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The UCD Files: I know what you did last winter

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You may recognize the title of this column, as it relates to the ’90s horror movie I Know What You Did Last Summer, but my winter break has given me much worse nightmares, and yours has too. All UC schools shortened the break to two weeks, and all of our old friends from state schools are home for a month. So it is our job as Davis students to pack one month of laziness into half of the time. Our family takes away a few of those days for get-togethers, so in truth your days are exponentially more disgraceful than everyone else’s. If you are like me, your main objective is to clean out your parents’ fridge and clean out your Netflix watch list. This break I’ve found a way to help you get the most out of the system. Winter break is over, but this system can be applied to a day off, a weekend at home, spring break and more.

Here’s Phase 1: How to get the most of your parents’ fridge. When you come home, you have to subtly work some foods into the conversation by saying how much you’ve been cooking them at home. You can lie, it’s totally fine. This subtle conversation should transition into light complaining. This complaining angers your parents and they’ll say you can go to the store yourself if you don’t like what they bought, as if it’s a punishment. Here’s the thing — it’s actually a reward. Go to the store; it’s the only time you’ll be outside. You can fill the cart with stuff you could never truly justify buying for yourself in Davis. Make sure you’re really hungry so as to do the most impulsive buying. Get a bunch of chips and salsa for your Netflix, things that only need to be microwaved, and all of the expensive stuff you wanted but couldn’t get. The best part is when you come home, your parents will pay for it and you will have your dream fridge.

With food in the fridge, you’re now fully equipped for Phase 2: cleaning out your Netflix list. Here’s what I’d recommend for you in breaks to come and even in these upcoming weeks where you don’t go to class. There’s a method to getting the most out of your time spent on Netflix. Don’t pick “Lost,” a mistake I learned the hard way. It’s 121 hour-long episodes, and about 119 of them make absolutely no sense at all. You should find a middle ground here, with a few seasons. Hour-longs are ok (“Breaking Bad,” “Sopranos,” “Game of Thrones”).

The best are the half-hour episodes. These are key because they make Netflix binging into something you can feel productive about. Inside, it feels like a big accomplishment when you finish two seasons of a show in one day. It is much easier with these 20- to 30-minute episodes. Yes, it is sickening to think of all of the things you could have done during this time, but that’s not what you think about. You think about how much of a boss you are because you’re persistent. You started a project, and you won’t stop until you’re done. You gave this show such unwavering dedication that it belongs on your resume, at least more so than anything you’ve done at school. This winter break I started “Parks and Recreation,” a show with 112 half-hour episodes split into six seasons. It is the perfect show for feeling accomplished and not stressing your brain at all. Over break I finished about 85 of those episodes and I’m damn proud of it. I fully endorse this show for your next binge-watching project, even if you have seen it already. It is hilarious and stupid and there isn’t a single plot twist for you to worry about. Other shows of this format that I recommend are “It’s Always Sunny In Philadelphia,” “Modern Family,” “Entourage” and “The Office.”

For movies, go to the IMDB Top 250 and start working your way down the list. Watch everything Christopher Nolan has ever made because it will take three hours to watch and 100 hours to think about, so it’s a good way to spend time (my personal favorite is No. 51, The Prestige, but also Nos. 4, 13, 16, 41, 56, 108). Watch movies from Martin Scorsese, because he uses equal parts guns, money and crazy people (my personal favorite is No. 46, The Departed, but also Nos. 18, 76, 113, 133, 142, 211). Make sure to hit all of the Quentin Tarantino movies as well, unless of course you don’t like awesomeness and a little (a lot) of blood (my personal favorite is No. 100, Inglourious Basterds, but also Nos. 5, 55, 77, 172). You can use the animated movies such as Up (No. 114) and How to Train your Dragon (No. 152) in between the others to balance out your day. Crossing movies off of this list is another resume-worthy accomplishment so you can tell your parents you are a hard worker in school and out.

These phases are really important in getting the most out of your break, but they aren’t the only ones. Additionally, if you decide not to be lazy you can get free 24 Hour Fitness passes for a week under different names and emails, reconnect with your friend with a hot tub, become a wine connoisseur, write a column for The Aggie and more. Go make your future breaks better by implementing these activities in your life.

The UCD Files is your weekly in-depth look at our campus and the lifestyle that comes with it, featuring an occasional dropping of knowledge from a senior who has experienced it all.

Feel Free to send questions, comments, or anything you would like to see in future articles to ADAM MARX at almarx@ucdavis.edu.

 

Photo by CA Aggie Photo Team
Graphic by CA Aggie Graphic Design Team

New campus club raises awareness on body image

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For years, the Association of Body Image and Disordered Eating (ABIDE) has rallied to bring awareness of body image and eating disorders to UC Davis. This fall, the campus departments involved in ABIDE created the official student branch of the organization, allowing students to get involved with the club’s cause.

With 15 members so far, ABIDE’s student club is part of a larger campus-wide committee responsible for awareness events, including Celebrate Your Body week in February.

The primary committee is comprised of different representatives from a number of departments like the UC Davis Dining Services, Cross Cultural Center, Women’s Resources and Research Center and Student Health and Counseling Services. Off-campus organizations, like the Sierra Treatment Center in Sacramento, are also involved.

“It’s amazing how much people have opened up to me when I mention that I’m involved in such a body-positive movement,” said Enya Meng, president of the student ABIDE, in an email interview. “I always knew that body-negativity was an issue but I didn’t know how prevalent the societal pressure to be physically ‘perfect’ was among my peers.”

Before registering as a club, ABIDE had unofficially been underway since 2011. Once Meng learned more about the club’s aim to raise awareness of the influence society has on people’s relationship with food and their bodies, she decided to join.

“I think everyone has been subjected to some degree of societal pressure regarding standards of beauty and perfection, be it they’re too ‘skinny,’ they’re too ‘fat’ – if they only did this to themselves then they’d be ‘hot,’” Meng said.

Meng also said that the issue didn’t just pertain to girls but to boys as well, since they usually aren’t given an emotional space to cope with negative body image. She believes that the most important thing the club promotes is being healthy and feeling content with how you look.

Assistant Director at the Fitness & Wellness Center at Campus Recreation and Unions and ABIDE committee member Brian Luu said he joined the group since it was something important to him, specifically citing his background with eating disorders.

“I dealt with it when I was younger, and just being in the fitness realm here, I think we have a duty as a department to sit on a committee that helps promote this,” Luu said. “You can influence people in several ways and it can be in a positive way or negative way.”

Luu thinks that the sitting on the committee has been a positive influence. While also having members who sit on the committee, Campus Recreations and Union holds two free yoga classes during Love Your Body Week, hosted by ABIDE.

Fourth-year clinical nutrition major and special events coordinator for ABIDE’s club Jamie Bratman said the student group holds a big event every quarter. On Feb. 25, in the middle of Celebrate Your Body Week, the club will be running a photo booth and tabling at the Memorial Union.

Just last quarter, ABIDE’s student club participated in The Myth of Freshman 15, a campaign aimed at educating first-year students that there is no scientific connection between freshman year and gaining 15 pounds. According to Luu, the average freshman only gains about two to three pounds.

In Spring Quarter, the student ABIDE will help with the Great Jeans Giveaway, an event promoting the tagline “loving our genes and jeans (that fit us).” Members will collect ill-fitting jeans to rid people of any negative body thoughts and donate them to a Sacramento-based organization, Women Escaping A Violent Environment (WEAVE).

“We still aren’t big, but we are thinking of little things that will attract people,” Bratman said.

Bratman, who wants to work as a dietician specifically in regards to eating disorders and who has recovered from one herself, sees that there can be a real opportunity for change if more people fostered healthier relationships with their bodies.

“Most of what we are seeing is not real life and it’s not a real depiction of what people look like,” Bratman said, citing the many Youtube videos that show people undergoing dramatic physical transformations through makeup and digital editing. “It’s realizing that what we see is not real and everyone has their own body.”

Although the group has many ideas for the future, like coordinating with other clubs including the Student Nutrition Organization, they are currently focusing on gaining more members.

“Guys and girls alike confided to me and the most amazing thing about becoming involved in ABIDE is connecting with all kinds of people,” Meng said. “Uniting under one goal: to love oneself.”

 

Photos Courtesy by Enya Meng

Gamers unite in academia

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When trying out an early version of her “Play the Knave” video game project, UC Davis English professor Gina Bloom noted that when using the Kinect, it was difficult to make the avatars in the game appear as if they were holding hands.

This relationship between gamers and games is a common theme in the ongoing video game-focused work at UC Davis, which includes research into both the social and technological aspects of games, classes in multiple departments, and even projects to develop new game software.

Working with others from the UC Davis ModLab, Bloom is currently developing a game based on Shakespearean theater. Using the Kinect, a video game camera system, players will be able to design, act out and record scenes from Shakespeare plays.

“For me, the game is about helping to educate a generation of gamers about theater — fusing some gaming back into theater, and theater into gaming,” Bloom said. “There’s a long history of theaters using games to educate their audiences about playgoing. Now that we’ve moved into a digital generation, theaters are seeing some decrease in audience numbers; a lot of young people aren’t going to theater anymore.”

Bloom believes that video games are more popular among younger audiences because they are more interactive than a theater performance.

“[There’s] a real missed opportunity for theaters to bring a gamer audience to their productions and to teach them something about theater through the act of gameplay,” she said.

Bloom’s research on the use of games in early commercial theater led her to start looking at modern games and whether or not they could play a similar role. She was disappointed in what she found, noting the dearth of games available which taught users about theater.

UC Davis had resources available to take on such a project, according to Bloom.

“The great thing about doing collaborative work is that we are all drawing on each other’s expertise,” she said. “I was interested in a game that would give people a chance to make theater. It just so happens that there are a lot of researchers at UC Davis who are working on the Kinect camera and motion capture animation. These two things came together in a really fruitful way.”

She adds that those involved in the game’s creation envision it as a community project. It will be open source to allow anyone to contribute their own set designs, avatars, texts, etc. They hope players will be able to record and share their performances and even mash them with other people’s. Potentially, performances could be viewed from any seat in a virtual theater modeled after real-life theaters, giving users greater insight into theater production. They also hope that it can be used as an educational tool in theaters or even classrooms.

“I’m really interested in how people playing the game could feel like they’re in a theater production,” Bloom said.

This is the same kind of relationship looked at by Jorge Peña, a communication professor at UC Davis. A focus of his research includes the effects of the virtual environment on the player.

“Most of what I do comes from the idea of primal effects,” Peña said. “You are presented with a virtual stereotype that reminds you of something else and that would cue memories and behavioral patterns. I mostly look at manipulating the features of the virtual environment – namely what the environment looks like, what it involves, and the appearance of avatars – as a way of getting people to act differently.”

Peña has previously done studies involving how the appearance of avatars affected players’ physical activity in sports games, which he talked about at TEDxUCDavis in May 2014.

“I had a couple of recent studies where I would have people play exercise games like Wii Tennis. And I would put accelerometers on them and make their avatars thin or obese and their opponents thin or obese, and would measure people’s physical movements in the real world as they were playing the game that they see on screen,” Peña said. “The findings there would imply that for both men and women people moved more in the real world when their avatar was thin as opposed to obese, regardless of their own body size. It appears people get so immersed in the video game that their digital body, their avatar, becomes more salient than their own body.”

Peña teaches a class on video games, Communication 76, which looks at this relationship as well as other social and cognitive effects of and the motivations behind playing games.

“The class is really into uses and effects of video games from a more social science/quantitative standpoint,” Peña said. “We look at research connected to video games in cognitive psychology, communication and social psychology. We don’t really look at it from a critical standpoint, in terms of whether games are literature or anything like that.”

Peña pointed out that this quantitative approach is necessary for evidence in support or against the various arguments surrounding video games, such as their relationship with real-life violence, the representation of women and minorities in video games, and their effectiveness as practice for real-life skills.

“Whether we believe it or not is one thing, but [by] having students actually put numbers [in] and analyze the games and realize that they have a point, it becomes a little bit more powerful because you have this experience and you have numbers to prove your point,” Peña said. “It’s important to quantify some of these issues and try to come up with conclusions beyond your opinion.”

Peña commented that he has noticed a growing interest in video game classes at universities.

“From a student standpoint, I found that there was a bit of a hunger for taking classes and getting involved in research that would speak to their reality, to the things that they grew up with or the things that they connect with,” Peña said. “I see a lot of enthusiasm around campus in terms of studying the effects of video games, social media and the things that we employ on a daily basis.”

IMMERSE is a multi-campus research network, focused specifically on video game research, which funds much of the game-related research at the university. UC Davis is currently the only affiliated campus in the United States.

Amanda Phillips a postdoctoral researcher who joined UC Davis through an IMMERSE fellowship said that there is a larger shift being placed on videogames in universities and the practicality of classes which focus on video games.

“You are getting more game studies classes in universities across the country, you have more people taking it seriously on an intellectual level,” Phillips said. “There was more access to more video games in our generation than in generations before it. A lot of us now sort of inherently understand how meaningful games can be, so we do take them seriously. And the technology has advanced to such a level where you can create more sophisticated stories, more sophisticated characters — you’re not limited so much by data or graphics capabilities.”

Phillips hosts weekly gameplay sessions with her colleagues to play and discuss games that have been released, and is currently running a series of workshops where students can work toward developing games.

“The idea is to get students, particularly students who don’t have a lot of tech skills, interested in game design and [show] them that you don’t really need to be a programmer to design games,” Phillips said.

Phillips also noticed a trend in student’s interest in video games — that they are becoming more interested in video game creation on top of studying games critically, both of which are currently happening at UC Davis.

“We have a lot of expertise on this campus that is involved in the technology that creates video games or even game development directly,” Phillips said. “We’re trying to merge those with those of us that are critics and analysts and trying to think together, ‘How can we produce scholarship that looks at all of these different angles of game development?’”

News in Brief: Davis attempts to set record for Worlds Largest Simultaneous Group Workout

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At 12 p.m. on Jan. 3, Davis locals gathered in Central Park to participate in an attempt to set the world record for The World’s Largest Simultaneous Group Workout (WLSGW) organized by national weightloss and fitness program ViSalus.

The event was free for participants and took place at the same time around the world in 11 different countries including Germany and Canada. Activities included forms of fitness that varied depending on the location as well as group size, encouraging all types of exercise. Hiking, yoga, dancing, kayaking and other forms of exercise took place during the event. Those who gathered in Davis’s Central Park had the opportunity start the new year off right by participating in either a run, walk, bike and boot camp.

“At the start of the new year people want to start the year off right, new year, new me. Fitness is always a big part your image and everyone wants to make sure that they’re healthy and physical activity is a big part of that,” said Cameron Southerland, Building Supervisor at the UC Davis Activities and Recreation Center.

Project 10 aims to help people conquer their workout goals and as of 2015, is offering free group workouts to promote success. Along with motivating participants to kickstart the new year with healthy exercise habits, ViSalus’s Project 10 program donated 30 meals for every participant in WLSGW.

“There were two goals; the goal of breaking the world’s record and then at the same time, for every person who shows up, 30 meals were donated to a hungry child. So that was pretty awesome. All you had to do was sign-in and do a few sit-ups and there you go, a hungry kid fed,” said Kathy Guerrero, Regional Director for ViSalus Project 10.

In addition to the meal donation, Project 10 also donates 90 meals for every 10 lbs. of fat lost or 10 lbs. of muscle gained by participants throughout the year. The meals go to recipient organizations registered with Project 10 that help those in need.

“The company has identified thousands of different recipient non-profits around the world now to receive those free meals and they go to either an organization that deals with childhood obesity or an organization that deals with childhood hunger,” Guerrero said.

Photo source cooldavis.org.

UC Davis researchers receive grant to study Ebola

https://www.flickr.com/photos/cdcglobal/14723720857/in/photolist-pReMUg-pHhmZB-poAEN5-oUbcdr-oUv9Qd-oyMNBx-amSuJu-pDEqHx-oUrjyt-nWf8N7-6wTUA-pMiHDp-oUoocY-opNeva-oJGThp-oiRA4U-p9ta73-4SfipJ-oY8jGJ-aoEva1-pHy8sN-ohxhJ6-8vncvf-9TSzsd-qWb8U6-qYUmX1-na9zRb-4XpL59-pP9euU-p2LwMU-mUbpTp-oq68Cn-oq5muj-oq5wzY-68iZFy-oyMhqZ-dQuu6J-oD1uxC-oDe3za-ossh3B-3ds1r-9AUWwq-o15Y5n-bfiQWn-oD1uA3-oTXesq-or5Vfa-7oTABF-omJzrD-pcA1mw/

The National Science Foundation has given a team of researchers at UC Davis a $200,000 rapid-response grant to study how to increase the rate of production of the Ebola drug Zmapp. Zmapp, created by Mapp Biopharmaceutical Inc. of San Diego, along with the U.S. government and partners in Canada, is a mixture of antibodies created in and taken from tobacco plants. The UC Davis research team hopes to generate antibodies from plant cells grown in bioreactors instead of in whole plants, as production capacity for whole plants is currently limited.

“If we can produce it in a bioreactor, a lot of biotech companies and contract manufacturers can do that, and it would allow for much more rapid production,” said Karen McDonald, a UC Davis professor of chemical engineering and materials science in a UC Davis News & Information article.

Using Zmapp technology, the researchers will move the DNA of monoclonal antibodies into the plants through a type of bacteria. About a week after this step, the researchers will remove the monoclonal antibodies from the plants, and then use the same bacteria type to infect plant cells and grow them in the laboratory.

In addition to McDonald, the research team consists of Somen Nandi, the managing director of the Global HealthShare Initiative at UC Davis; Ray Rodriguez, a UC Davis professor of molecular cell biology and the director of the Global HealthShare Initiative; Abhaya Dandekar, a UC Davis professor of plant sciences; and Professor Kazuhito Fujiyama from Osaka University in Japan.

Courtesy by Creative Commons. 

UC Davis participates in UC effort to conduct research on climate change

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Recently, UC Davis researchers developed a method to incorporate the University of California (UC) Natural Reserve System (NRS) to better improve the prediction of weather forecast and ecological impacts of climate change in California.

The researchers collaborated with colleagues from other UC campuses to utilize the UC Natural Reserve System to make a significant impact on climate change research. Researchers worked to establish a UC-wide Institute for the Study of Ecological and Evolutionary Climate Impacts.

The implementation of this institute has recently received $1.9 million in funding, as announced by UC President Janet Napolitano. The funding was provided through the President’s Research Catalyst Awards, a funding source that will provide $10 million to research fields of great significance in over three years.

“The President’s Research Catalyst Awards will spur UC research and offer our faculty and students new opportunities for cross-campus, multidisciplinary collaboration,” Napolitano said in an article appearing on UC Davis News and Information site. “We want to support research endeavors that have real-world impact in areas with critical needs.”

The UC Natural Reserve System is a network of 39 protected areas within the state of California and is the largest university-administered reserve system in the world. It includes various ecosystems spanning from coastal tide pools to the inland deserts. This wide variety of protected areas and ecosystems allows researchers to better obtain information regarding climate change.

“This is a wonderful opportunity for the UC Davis reserves and for the reserve system as a whole,” said UC Davis Natural Reserve System associate director Virginia Boucher to UC Davis News and Information. “As a result of long-term collaborations between the UC Davis reserves and campus engineers and computer scientists, our reserves provide prototypes for a variety of sensor networks.”

The UC Davis faculty included in the project’s team are Marissa Baskett, an environmental science and policy associate professor and Mark Schwartz, the John Muir Institute of the Environment director. Berry Sinervo, professor of ecology and evolutionary biology at UC Santa Cruz, is the head of the UC campus project.

“We are going to be creating a large network of UC climate researchers and using the NRS system as a climate change observatory for biotic systems,” Sinervo said in the same article.

This project is unique in the sense that it allows researchers to collect data and conduct studies regarding climate change that can be easily compared to other studies that have been completed about the pressing concern of climate change. Throughout the project, researchers will predict future changes to ecosystems and potential impacts on ecosystem services that might threaten the capacity of Californians to adapt to a changing climate by creating various models based on collected data.

The institute additionally offers a variety of research locations for UC students and faculty to conduct long-term research with resources that are often unavailable at other reserves or national parks.

 

Sick poetic spits to hit UC Davis once again

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SickSpits artist will be performing their spoken word pieces on Wednesday at 7 p.m. in the TCS Building (also known as the Art Annex Building) at this year’s SickSpits CUPSI Qualification Slam. Admission is free, but SickSpits is requesting donations of $5. All proceeds from donations will provide the SickSpits team with the opportunity to attend the College Unions Poetry Slam Invitational, a slam competition featuring collegiate spoken word artists from across the nation.

SickSpits, founded in 2005, has served as a collective for spoken word poets throughout the area. Throughout the years, the collective has served as an outlet to promote and celebrate the art of slam poetry.

Owen Somerfield, a fourth-year English major who has attended SickSpits’ slams, is appreciative of their on-campus presence and the outlet they provide for local spoken word artists.

“Slam poetry is a great outlet for expression that isn’t really discussed much, if at all, in class because it’s reliant on performance,” Somerfield said. “[…] SickSpits is invaluable to our campus because it teaches students the many shapes that slam can hold.”

Slam poetry – created in the 1980s by poet Marc Smith – was used as a way to provide the young and disenfranchised population with a means of emotional expression, while eschewing the common modern perception of poetry as a medium for the elite and privileged. Where poetry that is generally studied from an academic perspective emphasizes the diction and poetic devices to describe ideas that is open to various interpretations, slam adds the element of performance, as the poet reads their written work aloud, sharing a more direct, subjective interpretation of the piece.

Iris Bloomfield, a second-year English major and a core member of SickSpits who will be performing on Wednesday, shared her insight on slam poetry and how the performance of the poem alters only interpretation of her work.

“The performance of slam poetry is not mediated by symbolic language,” Bloomfield said. “It is sound, and the effects it stirs within us that comes first. Slam poetry first and foremost engages our empathy and musical sensibilities.”

Bloomfield went on to explain that this performative aspect also changes the way in which the poem is created, in contrast to a “page poem” that is meant to be read.

“When I’m writing page poetry, I take advantage of the visuality of text and how the page allows contradictions to cohabitate,” Bloomfied said. “When I’m writing a performance piece, I’m focusing more on tone, color, gesture, silence, rhythm — my physical presence.”

When art forms that originated in marginalized cultures gain popularity, one issue that may arise is the question of appropriation. While the debate over appropriation of black culture is predominantly in regards to hip-hop, slam poetry – like the musical genre of rap/hip-hop – was also created and molded as an avenue of expression for poverty-stricken black youth. As a movement born out of black frustration, this is an unavoidable issue that SickSpits faces, as it is a slam poetry group made up of mostly white students and has been established at a university where only around 3 percent of the population is African-American. This puts some of the members in a precarious position of expressing themselves truthfully while still respecting the originating culture.

Bloomfield, as a core member of the collective, is highly aware of this position, acknowledging that for her, slam is a “borrowed art form.”

“[…] hip-hop and slam, like jazz, are black art forms,” Bloomfield said, “and America has a long and [expletive] history of not acknowledging their value until they can appropriate it and put a white face on it.”

While acknowledging this borrowing of slam, Bloomfield also believes that because slam comes from a different perspective and has an emphasis on “complexity, rhythmic mobility and colorful tonalities,” if a slam poet recognizes these differences, they can utilize the form and transcend the ultimate and usual poetic forms.

“[…] slam collapses the boundaries of what poetry can be,” Bloomfield said, “and gives that deciding power to any person present.”

Tanya Azari, a third-year Spanish major, is also a core member of SickSpits and will be performing on Wednesday. She shared similar thoughts and commented on how she, as a member of SickSpits, maintains a level of respect for the originating culture and properly utilizes the art form.

“I try to keep [the hip-hop influence] with the members we have,” Azari said. “[The spoken word genre] came from hip-hop and is very closely tied to ancient African [culture].  It’s not a white art and I feel like modern spoken word has been turned into a white-art, mainstream poetry that is extremely descriptive. It’s still incredibly good and very important, but [in the spoken word] I’ve seen on the internet, at poetry slams there’s an uncomfortable preference toward white poetry and I don’t like the idea that [SickSpits] would be turned into a very flowery one that doesn’t necessarily deal with the history of spoken word.”

One of the ways SickSpits has dealt with the history of spoken word is by using slam to give a voice to marginalized demographics. The LGBTQIA community, in particular, has received a vocal presence in the spoken word community.

“Spoken word and the poetry slam give a voice to people who don’t feel they have that voice,” Azari said. “There’s [different times in history] where [certain groups] get a stronger voice to speak. I feel like a lot of queer individuals are silenced in so many ways, [like in their families and communities], that it’s an empowering way for them to share their thoughts and experiences.”

The idea of a democratic form of expression that respects the social and cultural history of spoken word is also shared by Bloomfield.

“The SickSpits ultimate goal is like democracy in that it’s not yet here, and we don’t know what it will look like,” Bloomfield said. “We want to foster a community that is committed to social justice and is a safe space, especially for people whose voices are often silenced. We want a community that desires poetry as it might be. Again, I use the word ‘we,’ but I speak in my own voice.”

As a teaser for the upcoming event, Azari obliged Muse’s request to share a poem she wrote and performed which is an untitled response to a prompt about “something that is human and not-human at the same time.” We have excerpted a transcribed section of her poem that highlights the power of poetry and spoken word:

ever since i was a child i wanted to believe

that magic floated around in the air i breathed, and i could

pocket it for keeps as if it fell out of my sleeve —

but i made no miracles, saw no signs,

try hard as i might i colored inside the lines.

but then i found rhymes.

and it’s hard to describe what that’s done for my life.

For despite how it appears to my peers that i

posses the steering wheel on the vehicle vernacular

my controllessness is spectacular,

i’m driving blind with the headlights on

because it’s hard for me to illuminate on

this phenomena

it’s allah and beyond,

the synchronicity of a song

and the secret silent pleasure of phase locking with a poem

and the best part is

it’s free.

and it’s golden.

For more information on SickSpits, including upcoming slams and poetry workshops, visit their Facebook page at facebook.com/SickSpits.

Artsmonth

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MUSIC

Deborah Wong, Ethnomusicologist

Jan. 8, 3 p.m., free

Everson Hall 266

Join ethnomusicologist Deborah Wong in observing Thai and Asian American music. Wong will specifically discuss how ethnomusicology handles sexual themes among cultures.

OK Sweetheart

Jan. 17, time and ticket prices TBA

Third Space

OK Sweetheart’s music is a soothing blend of indie folk and ’60s soul. Behind OK Sweetheart is singer-songwriter Erin Austin, who created the musical project after working with the Oklahoma music community. Keep up with Third Space’s Facebook page to learn more about the event.

Gregory Porter

Jan. 19, 7 p.m., $27 to $51

Mondavi Center

Spend the evening with Jazz vocalist Gregory Porter, who tells moving stories through song. Porter develops a distinct sound by blending traditional Jazz elements with elements of soul, folk and R&B.

LITERATURE

SickSpits CUPSI Qualification Slam

Jan. 7, 7 p.m., free

TCS Building (Art Annex)

Come hear the top Fall Slam participants and core SickSpits members dish out some rhymes for a spot on the SickSpits Slam Poetry team. In March, the team will compete against other U.S. college slam poetry teams in part of the College Union Poetry Slam Invitational (CUPSI).

Love and Terror in the Middle East

Jan. 8, 7:30 p.m., free

The Avid Reader

Love and Terror in the Middle East is a book that aims to find peace amid the current conflicts within the Middle East. Join author Dr. Frank Romano in his pursuit to understand and unite the perspectives of different cultures.

Poetry Reading

Jan. 22, 7:30 p.m., free

Logos Books

Hear the works of Mary Zeppa and Stanley Zumbiel, two poets based in Sacramento. The reading is part of the Quinton Duval Poetry Series, which is currently in its fifth year at Logos Books. Refreshments will be provided.

ART

ArtAbout

Jan. 9, 5 p.m., free

Downtown Davis

Take a stroll through downtown to view the creations of various Davis community members. There will be live music, artist meet-and-greets and refreshments.

‘Construction’

Jan. 27, 7 p.m., free

Nelson Hall

Kicking off the Music and Words festival, Construction is sound artist David Coll’s latest project. The two-part event showcases the compelling fusion of music and installation art.

THEATRE

‘Stop Kiss’

Jan. 8 to Jan. 11, 7 p.m. or 2 p.m. (matinee), $8 to $10

Veterans Memorial Theatre

Stop Kiss, a play by Diana Son, captures the relationship of two young women, whose love is threatened by homophobia. The story highlights not only the bliss of young love, but also the women’s fight to claim their lives.

FILM

International Film Series

Jan. 16, 7:30 p.m., free (donations welcomed)

International House

The International House will be showing The French Minister, a 2013 comedy by Bertrand Tavarnier. The film documents the antics of Arthur Vlaminck, a French yuppie who has newly joined the Ministry of Foreign and European Affairs.

 

Aggie Style Watch: Special Edition

Readers and fellow fashion-mavens, I thought I’d finally give you all a better sense of who writes these articles. My name is Allison Reiss, and I am a third-year design major.

Ally Photo 3

My background in fashion:

In high school I participated in an after school fashion design regional occupation program. I learned extensively about the fashion industry from guest speakers and hands-on projects. Here in Davis I have taken several textiles and clothing courses. I also worked two summers at a tiny, locally owned clothing boutique in my hometown. At the boutique, I helped manage the store’s blog and social media campaign and even assisted the owner with buying directly from wholesalers. My favorite part of my summer job at the boutique was interacting with clients and dressing the mannequins.

My style in three words:

Hodgepodge, thrifty and wannabe-Parisian. I am still developing my personal style. I wish I already had a chic and composed signature look, but for now I am still experimenting with fashion. I figure I’m young; there is still time to be playful!

My favorite places to shop:

For trendy clothing I love Zara and H&M. If I online shop, it’s usually on Tobi or Lulu’s; but I am a thrifter at heart. I’ve picked up some of my favorite pieces at thrift shops. If I take a trip to an exciting city, I make it a point to check out the secondhand stores. I’ve found some treasures in Seattle, New York, San Francisco and Austin, Texas. Crossroads Trading Company is my absolute favorite.

Ally Photo 2

What I look for when I thrift:

I usually search for my favorite designers — Nanette Lepore and Marc Jacobs. I can’t afford to buy their clothing right off the runway so I thrift. It’s my favorite kind of treasure hunting. I also love finding J Crew and Anthropologie pieces (especially sweaters) for their sophisticated, yet casual look. I have also been looking for a pair of vintage Salvatore Ferragamo flats in my size for several years now. These shoes typically run from $300 to $400 dollars new. When I manage to find them used for $45 I always find them two sizes too small!

My style muse:

I’ve always been inspired by the Carrie Bradshaw character on Sex and the City. I love how many risks she takes with her clothing. Even though sometimes her outfits are over-the-top, I find her bravery inspiring. I love the drama and almost costume-like nature of her outfits.

Why I love fashion:

To me, each garment and accessory is a statement. I have found that putting together these statements into a thoughtfully composed outfit can take just as much work as crafting well-written sentences into a cohesive paragraph. It’s a labor of love.

My favorite fashion quote:

“Style is a way to say who you are without having to speak.” – Rachel Zoe

Ally Photo

Graphic by The California Aggie Graphics

Photos Courtesy of Allison Reiss

Flick Chick: My parents like the couch, too

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defazioheadshot_opThough our winter break seemed short this year, I don’t think I needed much more time to create a literal nest of blankets and pillows on my sofa at home. Every day I, and I bet most of the readers as well, would wake up and immediately sit down on my favorite cushion for whatever “Mythbusters” marathon or holiday special caught my attention. No matter what, that was my routine, and I would actually put off meeting with old friends in order to lounge for another hour before I showered. Due to my sheer lethargy and the proximity of my couch to the kitchen, I watched a lot of movies.

On New Year’s Day, glued in front of the TV, my mother decided it was best for all of us to watch a marathon of The Godfather (1972). It was the perfect film to watch on a cold winter day after the warmth of the holiday season was put out: lots of blood, easy to walk in and out of, and the feeling of accomplishment after watching hours of what my father calls the best cinematic accomplishment known to man. The holiday decorations were in boxes in the corner of the living room ready to be put away in the attic, and with an old candy cane in each hand, we worked our way back to 1946’s New York City.

Watching a movie with your parents is a daunting task if you think about it too much. Though my parents and I have seen the trilogy enough to remember where the blood splatters, I still feel an obligation to say “Hey! What a bad guy!” as often as possible to prove that I indeed know how to avoid mob crime. When Woltz receives a reminder of the powers of the Corleones in the form of a horse head in Part I, I gasp at the amount of blood and become saddened by an animal’s death in accordance to my mother. When Carlo beats a pregnant Connie and orchestrates Sonny’s death, I remind my parents that I would never marry someone like that. And when Michael brings Roth’s brother to his court proceedings in Part II, I agree with my father that Vito would never have done that; he never wanted this for Michael! We don’t say anything in The Godfather Part III, since it is an unnecessary addition to the flawless first two. I don’t agree with my parents to deceive them; I definitely believe these things about Mafia Dons and their cronies. But living partially on my own at the age of 19, I shouldn’t say anything that might show that I am not ready to be a real adult.

Also, let’s not forget the wonderful walk around the house or checking of email during any hint of a sex scene. Not that common in The Godfather trilogy, but I digress.

How different would my afternoon with Francis Ford Coppola be if I weren’t home for break? I could’ve been anywhere when I decided to watch seven hours of vengeful leading men; at my apartment on a torrenting website, screening it in a movie theater for the 1974 Academy Awards, even by myself on Valentine’s Day if I was feeling openly cynical. It was watching it for the first time years ago, with my parents, that helped me love the movies anyways, so watching it any way else would be a completely different experience. I for sure would spend a lot less time pointing out symbolism and foreshadowing for the fun of it than I would dully be explaining who is who (“All the names sound the same!”).

This is what I want to tackle with this column winter quarter. Movie viewing is completely subjective, depending on how you choose to watch it. It’s time for the different methods of watching a movie to be critically analyzed rather than the movie itself, as the best memories are often not what is on screen, but how it is seen. Because of my New Year’s movie marathon with my family, my experience was rich and fulfilling, not only because I literally sat down for the same amount of time as a workday, but because I spent that time with my family doing something we loved, and therefore I liked the movie so much more. The circumstances in which you watch a movie can be so much more than what is happening on screen, even when a young Robert DeNiro is saying that he’s going to make an offer someone else can’t refuse. After all, “A man (or woman) who doesn’t spend time with his family can never be a real man.”

EMILIE DEFAZIO can be contacted at endefazio@ucdavis.edu.

Graphic by CA Aggie Graphic Design Team.

 

Sustainability in the built environment: Green Roofs

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lundheadshot_opAs our society continually falls deeper and deeper into ecological debt toward Mother Nature, humans are presented with the daunting task of restoring balance. One trend to help solve this problem that is gaining popularity by engineers and designers is the green roof. Simply put, a green roof is a specially engineered, layered rooftop that supports plant life.

The green roof is an aesthetically pleasing implementation of natural materials within the built environment. The concept of green roofs can be dated back to ancient times. The types of green roofs these people used were basically caves or shelters buried beneath land that supported plant life. The main benefits of these roofs were for protection from the elements, and increased cooling and heating capacities. This basic concept wasn’t applied to modern green roof practices until the 1970s by German scientists. The motivation of these roofs came about via the necessity for roof irrigation during the increase in roof garden popularity. Naturally, the garden roofs were transformed into the modern form of the green roof.

The burning question here is why we are not implementing this science. Although the green roof is gaining popularity, less than 1 percent of North American roofs actually exploit the substantial benefits. This number is embarrassing, especially when compared to Germans. Over 20 percent of all German roofs are “green.” The German government has even implemented taxes for certain cities that don’t have these roofs.

In addition to the introduction of natural beauty, a green roof has extremely positive environmental and ecological benefits:

One huge benefit of the green roof is that it literally has the potential to cool down cities. In larger cities, building density is very high and parks/open space limited. Due to the material nature of concrete the buildings absorb heat. Typically, large cities are approximately 10 degrees Fahrenheit hotter than the surrounding areas. With a green roof implementation, the big city heat increase is strongly combatted.

Another huge benefit generated by the green roof is the notion of clean rainwater. Traditional roofs contaminate rainwater due to the water coming in contact with metal piping, dirt, cement, etc. This dirty water is harmfully released into the environment. A green roof however, has a fully designed layering system that filters rainwater while subsequently feeding the plants on the surface. The core notions of sustainability are presented here: A man-made building that acts as a natural filtration system, where we are doing the work of nature with no negative effects.

Additionally, green roofs are a perfect medium for allowing wildlife to be naturally integrated within the built environment. Traditional roofs are a barren deathtrap with respect to wildlife habitats; the green roof, however, is the exact opposite. The concept of wildlife attraction is coupled with the fact that green roofs improve air quality. Also, internal heating and cooling during the winter and summer months, respectively, are extremely reduced due to the insulation provided by the green roof.

The benefits of the green roof are extremely obvious and fundamentally necessary for our planet’s health. The advantageous environmental results are stunning. The worldwide implementations of green roofs are essential to the continued survival of the planet.

Green roofs are not the ultimate solution to the energy crisis, but they do act as a stepping stone in the right direction for complete sustainability. Buildings now have the potential to provide the environment with net positive impact. That’s right, structures that actually act as nature would anyways. Buildings will not be “less bad,” but actually be a positive contributor to environmental and ecological systems as a whole.

BRENT LUND can be contacted at brlund@ucdavis.edu.

 

Photo by CA Aggie Photo Team
Graphic by CA Aggie Graphic Design Team

Local groups host weekly game sessions around town

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boardgames_fe_Weintraub

“Unai” is defined as a relatively small and fast-moving sloth, and in the world of Scrabble, it is an example of a vowel dump. Without a legitimate interest in sloths, knowledge of the word seems only relevant in the context of Scrabble.

The city of Davis is home to a number of people interested in playing various board games, and there are several official and unofficial channels through which board games are being played in groups, on and off-campus.

One of these groups is the Unofficial Davis Scrabble Club, where a knowledge of sloth names and other normally trivial words might come in handy.

“I was an English major, and I knew a few English major words that don’t get you that far,” said Charlie Walter, a regular at the Scrabble Club. “You need to learn all the Scrabble words which no one actually uses in either conversation or expository writing.”

Walter is an avid internet Scrabble player who said he was encouraged to play in a real-life setting. At Crepeville in downtown Davis on Dec. 3, Walter won a three-person game of Scrabble with a high score of 420, while various other games were being played at multiple tables.

The club meets year-round on Wednesdays at Picnic in the Park during spring and summer days, and moves inside to Crepeville in the colder months and at night.

“We’re an informal club, so basically anyone can just show up and play,” said Orhan Orgun, another regular. “There’s no membership and there are no requirements. There’s no skill level requirements either so everyone’s welcome to play. We meet once a week, people show up whenever they want to and they play as many games as they want to.”

Another group member, Diane Mau, mentioned that people generally show up around 5 p.m. and might stay as late as 11 p.m. She noted that the club has a diverse membership, including a changing population of UC Davis students and faculty, former professors and other Davis residents.

People who come to play are given a card that lists the legal two letter words, making the game a little easier and less intimidating for new players.

“It’s not the number of letters, it’s where you place them that counts,” Mau said.

One of the other options for using the trivial knowledge associated with board games and for a more varied gaming experience is Board Game Night at Bizarro World in downtown Davis.

“Every Tuesday night you can come down with friends, with a game if you want to get more players for the game, or just play games that someone else brings, or games that we have on hand,” said Dan Urazandi, the owner of Bizarro World.

Since July 2014, the location has been hosting a board game night that is open to anyone looking for a place to play or people to play with.

“We like people to bring games that are accessible, easy to learn and quick to play,” Urazandi said.

He commented that the event was spawned out of customer interest, his own need for experience in the products and the knowledge that more players are always welcome.

“Personally, I need to experience more games in order to be able to sell them,” Urazandi said. “I also found that I needed more players than I had. You sit down and you’re ready to play and you’re like, ‘Well, this game isn’t really that good with two or three players, we want five players.’”

Urazandi also mentioned that impromptu games of Settlers of Catan have been known to happen on Sundays, and the tables in the back are open for use as long as no official events are happening.

Another hub for board game enthusiasts is The Chess Club at UC Davis, a registered club that often meets Saturdays at the farmers market downtown and generally at least once a week somewhere on campus.

“Saturday is when the most number of people come because it’s at the farmers market [and] there’s a high volume of traffic,” said Karl Tolentino, a third-year biochemical engineering major and the current leader of the chess club.

Tolentino said that the club had gone through a bit of a dry spell before coincidentally being revived his freshman year. The club has since tried to keep a consistent schedule and has even recently held an informal tournament, which they hope will become a regular occurrence.

“The goal is to get people exposed to the game and wanting to learn about and play more of the game,” Tolentino said. “We don’t really care if you’re good or bad or if you just want to look.”

The club is open to anyone that wants to play, at any skill level.

“The cool thing about the club is that there are some really good players, and there are plenty of players that are not, and it’s friendly for everyone. Pretty much every level of player can have a good game,” said Scott Fischbein, the staff adviser for the club. “I started playing seriously a year ago when I saw these guys here, and pretty much everything I’ve learned in the last year has been through someone at the club teaching me stuff, giving me tips.”

Practicing board game skills in the various settings around Davis may have a practical purpose after all, as Tolentino has earned a number of cash prizes in chess tournaments, while members of the Scrabble Club also enter tournaments with cash prizes, with Orgun winning second place at a tournament in Reno. Whether for practice or simply for fun, there is no shortage of opportunities to join a game around Davis.

Photo by Danna Weintraub

 

News in Brief: University’s overall enrollment increases over 3 percent from last fall

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UC Davis has admitted one of its strongest entering classes, UC Davis News & Information reports.

The university increased total enrollment of the student population by 1,240 students or 3.6 percent from last fall.

The newest enrolled student body consists of undergraduates from over 100 countries, all 50 states and various other territories. Additionally, the university has taken measures to increase the total enrollment of historically underrepresented groups such as African Americans, American Indians and Chicanos/Latinos by 23 percent.

News & Information also reported that California residents constitute 90.6 percent of total undergraduate students, and the 2020 Initiative – a proposition which expects California residents to make up at least 10 percent of any increased enrollment of students by 2020 – has taken measures to ensure this consistency.

The enrollment of transfer students from California, from over 30 other states and nine countries, has steadily increased 1.5 percent. Of these transfer students, 93 percent came from California community colleges and participated in the Transfer Admissions Guarantee, a program that guarantees community college participants admission to UC Davis one year in advance of enrollment.


AggieAngelous

ThePoetry-ThePoets&ThePoetesses

 

ThePoetry

Deus ex duodenum

By Alana Kugelman

I’m sick like god

I’m sick like invisible but everywhere and really, really hard to explain to nonbelievers

 

my psalms are the intricate workings of my esophagus,

jargon is my bible; and god said, let there be: hiatal hernia and nissen fundoplication and gastroenterology and ranitidine omeprazole zantac odansetron and, sorry, are you overwhelmed by my faith?

 

became a believer at fourteen when I woke with hellfire in my gut, skewered through like Sebastian, dry like a Judean Desert, fervent fire–burning bush–in my middle

it was the first time I saw what my god my illness my acid reflux was capable of; now, I pray four times a day and if I forget

mea culpa, mea culpa, mea maxima culpa

 

at my core is a church and the organs play daily, to their own tempo with no one at the keys

the stained glass is the sensitive skin at my sternum that the tenet of referred pain says will always be tender

the pews are stitches scarred over, the nave is the neck of it all, choked off by design but no less functional

 

born into the cult of the ill, my communion is carafate, consumed each night at eleven before I lay me down to sleep

a surgeon slits me open in five places, a stigmata of the stomach but I am not healed; only helped

a doctor lays her palms on me but I am not cured, only clarified

raised in the grace of the constant companion pain I am canonized, Saint Cilia, patron of endoscopies and stoicism

I am anointed in agony, my robe is a hospital gown and my shepherd’s staff the IV stand,

I trudge up a mountain seeking commandments I will ignore for the sake of normalcy

 

my stomach’s a pit but the lions don’t have lockjaw, they eat me from the inside

and I cannot run, cannot move, cannot jump, cannot dance, cannot sleep cry think feel unless

I behave exactly as told

one misstep and I’ll count pills like rosary beads and hope against hope that the burning will fade

 

maybe now you understand what I can’t easily explain, why I say: I can’t eat that

it’s against my religion.

 

ThePoets&ThePoetesses

Deus ex duodenum

By Alana Kugelman

My name is Alana Kugelman, and I’m a first-year English major. I like fruit and books, and I have blue hair. I think poetry is really cool, and I’m glad there are so many opportunities for student work to be shared on campus.

 

Be Featured in aggieANGELOUS

Send your poetry to aggieangelous@gmail.com with your name, major, year and a short, one-to-two paragraph description about yourself. Feel free to include your interests and/or hobbies, or maybe even your favorite quote! Anyone from the UC Davis campus community (undergrad, grad, or alum) from any academic discipline can submit. You can submit as often as you like with as many pieces of creative writing as you would like. Please feel free to email aggieANGELOUS with any questions, concerns, or inquiries.

Graphic by Jennifer Wu

Sit-down with head football coach Ron Gould

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In head coach Ron Gould’s second year at UC Davis, the Aggies finished a disappointing 2-8. The Aggies’ defense struggled significantly throughout the season, allowing opposing offenses to run rampant. Still, sophomore quarterback Ben Scott, junior receiver Ramon Vargas and senior running back Gabe Manzanares all made their season debuts several games into the season and led an offensive resurgence.

 

The California Aggie was able to catch up with Gould after the 2014 season ended to discuss the strengths and weaknesses of the team, the emergence of Scott and his plans for the team going forward.

 

The Aggie: Overall, where do you think the strong points and weak points were for the team this season?

Ron Gould: Some of the strong points: the way our offense finished up with Ben Scott coming back and Ramon Vargas. Those guys did a great job hooking up; I think the last half of the season we averaged about 31 points per game and about 500 yards of offense (after 19 points per game over the first half). That is super encouraging from my standpoint. I like the resiliency from the team — we battled through all of the way from start to finish so I am very, very pleased with that.

 

The disappointing things: we have to get better from a defensive standpoint. We obviously gave up too many points per game; we have to get healthy. We were decimated with injuries, particularly on the defensive side of the ball. Some of our defensive players need to emerge and get better. From a special teams standpoint, we have to get better. Guys have to continue to make plays throughout; they have to step up and emerge as a viable guy. We need more consistent play in regards to that.

 

And I know that Ben Scott was dealing with injuries during training camp. When did you decide that you were going to start him?

 

[Senior quarterback] London Lacy earned that spot. We talk about how you have to earn the right to say that you are a starter at every position; London had earned that so we started him. We weren’t moving the ball as consistently as we would have hoped so we decided to make that change at the quarterback spot right after the Portland State game.

 

After that, we had Ben (Scott) come in and he gave the team a little bit more of a lift and a little more energy out there. Not to say that he played perfectly, because he didn’t, but he played very well — the command of the offense, getting guys in the right checks, and then putting the ball where the ball needed to be. He was able to run for first downs, so he was able to do it with his legs and his arms. I think that, all in all, gave our team a lift and a lot of energy.

 

You started only six offensive linemen, pretty consistent there. (Senior offensive lineman) Ian Joseph had an amazing year, what did that do for the team?

 

Yes, Ian had an amazing year. He is a young man who had 47 consecutive starts. He and (senior offensive lineman) Jay Luschetti were two of our leaders on the team. [We gave up] the least amount of sacks that we have had around here in many, many years so that was something that was very positive.

 

The ability to be able to run the football was something that was exceptional; we have been good at that for the last couple of years. I think the thing that highlights [our play] is the big plays that we were able to make. That means that the offensive lineman had to hold up so we could take advantage of throwing the ball deep. To say that I was pleased with how those

guys played would be an understatement.

 

The team seemed to struggle a lot against the long pass. There were multiple times when defensive backs were in good positions to make plays, but their receivers just made plays over them. How do you look to improve upon that for next season?

 

The biggest thing is that we have some young players that had to come in and play significant amounts for us. With every setback, adversity and even [success], there are opportunities for growth and development. Because these young men have had an opportunity to take a lot of reps this year, they are going to be significantly better a year from there. There are definitely some technique things that we need to improve as a coaching staff, [to] where the kids can feel comfortable being in a good position like they were a majority of the time. I feel really good about those guys being able to achieve that next year.

 

It seemed like the team lost a few close games, with a few miscommunications at the end. How do you work on that as a team?

 

You hit the nail on the head when you talk about the miscommunication. We need to do a better job communicating, making sure that we are all on the same page. We had about six or seven plays that [could have easily put us at] 7-4 by the end of the year. That is the thing with great teams, and we played great teams every week — we had to capitalize on those.

 

Against Sac State, we had five turnovers. You know, you aren’t going to beat Jones Jr. High turning the ball over five times. Our opponents made one or two more plays than we made and we are disappointed about that, but in a lot of ways there is a lot of room for growth and development there.

 

So you are recruiting now, do you ever use your connections to NFL guys and the fact that you have developed NFL talents in your recruiting pitch?

 

No, no. A lot of these kids, they watch a lot of TV so they know that I was at UC Berkeley for 16 football seasons. They know from guys that I have recruited that those guys have had a lot of success. I don’t really need to use that, we talk about the product that we have here at UC Davis because we feel like we have something special from the academic standpoint and from the athletic standpoint. The focus and energy is what UC Davis has to bring.

 

What are your plans for the summer and what do you hope to accomplish for next year?

 

First of all, I’m going to go out and meet with several head coaches. My goal is to get out and talk to other successful coaches. I have to continue to grow and get better. If I am no longer growing, then I will have failed as a coach. My job this summer is to continue to cultivate relationships, to grow as a coach and to continue to move the program forward.

 

Finally, this is your first full year living in Davis. How do you like the city so far?

 

I’ll tell you what man, I have fallen in love with Davis. I miss all of the people at Berkeley, but I love this town. My wife and I have really fallen in love with it, with the community. I love the support, I love being able to walk downtown and see everybody on my bikes. As you can see I have my bike right here in my office, but I just love it.