’ll see that my analogy does a fine job of mashing up the mystery that is international relations by serving it into neat portions of easily digestible, child-proof information.

In our family, there are the strict parents who offer non-negotiable consequences: “Today’s sanction against Bank Tejarat will deepen Iran’s financial isolation, make its access to hard currency even more tenuous and further impair Iran’s ability to finance its illicit nuclear program,” said David S. Cohen, U.S. Treasury undersecretary for terrorism and financial intelligence.

His tone matches the oh-so-familiar “I’m taking away your allowance” defense. “So what?” or “Pish posh!” we rebelliously retort. There are other ways to stay financially solvent, ways that need not require the assistance of a guardian.

The EU accounts for a mere 18 percent (2.2 million barrels a day) of Iran’s oil export share. Iran could easily call up its Eastern friends in India and China, who run a combined 35 percent tab on the country’s exports, and negotiate a 10-15 percent discount to sell off the EU’s leftovers.

While we may not be dependent on the ultimatum-giving parents, how do we understand the new-age, Abercrombie-wearing, alcohol-supplying ones who coolly accept the truths of our ever-corrupt society?

Meant as a warning against Iran’s potential reactions to the imposed oil sanctions, Israel Prime Minister Benjamin Netanyahu said, “For now, Iran continues to produce nuclear weapons without disturbance.”

This sort of relaxed attitude would be reminiscent of Regina George’s mom in Mean Girls walking in on her daughter and her boyfriend about to, ahem, consummate their love. Mrs. George talks over the smacking of lips, “Can I get you guys anything? Some snacks? A condom? Let me know! Oh God, love ya.”

The parents who decry, “Kids will be kids!” and are almost too scared, or in awe, of their children to fathom disciplining them will receive morsels of respect from their offspring. If they allow oil or nuclear copulation to occur under their roof, America and the EU will become these pushover types to Iran.

Lastly, there is the pleasantly stern parent team that sits decorously at the dining table, fingers crossed and smiles half cracked. While the adults speak in a calm, monotone voice, the child floods with hot tears to produce a reaction.

“Today’s action demonstrates the EU’s growing concern about Iran’s nuclear programme and our determination to increase peaceful, legitimate pressure on Iran to return to negotiations,” said British Foreign Secretary William Hague.

The European Union and U.S. seem to favor this clenched-jaw approach to taming international disputes. As momentarily aggravating as it is to be the object of another’s discerning gaze, I can’t help but concede from experience that such scrutiny is in fact the best technique.

Without the perspective of others — be it parents or fellow countries — we wouldn’t have a way of knowing precisely where we fall on the human bell curve. As Iran wades through these deep petroleum waters, I can only surmise that America and the EU will wish for Iran to end up on the sweet side of the function.

If you too have a knack for syllogisms, contact CHELSEA MEHRA at cmehra@ucdavis.edu for deductive reasoning worksheets.

Video and performance artist Kalup Linzy speaks in artist lecture series

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Performance and video art is quickly becoming a prominent medium in the art world. By manipulating theater, comedy, singing and various other kinds of visual references, artists can create a unique dialogue in digital form that speaks in a way that no other classical medium like painting or printmaking can do.

Kalup Linzy is one of these video and performance artists that have emerged in the contemporary world to transform the way art is perceived. And today, from 4:30 p.m. to 7:30 p.m., Linzy will give a lecture about his work at the technocultural studies (TCS) building. This is a continuation of the artist studio lecture series presented by the the UCD art department. The event is free and students are encouraged to attend.

Darrin Martin, a video and animations professor at UC Davis, is a video artist himself. Martin believes that Linzy’s work is a great example of the kinds of artists who work with their materials in a multi-functional approach.

“A lot of artists work with a variety of media, but Linzy’s medium is popular culture and through generating original material he ends up working through several genres,” Martin said. “Somehow, Linzy makes honesty meet artifice and manages to make art and entertainment not-so-distant relatives, while exposing a little something about both.”

Linzy has been well-associated with famous actor James Franco for collaborations like their song “Turn It Up” and appearances in General Hospital. Though connected to the Hollywood star, Linzy has made a name for himself in the art industry by creating work that blurs boundaries and limitations of the medium and genre of art style itself. His other highly acclaimed works include “Melody Set Me Free” and “Guiding Light.” Although his work might seem obscure and experimental to some new viewers, Linzy’s body of work has strong cultural, gender and political messages revealed in the subtext of his visual and narrative dialogue.

Linzy received both a Bachelors and Masters of Fine Arts from the University of South Florida in Tampa Bay. He currently lives and work in Brooklyn, New York.

In a brief interview, Linzy answered MUSE’s questions:

MUSE: How did you discover your passion for art (particularly video and performance art)?
Linzy: [I discovered it] in grad school working on my thesis, “Conversations wit de Churen II: All My Churen.”

What is your definition of performance art?
Performing, understanding [and] being more aware of the space in between.

What inspires you and your work?  
Soap operas, music, the search of understanding and healing.

How do you feel video and performance art are progressing as a medium in the art world?  
It is progressing rapidly. It will be interesting to see where things are 10 years from now.

What should UC Davis students know about you before attending your lecture?  
I love giving lectures and discussing the creative process.

UYEN CAO can be reached at arts@theaggie.org.

Human brain adapts to minimize distractions

Our brains are making a million decisions a minute, most of which we are only minimally aware of. But in order for us to function efficiently, our brains must also make decisions about what is most important at any particular moment. A study by UC Davis researchers has found that the brain determines importance based on our current situation and reconfigures the connections between neurons to minimize any distractions.

“In order to behave efficiently, you want to process relevant sensory information as fast as possible,” said Joy Geng, an assistant professor of psychology at the UC Davis Center for Mind and Brain (CMB). “We have a limit in the number of things we can process at once. It is not useful to process everything in parallel with validity.”

The research found that when we are concentrating on a specific task, it benefits us to reconfigure the network between neurons so that task-relevant information is processed more efficiently. This process, commonly thought of as ramping up your thought process, is in fact more similar to opening an instant chat window between two people; there are other ways to communicate like e-mail, texting or calling, but the instant chat allows two people to communicate immediately back and forth, faster than the other methods will allow.

In effect, this process alters the path that signals take to and from different parts of the brain. For people suffering from localized brain damage, such as from a stroke, these pathways can be interrupted. Finding new pathways can help with rehabilitation for these patients.

To discover this neural process, the researchers used functional magnetic resonance imaging (fMRI) to measure the changes in blood flow to certain parts of test subjects’ brains while they performed a test. Increased blood flow to a particular region indicated increased neuronal activity.

Subjects were instructed to look at a screen and indicate whether the “T” that appeared on screen was oriented up or down. To test the ability to cope with distractions, a “salient” (distracting) object would be displayed along with the T. This salient object would be brighter or bigger. The researchers then tested the reaction time to indicate the orientation of the target object with and without the distraction object.

“We displayed something that you would think would be distracting, but the brain was able to cope,” said Nick DiQuattro, a graduate student working with Geng at the CMB. “The brain was able to reject the distraction and focus on the target.”

“It is interesting because [we] can reshape the way we think about how we process information,” Geng said. “The brain is constantly being put into different contextual states.”

An example of this phenomenon that we commonly experience is that while we are driving, flashing lights or signs alert us to stop, or that traffic is merging, or many other things. Our brain is thinking in the context of driving, so these “attention-getters” are processed quicker than they would be if we were in a different contextual state.

It is important not to confuse this process with the fight-or-flight response, which deals with responding to surprising stimuli, rather than changing the reactions based on context.

According to a National Institutes of Health study, there are close to 750,000 strokes every year, many of which lead to mild, or even extreme, brain damage. With this new understanding of the brain’s connection methods, researchers hope that patients in stroke recovery will have a much better chance of regaining much of their lost cognitive functions.

HUDSON LOFCHIE can be reached at science@theaggie.org.

Arts week

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MUSIC
Sands, And And And & Death Songs
Saturday, 8:30 p.m., $6 (all ages)
Luigi’s, 213 E St.
Luigi’s, which had its grand opening in Davis this month, opens its doors for all ages on Saturday night. KDVS DJ and Crossbill Record manager Michael Leahy organized the event, as Cool As Folk presents Sands, And And And & Death Songs to perform the first show ever at Luigi’s.

Shinkoskey Noon Concert: Jolán Friedhoff (violin), Pete Nowlen (horn) and John Cozza (piano)
Today, noon, free
Room 115, Music Building
If you’re looking for an opportunity to experience classical music that is local and free, the UC Davis music department hosts free concert shows at noon. In today’s event, Jolán Friedhoff, Pete Nowlen and John Cozza will be leading the event with their performances of classical repertoire.

POETRY
Patricia Killelea
Today, 7:30 p.m., free
Logos Books, 513 Second St.
Currently teaching Native American Studies courses at UC Davis, Patricia Killelea is also a poet who has published her own poetry collection entitled Other Suns. Today at Logos Books, she will be sharing her own works in a public reading.

ART/GALLERIES
Finley Fryer
Today to Saturday, 11 a.m. to 5 p.m. (today), 11 a.m. to 10 p.m. (Fri), noon to 5 p.m. (Sat), free
John Natsoulas Gallery, 521 First St.
If you haven’t seen the large sculpture at the Natsoulas Gallery, it’s time you did. Finley Fryer is currently displaying his work at the gallery. His work is multi-medium and features stained glass and fragmented sculptural elements.

Interpretations of Place by Susan Cohen Bryne and Rebecca Ryland
Today to Feb. 2, 9:30 a.m. to 7 p.m. (Mon thru Thurs), 9:30 a.m. to  5 p.m. (Fri), 10 a.m. to 4 p.m. (Saturday), free
Davis Art Center
The Davis Art Center is now showing the works of Susan Cohen Bryne and Rebecca Ryland. In a unique gallery set-up, Susan Cohen Byrne’s photography will be shown right next to Rebecca Rylan’s delicate landscape painting series.

MONDAVI
Alexander String Quartet
Sunday, 7 p.m., $25.50 (students)
Jackson Hall, Mondavi Center
Alexander String Quartet is performing two sets of shows at the Mondavi Center on Sunday, for which the afternoon show has already been sold out. Tickets are still available for the 7 p.m. show and can be purchased at the Mondavi Center Ticket Booth.

Tickets available for Spring concerts:
The Shins
April 23, 8 p.m., $35
Jackson Hall, Mondavi Center
Tickets on sale now and can be purchased at the Mondavi Center Ticket Booth or on ticketmaster.com.

Drake
March 7, 8 p.m.
UC Davis Pavilion
$49.75 upper level student pre-sale discount (limited) | $79.75 Lower level general admission | $59.75 upper level general admission
Tickets are available for purchase starting Thursday from Freeborn Box office (10 a.m. to 5 p.m.). One ticket per student ID (maximum of 2 tickets with proof of second ID).
Tickets on sale now (cash only).

DIM MAK’s Dead Meat Tour: Steve Aoki, Datsik & Special Guest
March 14, 6:30 p.m.
Freeborn Hall
Tickets are on sale now. $20 limited student pre-sale | $25 general admission.

Florence + the Machine
April 18, 7:30 p.m., $42.50
Jackson Hall (Mondavi Center)
Tickets are available at the Mondavi Ticket booth starting Friday at 10 a.m. or now on ticketmaster.com.
UYEN CAO can be reached at arts@theaggie.org.

Pedi-Pints Club is in trial period

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Davis Pedicab and Sudwerk collaborated to create the Pedi-Pints Club. People have to take the Davis Pedicab service to Sudwerk in order to receive discounts on beer.

Sudwerk, located at 2001 Second Street, is part restaurant, part brewery, with the Davis Pedicab working solely with the brewery.

The Pedi-Pints program operates from Thursday to Saturday, 4 p.m. to 8 p.m. As of now, there are two different deals: the first is a one-time trial and the second is catered to the actual club, in which there is a membership card.

“For the one-time trial, if you show up on a pedicab [to Sudwerk], you get a discount,” said Andrew Watters, owner of Davis Pedicab.

A pint of beer is $2 and seasonal pints are $3 each.

The club requires members to pay $50 to receive the yearly deal. According to the Pedi-Pints Facebook page, members will receive a Pedi-Pints t-shirt, a growler with a free one-time fill and discounted refills, a Pedi-Pints mug that hangs on a rack in the Sudwerk Brewery Dock Store and a 10 percent discount at the restaurant.

According to Watters, the idea of Pedi-Pints was organic. He said it started when the Team LIVESTRONG Challenge occurred in Davis at the beginning of summer 2011.

“I talked to Trent Yackzan, [Sudwerk] brewery manager, during the event and we had a fundraiser where we would take people in pedicab rides to Sudwerk,” Watters said. “The proceeds went to the benefit, but it was done all kind of last minute.”

Watters said he and Yackzan decided they should do it regularly to create a program in town that would be a long-term part of the local identity.

As of now, Pedi-Pints is official but the club is still loose and needs some refinement.

“We’re trying to line up some bands,” Watters said. “Bands will play on the first Saturday of every month from 4 to 8 p.m.”

In terms of advertising, Watters said Facebook will be the main outlet. He said he does not anticipate that many people will sign up for the club just yet.

“We haven’t printed out cards yet but we have a logo ready to rock and information we need,” Watters said. “Once spring comes around, we’ll probably be rolling in more fluidly, but right now it’s a trial period.”

According to Watters, the point of Pedi-Pints is to have a safe ride to Sudwerk, have a good time and have a safe way home without having to think about it.

Davis Pedicab was established in January 2011. It has no set rate, meaning customers can pay whatever they think is fair. Payments are also adjusted according to different quadrants in town.

Although it is not officially confirmed, Watters said the local band Seamoose will be playing on the Feb. 4 weekend.

“This is for the students, for the locals and for the culture,” Watters said.

CLAIRE TAN can be reached at city@theaggie.org.

News-in-Brief: CSU Board of Trustees caps new presidents’ salaries

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The California State University Board of Trustees decided yesterday to cap new campus presidents’ pay to $325,000 a year. The salary ceiling comes as a result of outcry over a $400,000 pay package approved for a new president last year when tuition rose 12 percent.

The new policy will also raise salaries by no more than 10 percent of the pay received by the outgoing president.

The decision also follows two bills were introduced in the state Senate to limit presidents’ salaries after the San Diego State president was awarded a $400,000 salary.

The board is currently looking to fill five spots for presidents in the 23-campus system.

Women’s Water Polo Preview

Event: California Speedo Invitational
Teams: No. 16 UC Davis, No. 5 San Jose State University, No. 1 Stanford University
Records: Aggies (2-2); Spartans (3-0); Cardinal (0-0)
Where: Spieker Aquatic Complex — Berkeley, California
When: Saturday 9:00 a.m. and 4:30 p.m.
Who to watch: Senior center and co-captain Alicia Began. She recorded five goals and five assists for a team-high 10 points in last weekend’s season-opening tournament.
Did you know? San Jose State sophomore 2-meter player Timi Molnar, a veteran of the Hungarian national team and returning All-American, scored seven goals in last weekend’s tournament but was held scoreless against UC Davis.
Preview: The UC Davis women’s water polo team will have another crack at beating a top-five team in this weekend’s tournament in Berkeley, with a rematch in the morning against No. 5 San Jose State and then a chance to upset the defending NCAA Champions No. 1 Stanford Cardinal in the afternoon.

Head coach Jamey Wright used a number of combinations of players in last weekend’s tournament to get a better idea of the level of skill and depth of his team.

“Most of our freshmen played a fair amount and did a really good job,” Wright said. “Our centers did a really good job holding position and our defenders did a good job at making it difficult for the other team’s center to obtain position.”

Wright admitted that although the Aggies lost to the Spartans, he believes that was his team’s best effort of the tournament. Facing the defending national champions, however, is going to be another challenge.

“We need to focus on our front-court offense and not turning the ball over or taking wild, unpredictable shots,” said Wright. “An organized offense makes an easy transition to getting into a strong front-court defense. Stanford counters better than anybody and they’ll take advantage of mistakes you make on offense.”

All-Americans Alyssa Lo and Kaley Dodson return for the Cardinal, but will be without first-team honorees Annika Dries and Melissa Seidemann, who are sitting out the year to train for the 2012 Olympics.

The Aggies have an early start Saturday morning playing their rematch with the Spartans at 9 a.m. and then taking on the Cardinal at 4:30 p.m.

In Review: The Black Keys

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The Black Keys
El Camino
Nonesuch Records

Rating: 4

An American muscle, flexing its engine in full reverie, the closer one draws near the more gasoline taints the air. The Black Key’s latest album El Camino serves a heavy hand numbering in a romp shaking expedition into the modern classicist school of blues rock and roll.

Only a two-piece band, vocalist/guitarist Dan Auerbach and drummer Patrick Carney pack the weighty licks, resonating with an equally bumping drumset, to make El Camino an impact on the ears. Granted this album seems to call on the dancing skills of the listeners, with each hook catchy enough to shimmy to.

Danger Mouse produced, El Camino deviates from previous releases in tempo, featuring a quicker guitar but never forgetting the heavy sound that recalls much of the I-5’s dark pavement. This is music that feels no shame in turning wives to pillars of salt and there is no remorse dealt for those who brush El Camino off as more of the same.

Tracks such as “Sister” have Auerbach crooning “’wake up, you’re gonna wake up to nothing” with a smooth beat underlaying much of the track. Danger Mouse has hands all over this one. Still the sound is of the iconic Black Keys, this time more riff heavy (not a bad thing of course). Then there is the slow fast composition of “Little Black Submarines” in a style similar to Nirvana’s attempt to capture The Pixies substance, the song crawls to halt, then accelerates firing up dust, racing off. The Black Keys does The Black Keys in more of a Black Keys way.

For a band preparing to immortalize itself into the history of Coachella headliners among Jimi Christ and Led Zeppelin, it is apt that the source material is worthy to pose a minor dent in history. In all El Camino will give its listener the patina of a shiny car, probably not that of a Chevrolet, but closer to that of the Chrysler minivan the duo used to tour in.

Column: Networking

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After years of sitting in the dark about my paintings, I eventually discovered how important it is to get out there and network. Particularly in today’s art and media industry, the invention of the internet has expanded the artist’s venue for networking to imaginable capabilities.

Here is a list of tips I’ve composed to help me prepare for Graduate School and the art world that might be of some use to you:

Don’t be afraid to talk to your professors
You’ll be surprised to see how willing your professors are to help you. It might be intimidating at first, but the feedback you get might make or break your piece for a dance choreography or composition to a painting, etc. At this university, we have professors who have firsthand experience working on Broadway or Hollywood films or have had their own body of work displayed at some extremely renowned museums. So you should definitely try to hear what they have to say.

Get out there
In order for you to thrive in the art world, you need to make your work known. Also, just know that you will have to start from the bottom. This means that most of the jobs you get starting out (photographing headshots, making screen prints or interning at various design or art companies, etc.) will most likely give very little pay. But for the sake of expanding your portfolio, experience and exposure of your work, it’ll be worth every minute.

Take advantage of every resource available
Not everyone is fortunate enough to own a studio space or a computer with all of the necessary programs they need. Therefore, if you have access to a studio, you should embrace the opportunity. Additionally, there may be some courses you wish you could take that are not offered at this university. For instance, I wanted to learn how to use Adobe Suite (InDesign, Photoshop and Illustrator), but noticed there weren’t any classes I could take to learn these skills. After doing some research, I found that Hart Hall Lab, which has now moved to the new Student Community Center, has all of the programs that I wanted to learn. I would spend my own time after classes to learn the programs myself.

Get to know other artists
It might be easy to think that you can get by on your own as an independent artist with a distinctive style. However, having a strong foundation of friends in the field is extremely helpful and reassuring. It’s always helpful to get a second opinion from someone who has a good eye for the basic components of what you’re interested in.

Be open to social networking
This is the most important tip: Use the internet and social networking sites as means to get exposure for your work. These days, you can purchase a domain on sites like GoDaddy, pairNIC, Register or iWantMyName for 10 dollars for a year’s subscription to have your own custom URL. By using templates offered by businesses like Cargo Collective or even Tumblr, you can establish a really professional-looking website to display your body of work. Trust me, this is extremely important. If you ever meet someone who is interested in your work, you can refer them directly to your own website.

UYEN CAO would like to let you know what you have to say about her tips. Check out her website at uyencao.com or e-mail her at arts@theaggie.org.

Column: U.S. Bank direct action

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In Bertolt Brecht’s Threepenny Opera, gangster Mack the Knife pleads his case to the audience, asking, “What is burgling a bank compared to founding a bank?” When weighed next to the massive expropriations perpetrated by the banking industry, Mack suggests, a few pilfered cash boxes are insignificant.

Yet, as we have seen time and time again, outrage stands in inverse proportion to the scale of the crime.

It should come as no surprise, then, that when protesters staged sit-ins at U.S. Bank, bystanders immediately complained they were an awful inconvenience. By preventing people from accessing their full range of financial services, they argued, the protesters horribly alienated the student body.

These naysayers fail to see the bigger picture. As tuition rises, students are forced to supplement their already massive student loans (now over $1 trillion nationwide) with additional debt. That’s where U.S. Bank steps in, with its wide array of credit cards.

According to a Sallie Mae study, one-third of undergraduates will put tuition on a credit card. And, of course, student indebtedness spiked after the financial crisis: In 2004, 69 percent of graduating seniors had paid off their credit cards but, by 2009, that number dropped to a mere 15 percent. The average senior will leave owing $4,100 on their cards.

Burdened with debt and facing grim job prospects, this generation of students goes forth into a bleak future.

But, there’s money to be made for the top one percent! Seeing our misery as a business opportunity, UC Davis struck a sweet deal with U.S. Bank. Now UC Davis gets a royalty for every new university account the bank opens and, in return, U.S. Bank receives perks like free advertising, exclusive access to campus events and space on our AggieCards. After 10 years, UC Davis hopes to bring in nearly $3 million from the program.

It’s a win-win for administrators and bankers, who both go home with loads of cash from impoverished students.

So, U.S. Bank exploits students through exorbitant interests on their tuition payments and everyday expenses, profiting off economic ruin, and that’s just ducky. But, if student protesters delay a bank customer for an hour, by God, we should get our ire up. The nerve of some people!

It’s a very old argument. Any action a social movement undertakes will be criticized as annoying, disruptive and rude. For many, the right to go about one’s daily business speedily and undisturbed is more sacred than the right to economic security and justice.

Whenever there is a strike, we’re told it frustrates the public. Whenever there’s a demonstration, it’s said to hinder traffic and commerce. Whenever an activist delivers an impassioned speech, the critics demand they tone it down so as not to offend the moderate and the apathetic.

But protests always bother someone. I imagine that many busy individuals had to readjust their schedules when civil rights activists occupied Woolworth’s in Greensboro, NC, or when Egyptians took back Tahrir Square. Luckily, protesters passed over these minor concerns and dealt with more pressing matters.

This tired complaint is usually followed by a bit of meta-criticism: How does this help get protesters’ message across? If I don’t understand what is happening, the argument goes, then nobody will.

It could very well be true that Occupy UC Davis needs more explanatory literature for the uninformed. They have offered countless teach-ins and discussions to explain their position, including at the initial U.S. Bank occupation, but they might not have reached out to all passersby.

Nevertheless, this critique betrays a misunderstanding about the purpose of direct action. Occupying a bank is not a form of outreach or a publicity stunt. The primary goal of the action isn’t to raise awareness among students, because students have no say in what U.S. Bank does. Even if campus opinion was squarely against the bank, it wouldn’t make a difference as long as no one acted.

The only opinion that matters to U.S. Bank is that of its shareholders and the only thing shareholders care about is their bottom line. The occupation strikes at the bank’s profits, forcing them to pay attention to the protest’s demand: banks off campus.

Certainly, the Occupy movement should hold every direct action up to careful, collective scrutiny. Some forms of protest are counterproductive or politically retrograde. But, when they do, they would do well to ignore the idle carping of complacent onlookers.

JORDAN S. CARROLL is a PhD student in English. He can be reached at jscarroll@ucdavis.edu.