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Tuesday, December 30, 2025
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Surface water project campaign coming to a close

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Since the formation of the Woodland-Davis Clean Water Agency (WDCWA) in 2009, the surface water project has gone through multiple bumps in the road to finalization.

The past three years have been a whirlwind of city council meetings, hashing out ways to decrease water rates as well as slash the cost of the project for the City of Davis. An indicator of the project progressing was a public forum held on Saturday at City Hall, in which the community was allowed to question opponents and proponents of the project.

The proposed surface water project plans to replace the groundwater currently used with treated water from the Sacramento River. Pipelines would transport water from the river’s surface water to the water treatment plant in Woodland. From there, the water would be sent to Woodland, Davis and UC Davis.

The project is also known as Measure I, which Davis residents will be able to vote on in the March 5 special election. Ballots were sent out on Monday.

Measure I asks if residents approve of the city advancing the joint surface water project with Woodland. The measure requires a majority vote to pass, in which at least half of the estimated 16,500 property owners in Davis need to approve.

“In addition, in accordance with Proposition 218, all property owners will be sent notices about the public hearing on March 19, during which they may offer testimony about the proposed new water rates,” said a City of Davis press release.

Prop. 218 was passed in November 1996. A draft of the proposition on the California Secretary of State’s website said the proposition requires voter approval before any water, refuse or sewer rates are increased. Notice of a public hearing must be mailed out 45 days in advance.

The public hearing will be on March 19 at 6:30 p.m. at the Community Chambers at City Hall.

“The water project proposed isn’t necessary,” said Pam Nieberg, a Davis resident and a part of the No on Measure I campaign. “It’s costly and there are huge impacts on the people in Davis. According to the city, costs will triple by 2018 — a huge increase in five years.”

In November 2012, Woodland and Davis came to an agreement to split the consumption-based costs 60-40. The overall project will cost roughly $245 million, a decrease from the estimated $325 million in 2009. The proposed water project will cost Davis about $103 million, down from the original $113 million.

“There’s no public oversight and the city council introduced high rates despite 5,800 protests,” Nieberg said.

Nieberg said she believes there are alternatives that need to be discussed, such as the West Sacramento water project Davis was initially considering. She said that the West Sacramento option would confer better advantages and be cheaper.

“We can’t vote on a specific project without knowing the rates,” Nieberg said. “The rates are constantly fluctuating.”

A fellow No on Measure I supporter and Davis resident Ernie Head said although he acknowledges the city tried to make rates more reasonable, their decisions did not, in fact, make the rates any more reasonable.

“We don’t know the actual cost of construction,” Head said. “After adding everything to the equation, we’re talking about [the project costing] $600 million. The city manager determined it’ll cost $30 million for 30 years.”

Head said he’s concerned for students as well, since many students are already having trouble meeting financial obligations.

“Well, over half of students can’t afford increases in water fees,” he said. “The city’s not being honest. The way they use Prop. 218 is the most un-American, dishonest way of getting their way.”

Head said the city sends out the proposition notices to all property owners, but not all voters own properties. Additionally, some people own multiple properties so they receive more votes.

“[The] vast majority [sees] it as junk mail,” Head said. “If they don’t vote, then it’s counted as a ‘yes’ vote.”

Another argument the No campaign made was that the water quality in Davis isn’t bad enough to be an issue.

“We have adequate groundwater; there’s no problem with salinity or selenium,” said Nancy Price, a Davis resident and supporter of the No on Measure I campaign. “There’s very little accountability to people. We need verified facts and time to negotiate.”

Price said the Water Advisory Committee (WAC) has already reduced the size and cost of the project significantly, but she believes there are there more savings to be made. The WAC operates with the city to analyze the water policy and offer its recommendations.

Elaine Musser, part of the Yes on I campaign and chair of the WAC, said going through with the project or not going through with the project would still increase rates.

“We considered the West Sac project, but because we would be a customer instead of a partner, we decided against it even though it was cheaper,” Musser said. “Students should care [about this project] because they’re rent payers; they might find an increase in rent — although some landlords are thinking of sharing costs.”

Musser said she thinks there’s a good chance of the measure passing.

In a recent poll the Yes on Measure I campaign published, 85 percent were aware of the project and 70 percent were for Measure I. The poll surveyed 300 likely voters in late December 2012.

Diane Phillips, senior civil engineer for the City of Davis, said the city has been trying to find ways to meet the regulatory side, the government side that affects the project and determines the best way possible to help ratepayers.

“We downsized the project and cut back,” Phillips said. “We try to be more sensitive to what will be a very big burden to ratepayers. More recently, the city council got together with the WAC and the public; lately, the public’s definitely been more involved.”

Phillips said projects start with large budgets, and as they go along, they reduce in scope.

“We understand how much pipeline might be laid and how much environmental work has to be done because we’ve talked to people,” Phillips said. “The price has gone down a little bit because of those things.”

Five community meetings are being held at 7 p.m. throughout February to provide additional information about the proposed water rates.

The first two meetings were on Monday and Tuesday. Today, a meeting will be held at the Senior Citizen’s Center at 646 A St. On Feb. 20, it will be held at the South Davis Fire Station at 425 Mace Blvd. The last meeting will be held on Feb. 21 at Birch Lane Elementary at 1600 Birch Lane.

CLAIRE TAN can be reached at city@theaggie.org.

New Year’s resolution: Stay SickSpits as ever

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It’s Tuesday at 7 p.m. and you’re under attack.

“In my dreams, metaphors are sparking at me. Dancing rhythmically inside my brain,” said second-year philosophy and communication double major, human rights minor Blake Deal. “So I grab them, and, taking aim at the audience, fire noise-filled rockets at ear holes looking like just mere words when in fact they are a message. A message heard a thousand times over in your head. You’ve got the illness. The addiction. And there is only one way to be rid of this poetic affliction so please, pick up a pen, and write.”

Deal is a member of SickSpits, UC Davis’ resident slam poetry group. He’s not just waxing poetic for no reason — he’s performing and opening the stage for the other slam poets.

“I grab this blank pen to paper, and I stab through the flesh,” said Jordan Schaub, second-year transfer sociology major. “Just to make sure I can feel these shards of parchment ensuring my existence as a purpose for something much greater.”

At this point, it’s okay to be shell-shocked. Awe, amazement and realization are all symptoms of getting hit by a Griot. No need to fear, vegans, no one’s throwing any cheese at your head (that’s gruyere) — a Griot is a poetic technique that SickSpits uses to open their performances.

The Griots are a way for the group to give people a sense of their individual style, while also presenting themselves as a collective. The words change every year, along with the mouths and minds that they come from. Since graduations have taken member after member of SickSpits outside of the UC, the group currently has only 5 students at its core, with others occasionally contributing.

“They’ve always made sure they’ve had enough members to ‘be alive,’” said Deal.

The living organisms in this SickSpits’ system right now all have different styles and different ways of keeping the group alive. Deal is SickSpits’ resident “funny guy” poet, while Schaub identifies as a socially-conscious lyricist.

Medina Stanackzai, fourth-year sociology major, speaks to both feminist and ethnic identities. The latter is also a theme for Ben Trinh, third-year sociology major, who’s also been known to lay heavy on “the love shit.” And all the other members, central or otherwise, bring their own individual flavor to the table.

But, like how Julia Child can never have too much butter, SickSpits can never have too many poets. The group is always looking for and welcoming of new members to their team.

“It’s never been a formal process,” said Schaub. “Like, just come talk to us, show us what you’ve been working on. We really just want to hear you perform.”

With or without new members, SickSpits has plans for 2013.

“It’s a group I’d like to see restored to its former glory,” said Deal.

He’s playing with suggestions like how he plays with his words, coming up with ideas like flashmob-esque surprise performances, anonymously submitted slams and collaborations with other on-campus poetry groups.

The poets are going to keep up their tradition of events like Tuesday night Open Mics and the end-of-the-year homage to hip-hop culture, “The Movement,” but Deal and the others also want to “bring back all the extra stuff we used to do before open mics.”

They speak and spit for whoever asks them to, from California high schools to social justice events. Trying to keep their roots in Davis, the group wants more student organizations to come forward and feature them in events. But more than just that, they want to get back the family feel.

Change is inevitable for the collaborative; along with the departure of famed spitters like Fong Tran and Ruby Ibarra, they’ve moved the location of their Open Mics from the Griffin Lounge of the MU to the Multipurpose Room of the SCC. The usage of Griffin Longue was paid for by SickSpits’ sponsors, but budget cuts and a desire to keep Griffin as a study lounge, SickSpits didn’t have a space any more.

With help from Tran, who now works for the Cross Cultural Center, the group got access to the SCC’s Multipurpose Room. With the new location came a new atmosphere; as the event is no longer centrally located on campus, SickSpits’ sounds don’t draw the same crowds.

“But the crowd is always great,” Deal said. “It’s all about the crowd, and all of ours have been the best ever. In all of my performances, I’ve never heard a ‘boo.’”

SickSpits’ next Open Mic will be this Tuesday from 6:45 p.m. to 9:00 p.m. at Delta of Venus. In honor of Valentine’s Day, the event is love themed, and calls for any and all raps, poems, songs or stand-up comedy stories.

For information on more events, keep your eye on the SickSpits group on Facebook, and for questions, comments, compliments, community event requests or a chance to be a core member, email ucdavissickspitz@gmail.com.

TANYA AZARI can be reached at arts@theaggie.org.

Arts Week

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POETRY
Zara Raab
Today, 8:00 p.m., free
John Natsoulas Gallery, 521 First St.
Currently working on her third book of poetry, Zara Raab is a poet, essayist and reviewer, who has been published in numerous literary magazines. Born and raised in California, she also teaches a poetry class at the city of Berkeley’s Hillside Club. Raab will be joined by the UC Davis theatre and dance MFA candidate performers.

MUSIC
Armadillo Music & KDVS Record Swap
Sunday, 9:00 a.m. to 4:30 p.m., free
Davis Senior Center, 646 A St.
Over 50 tables of used and new CDs, tapes, DVDs and vinyl records will be present at this music swap, put on by KDVS, Armadillo Music and the city of Davis. Tables are available to the general public to purchase in order to sell their wares, and the event is open to anyone wishing to purchase music in all of its forms.

D’Amore Duo
Friday, 8:00 p.m., $5 (tickets required)
Davis Art Center, 1919 F St.
Musicians William Feasley and Yeon Jee Sohn will be opening the Davis Art Center’s Fourth Annual Classical Guitar Ensemble Series with a guitar and oboe performance. The Duo has travelled around the globe to expose music lovers everywhere to their unique fusion of oboe and guitar in chamber music.

ART/GALLERY
Bark! Opening Reception
Friday, 7:00 p.m., free
John Natsoulas Gallery, 521 First St.
The opening reception for Bark! will include music, refreshments, and a book signing for Cameron Woo’s Photobooth Dogs. Bark! is a multimedia homage to the dog, with works of art ranging from painting to sculpture. The show will feature works from numerous artists, including a solo show by artist Roy de Forest.

THEATER/MONDAVI
Cirque Mechanics
Sunday, 3:00 p.m., $12.50-27 student ticket
Mondavi Center
A cog-and-wheels American Circus, the 9-year-old Cirque Mechanics will be performing its show Birdhouse Factory at the Mondavi Center. The performance is inspired in part by the creations of Rube Goldberg and Charlie Chaplin, and is directed by the troupe’s founder, Chris Lashua.

Isabel Wilkerson: UCD Campus Community Book Project
Tuesday, 8:00 p.m., $10-20 student ticket
Mondavi Center
Isabel Wilkerson, Pulitzer Prize winner and author of the bestseller The Warmth of Other Suns, will be speaking on her book and the years of research that went into it. The Warmth of Other Suns was chosen for the 2012-2013 UC Davis Campus Community Book Project.

— Tanya Azari

Men’s basketball preview

Teams: UC Davis at UC Santa Barbara; at Cal Poly
Records: Aggies 8-12 (4-5); Gauchos 7-14 (3-7); Mustangs 9-11 (5-5)
Where: The Thunderdome — Santa Barbara, Calif.; Robert A. Mott Gymnasium — San Luis Obispo, Calif.
When: Thursday at 7 p.m.; Saturday at 7 p.m.
Who to watch: Junior Josh Ritchart scored a season-high 22 points during last week’s loss to Pacific. He will be tasked with the challenge of repeating that performance this week. The Aggies are faced with two tough road games this week, and as if they needed more pressure, they may have to perform without leading scorer sophomore Corey Hawkins.

Head coach Jim Les told his players they had to step up to fill the gap left by Hawkins’ absence and Ritchart took that message to heart. The junior landed shots from the field, beyond the arc and the free throw line to spearhead the Aggies’ offense.

The best thing about the Auburn, Calif. native is his ability to be a threat from anywhere on the court, even those his 6’9” frame typecasts him as a center. His accuracy allows coach Les to have two big men on the floor at the same time. By stacking Ritchart and sophomore J.T. Adenrele on the court at the same time, UC Davis has the option of running with either center, and using the other to run screens or take perimeter shots that are difficult to contest due to their size advantages.

Did you know? Sophomore Corey Hawkins became the first player in school history to score more than 40 points in a single game. Hawkins landed 40 points against Hawai’i on Jan. 19, breaking the previous single game scoring record for UC Davis. Former record holder Mike Lien managed to bank 39 points in a 1979 contest against Cal State Stanislaus.

Preview: UC Davis needs wins. They have a chance at sweeping this week’s contests, moving them to 6-5 in Big West Conference play. They face the Gauchos on Sunday, and whether they have Hawkins or not, they need to find a way to spread the ball and score.

Fortunately, there is no lack of offensive weapons in Les’ arsenal. Junior Ryan Sypkens is simply magic from beyond the three-point line, and he is earning national recognition for his accuracy and production as a three-point shooter. Sypkens’ agility also allows him to skirt around the court and land shots from the paint as well.

Adenrele continues to shine as a center. His newfound strength is allowing him to establish dominance in the paint, and it is earning him plenty of dunks. The best thing about Adenrele is his shocking success from the free-point line. As a center, it does not pay to foul him because he rarely misses a free throw.

“J.T. has worked really hard on free throws in the offseason and it’s wonderful to see the payout,” Les said.

Of course there is Les’ own son, junior Tyler Les, who is best known for his energy on defense and his knack for making big shots to recharge the offense. However, Tyler is more than an explosive shooter; he is excellent at moving the ball and finding the open man. He recently set a new career-high for himself, ending the game against UC Riverside with 7 assists.

UC Davis can beat UCSB. If they hold onto their defensive focus, they should be able to walk away victorious. The trip to Cal Poly will be slightly more challenging.

The game against the Mustangs was a continuous back and forth that was only finished when Hawkins managed to make a miraculous fall-away, buzzer beater to give UC Davis a one-point advantage. Cal Poly’s Chris Eversely was constantly finding new ways to break through the Aggie defense and their biggest task will be trying to find an effective way to neutralize his play.

The Aggies will also need to keep their own offensive productivity up. A good defense is key, but they need to find ways to make up for the points they will lack if Hawkins is stuck on the bench.

This week will really nail down the final conference placings and it will certainly be tough for them to walk away with two wins. They are a hard-working group with talent; they just need to apply their corrections and maintain focus throughout the game.

— Kim Carr

Liquid Hotplates sell singing valentines

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Here’s one way to make your Valentine’s Day more memorable: Serenade that special someone. And if your singing isn’t up to snuff, don’t worry. That’s where the Liquid Hotplates come in.

“The Liquid Hotplates are a co-ed a cappella group on campus. We’ve been hosting shows and events, and right now we’re selling singing valentines for $10 each,” said second-year environmental planning major Tiffany Wang, a Hotplates member. The songs will be delivered on Saturday.

According to the official website, the Hotplates’ origins extend back to the fall of 2000, when Scott Whitacre, a UC Davis voice teacher, formed a jazz octet called the Davis Aces. After Whitacre passed on leadership of the group to graduate student and Aces member Steve Gellar, the newly student-run group began recruiting new members and made the transition from jazz to an a cappella style.

Since then, they have traveled and performed all over California, recorded an album and continued their annual tradition of delivering singing valentines, which they will deliver to anywhere in Davis or via phone or Skype.

“We’ll be in Hellacappella on March 1 at the Mondavi Center,” said communication major Jess Welsh when asked about the group’s plans for the rest of the quarter.

Finally, if for some reason you need more reason to buy a singing valentine, the Hotplates put all their money toward cancer research.

“It’s really sentimental, and all of our proceeds go to the American Cancer Society,” said biology major Cindy Kovacs.

To learn more about the Hotplates, visit their website at theliquidhotplates.com. To order a singing valentine and view the available songs, either find them on Facebook or visit their table at the Memorial Union this week.

BRETT BUNGE can be reached at arts@theaggie.org.

Column: The C-Word

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Sex & Society

In a classic episode of “30 Rock,” Liz Lemon overhears a co-worker calling her a “cunt.” She is hurt and insulted, because even though she “loves swearing,” there is nothing she can call the male writer back that has the same power.

“Cunt” — otherwise known as “The C-Word,” “the monosyllable” or “a nasty name for a nasty thing” (Francis Grose, 1785) — is one of the few words in the English language that still has any genuine shock value. Like He-Who-Must-Not-Be-Named, most would rather this word go unsaid because of its vulgar connotations.

The Oxford English Dictionary’s entry on “cunt” provides two definitions: “1. The female external genital organs,” and “2. Applied to a person, esp. a woman, as a term of vulgar abuse.”

What I want to know is why, of all the dirty words in our language, the one generally regarded as the most foul is a synonym for female genitalia. Why not “shit,” or “piss”? Surely excrement is less pleasant than a vulva. Why not “dick” or “cock”? Why not “fuck”?

The answer is in the gendered nature of the word itself: In our society, female sexuality is still something people would prefer to remain unspoken.

“Vagina” is generally regarded as the polite alternative. It is a far less intimidating word, but only because it does not refer to the same thing. While “cunt” encompasses all external genitalia (including the pleasure-packed clitoris), “vagina” only includes the birth canal, emphasizing function and penetration. Because “cunt” implies female sexual agency and gratification, it is threatening.

“Cunt” was not always an insult. Most linguists agree that it came from the Proto-Germanic word “kunto,” which came either from the Proto-Indo-European root gen/gon, meaning “create, become” (as seen in “genital” and “genetic”) or gwneh/guneh, meaning “woman.”

Others trace it all the way back to prehistoric Indo-European, linking it to the root cu/koo, which simply meant “feminine.”

Some linguists even connect the word with knowledge and power. The word “can” also came from the “cu” root, and Geoffrey Chaucer makes the same connection in Canterbury Tales (1386) when he puns “cunt” with “quaint” (queynte), which originates from the Latin root “cognitus,” meaning “known.”

Still others cite the word “cunctipotent,” meaning “all-powerful,” and the myriad of deities sharing the “cu” root, like the Japanese goddess Cunda, the Korean goddess Quani, and the Indian goddess Cunti. The Ancient Egyptian official Ptahhotep even addresses a goddess in writing as “quefen-t.”

The first recorded usage of the word in English was in 1230, when London’s red-light district featured a street called — no joke — “Gropecunt Lane”.

By Shakespeare’s time, “cunt” was considered rude, though not as obscene as it is today. The playwright loved to slip the word into his plays, like Twelfth Night (“There be her very C’s, her U’s, and her T’s: and thus she makes great P’s”) and Hamlet (when Hamlet asks Ophelia to lie in her lap, and upon her refusal, feigns shock and says, “Do you think I meant country matters?”).

The increasingly perceived rudeness of “cunt” even drove other words out of the English language. Sometime before the 18th century, “cunny” came into use as an alternate form of the word. Because it was pronounced similarly to “coney,” which meant rabbit, the pronunciation of the latter shifted to “CONE-y”. By the 19th century, however, it had disappeared almost entirely and was replaced by “rabbit.”

“Pussy,” which used to mean cat or rabbit, suffered a similar fate. In the 18th century it was also used as a term of endearment for girls, but by the 1900s was so steeped in sexual connotation that “cat” became the preferred term.

“Cunt” is a word with a rich and complex history, and also a word of unparalleled power, sexual agency and femininity. But a word of this magnitude also has the potential to cause great pain. By using it as an insult, you reduce a woman to a sexual part, and that is inexcusable.

By refusing to say it, you are contributing to its exclusive usage as an insult, and increasing your own vulnerability to the word.

But by reclaiming “cunt” as something to be embraced and celebrated, you can chip away at the fear of female sexuality.

In the immortal words of Albus Dumbledore: “Call him Voldemort, Harry. Always use the proper name for things. Fear of a name increases fear of the thing itself.”

MARISA MASSARA is taking full advantage of her linguistics minor. She can be reached at mvmassara@ucdavis.edu.

Sex Harassment Education with James Bond

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A free screening of the film Skyfall will be held tonight by The Harassment and Discrimination Assistance and Prevention Program (HDAPP) as another installment of their Sex and the Cinema Program. It will be shown at 7:30 p.m. in 123 Sciences Lecture Hall.

“It is a very light-hearted event,” said Lisa Brodkey, director of HDAPP, in a phone interview.

The Sex and the Cinema Program was an idea inspired by UC San Diego’s Sex in the Cinema, which is run by a department similar to HDAPP. Both aim to raise awareness of the issues surrounding sexual harassment and discrimination including gender, sexuality, relationships and racism through their film of choosing. These movies are usually not yet available for rent to the general public. Previous picks have included The Help, Black Swan, Precious and Milk. During the event, attendees take part in a short trivia game before the screening and are eligible to win prizes.

“First, we want them to have fun. Second, we want students to learn about our program so that they can find us if they need us,” Brodkey said.

HDAPP, formerly the Sexual Harassment Education Program, is a resource on campus where students, staff and faculty members can go to find support after being sexually harassed. It is also the place where staff can report discrimination. HDAPP works closely with other centers on campus so that even if they are not the right resource for an individual, they can lead them to where they need to go. Beyond this, HDAPP is also available to do trainings for departments, organizations and clubs on campus on these topics.

“We always hope no one needs our services, but that they know where to come if they do,” Brodkey said.

Sexual harassment, as defined by Ivy Griffin, the Education Specialist of HDAPP, is behavior that is unwelcome and sexual in nature. It can take on verbal, physical or visual forms and negatively interferes with an individual’s work or learning environment. Griffin also explained that discrimination is an adverse action based on a protected category. Protected categories include things like medical conditions, disabilities, pregnancy, age and ethnicity.

Moira Delgado, current Outreach Coordinator for Services for International Students and Scholars and former Education Specialist for HDAPP, hopes that it is becoming a more approachable unit and students are more apt to seeking help in sexual harassment cases.

“I hope that they feel more confident recognizing it and addressing it directly instead of just letting it continue … Often students feel unsupported … but it can be very damaging emotionally and sometimes physically if you take the most extreme form,” Delgado said.

HDAPP is currently located in TB-169 near Tercero and across from Giedt Hall. It is advised that you call in advance either through their anonymous call line at (530) 752-2255 or their general call line at (530) 752-9255. You can find more information on their website at hdapp.ucdavis.edu.

Editorial: Music to our ears

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This week, the ASUCD Entertainment Council announced three upcoming shows at UC Davis: The Postal Service, Vampire Weekend and Phoenix. And they’ve promised us at least one more.

We are, in a word, excited. In lots of words, we’re really, really, really, really, really excited.

All year we’ve been waiting patiently for a big-name concert to be announced — and now we have three. For those of us who can’t make it to Coachella, Entertainment Council has brought us our very own music festival in the month of April. We have a chance to beat all those Coachella-goers and see these bands before they do.

The lisztomania, if you will, of bands that are coming are well-known, talented and unique. The Postal Service is back together after 10 years for a reunion tour, and Vampire Weekend and Phoenix are supporting new albums.

It’s unfortunate that the three concerts have all been scheduled in the same month, leaving little time for our ringing ears (and wallets) to recover. We’ll definitely be sleeping in the next day, and potentially will be missing some of those morning classes. And we wish the promoters had allowed for student tickets to be available, since we are broke.

But let’s be real, we’re not complaining.

It’s exciting that Davis is the only Northern California tour stop for the Postal Service’s 10-year reunion, and to Phoenix, bienvenue à Davis.

Vampire Weekend, we want you to know that WE give a fuck about Oxford commas. And we can’t wait to see you at Freeborn Hall.

So, next concert … Beyoncé?

The Aggie Arcade

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Game of the week

I wouldn’t call myself a fan of scary video games, but there have been releases that effectively manage to instill an overwhelming sense of fear and dread with tense atmosphere and obligatory jump scares. The first two Dead Space games are examples of this, and Dead Space 3 looks to continue the trend this week.

The third entry in the series wraps up the story of Isaac Clarke, but I’ve found the core game play mechanic of necromorph dismemberment to be far more compelling than the overall Dead Space narrative. Luckily the gory combat remains intact, but developer Visceral Games has made a few notable additions to the Dead Space formula.

One of the most notable additions is the new weapons crafting system, which replaces the upgrade bench from the first two games. Now players must seek out resources to help create useful weapons — this is especially important considering the change from four to two weapon slots. Those weapons can be put to good use in numerous side quests featured throughout the Dead Space 3 campaign.

Also new to the series is the inclusion of drop-in/drop-out cooperative play for up to two players. This change has been met with mixed feedback from critics — much of the game seems to be designed specifically with co-op play in mind, which in turn hampers the single-player experience. Personally, I can’t help but suspect that the tension established in the first two titles slowly dissipates with the help of a cooperative partner.

Even if Dead Space 3 does fall short of its predecessors — and that seems to be the consensus judging by reviews so far — I imagine fans like myself will still get some enjoyment out of title.

This week in news

After last week’s edition of the Aggie Arcade, Sony released a cryptic teaser video with practically no information and a single date: Feb. 20, 2013. Following this, numerous video game publications and websites were invited to a Sony event in New York City on the aforementioned date to “see the future.” The news is still buzzing around the video game community this week, so cue the next-generation console rumors.

Only this time, those rumors will likely turn out to be true. Sources have contacted The Wall Street Journal to confirm that Sony is in fact revealing the successor to the PlayStation 3 at the Feb. 20 event. The sources went on to claim that the new console will focus more on social and user interaction in addition to hardware features.

Video game website EDGE revealed controller details from anonymous sources following the announcement of the upcoming event. According to those sources, the controller will be similar in size to the current Dual Shock model but will feature a brand-new design. That includes a small touch pad in place of the start and select buttons and a share button that allows players to upload in-game screenshots and videos.

Obviously these are not official reports, so we won’t know the actual details until Feb. 20. But nearly all signs point to this event being the announcement of the PS3’s successor.

ANTHONY LABELLA can be reached at arts@theaggie.org.

News in Brief: Police arrest 17-year-old near Birch Lane Elementary

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On Monday at around 1:55 p.m., Davis Police responded to a call about a pepper spray assault near Birch Lane Elementary School.

The police notified the school of the assault. School officials decided to put the school on a lockdown as a precaution. The police investigated the area and walked through the school.

The 17-year-old male suspect was found away from the school. He was arrested for the illegal use of pepper spray, possession of an illegal knife and brandishing. He was booked at Yolo County Juvenile Hall.

— Claire Tan

Editorial: Topical breadth, core literacies, what?

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Beginning with the class of 2015, all students are required to take general education classes under the GE3 framework. This framework increases the units necessary to fulfill requirements while adding additional and more specific requirements than what was required under the GE2 framework.

GE3 was created to address GE2’s inability to fulfill its objective, “to create people capable of living and working in an increasingly international society,” according to the task report on GE3.

A year after its implementation, GE3 has only served to convolute the general education process. While it may serve lofty goals, GE3, in reality, has only confused and pushed students off track from graduating in a timely manner.

When tuition is already so expensive, it does not make sense to make it more difficult for students to graduate. The increased unit load pushes students closer to the unit cap, and for those of us still unsure what we want to major in — it could be the difference between graduation and a sixth year.

There is a problem when advisors are confused and have trouble implementing a general education framework. Students rely on advisors to guide them through an increasingly bureaucratic system. When students already face two-week waiting periods just to see their advisor, a general education framework that is as intuitive as multivariable calculus is ludicrous.

A feature of the GE3 framework is that double-dipping is limited between topical breadths and core literacies (confused about this? The California Aggie’s editorial board is too and would love for an adviser to explain this to us — but we’d rather not wait two weeks). This only makes it harder to graduate on time.

There is an easy solution to these problems. The fog of general education can be cleared through easier access to advisors. An annual checkup, to make sure a student is on track, should be done to prevent confusion.

Instead of laboring through countless pages to see which courses we have taken fulfill which requirements, a simple Sisweb program could be developed to tell students which requirements they have fulfilled and which requirements they must fulfill. This would allow for students to take classes efficiently and alleviate the burden on advisors. While we already have the Degree Navigator program, it is generally unclear and hard to use.

If it is too much for us to be able to see an advisor to have our questions answered, then at least a computer can do it. This is the 21st century, right?

Column: Interpret this

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Celebrities are people too. And when I say “celebrities,” I am of course referring to me, myself and I.

The above sentence is a basic statement in my glossary of famous phrases. And the statement you just read is an over-exaggeration of how much I love myself. Yes, I love myself. That, my friends, is confidence. Not narcissism.

The previous two paragraphs begin the conversation I want to have about something I call “Elizabeth Orpina humor.” Now, I thought I explained this last year (yes, I was qualified enough to be Arts Editor last year too) and at the beginning of this year. Please. Don’t ever take me seriously.

What you unfortunately chose to read just now is sadly a short reaction to the number of angry letters I received in response to last week’s column (not news article, just in case you were confused about why a newspaper would print my diary) about show etiquette. I made some harsh remarks about some students I had to sit next to, mentioning their possible major and inserting my flowing negative thoughts of the evening.

Considering the fact that I got more positive feedback than I ever have on any other humorous piece I’ve published, I was taken aback by the fact that I might have offended a number of you. Not only were these letters a reminder that I tend to say what no one else dares to say, but they proved to me that I have readers! Welcome back, all five of you.

And before I make this entire column a reply to the numerous offensive (by calling me tasteless, btw, you are being a hypocrite) comments I have sitting in my inbox, I want to thank one of you. I walked into the office and was greeted by a printed letter that not only peacefully reminded me that my dry commentary could be interpreted in a bitchy tone, but one that restored my faith in humanity.

If I offended you because you think I overgeneralized and attacked students, I want to take the time to make it clear that I was just trying to make a point. I make it a point to only comment on people I can relate to on some level (you should know how qualified I am to criticize certain groups if you take the time to read my work), and guess what? I almost minored in theater. I’ve taken the classes; I attend most shows.

But I shouldn’t have to explain or defend myself. Because this is what I should have expected, putting my opinions, humor, name and face out there in a campus publication. And this is what artists, musicians, performers and comics have to deal with all of the time.

Art should be examined, interpreted in multiple ways and be able to create conversation between the artist and the audience. In my case, my art is my writing/humor. I stand by it; my friends, coworkers and colleagues respect and relate to my opinions and can realize that in order to fully enjoy life, one must never take themselves seriously.

Perhaps art shouldn’t even be taken seriously. The show I attended wasn’t entirely serious. The dancers even admitted that they couldn’t stand the “music” they had to dance to. It’s about experiencing artistic projects in a different way each time.

Every once in a while, you’ll read a more serious Elizabeth column. But most of the time, I’ll be making snarky remarks about celebrities. Rarely will you read an opinionated rant, as I’ve learned that my rants garner more laughs when shared aloud.

What I want all five of you readers to take from this is that not everything you encounter will please you. Some things will disturb you, offend you or cause you to rethink your life. Art is embedded in everyday things. Art can take form in a person, place or thing. Art is whatever you make it out to be.

So, you walk away from this column with life advice, while I walk away considering writing inspirational self-help books or becoming a comedy writer. Either way, I’ll still be publishing art. At least my cats will think so.

Never take ELIZABETH ORPINA seriously, as she’s usually rolling around on a floor somewhere moaning and groaning about how hard life is. Email her fan mail at arts@theaggie.org.

News in Brief: UC Davis places on Business Insider’s “Best Colleges in America” list

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UC Davis was ranked No. 49 of 50 on Business Insider’s “Best Colleges in America” list.

This is the first time the university placed on the list in the four years since the start of the release of the rankings.

UC Davis also received a rating of 2.75 of 5.

According to the Business Insider website, the ratings are based on a survey that examined the degree at which a school will help students succeed after graduation.

The Massachusetts Institute of Technology in Cambridge, Mass., was ranked No. 1 for a third year, with a rating of 4.50 out of 5.

— Muna Sadek

ObamaCare loophole has bearing on UC students

ObamaCare, formally known as The Patient Protection and Affordable Care Act, will impose new legislation that mandates all citizens to have a form of health insurance and prohibits insurance companies from placing lifetime caps on insurance policies.

However, this act exempts self-funded programs, like the one at the University of California, where the system takes on the financial risk of medical expenses.

According to a report by the San Francisco Chronicle, thousands of UC students are demanding that the University lift its insurance caps through a petition drive.

Universities have always offered student health coverage to ensure students have access to health care. In the fall 2012 term, more than 138,000 people were enrolled in the UC Student Health Insurance Plan (UC SHIP).

The average premium for undergraduates is $1,275 per year and $2,172 for graduate students, according to Shelly Meron, media specialist at the UC Office of the President.

“We’re absolutely committed to providing our students with strong medical coverage and helping them ensure health care costs don’t become a financial barrier to completing their education. In order to continue providing good coverage, we have to keep UC SHIP financially viable. That means balancing the benefit levels with the cost to all the students who are enrolled,” Meron said. “Making changes to benefits very likely would mean an increase in premiums and, again, we have to make sure those premiums don’t become a financial barrier for those enrolled. We’re continually evaluating the coverage we offer and looking at how to best serve our students.”

The exact benefits and lifetime caps vary by campus. Most campuses have a lifetime benefits cap of $400,000, which includes UC Davis. The exceptions are UCLA graduate and undergraduate students, who have a $600,000 cap, and UC San Diego graduate students, who have a $750,000 cap.

“As a plan it is best for us to get to an unlimited cap because it is what’s best for the students. When you think about it, $400,000 is not enough to cover medical expenses,” said Todd Atwood, insurance services supervisor at UC Davis.

UC officials are weighing their options but are hesitant to lift the caps until they know what it would cost and how much it would raise the price of student health care.

UC switched to a self-funded system in 2011.

“UC SHIP has always had a cap on it, so there’s nothing lost or gained from the implementation of ObamaCare, but I do think that these caps should be lifted because it would offer students better coverage,” said Darnell Acquah, a fourth-year economics major.

ObamaCare will go into full effect by Jan. 1 of 2014.

NATASHA QABAZARD can be reached at campus@theaggie.org.

CD Review: Unknown Mortal Orchestra

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Artist: Unknown Mortal Orchestra
Album: II
Rating: 3

Second albums can often be a treacherous step for independent bands who’ve gained acclaim on the Net; the continual quest in the blogosphere for a new sound or the single of the day from among a multitude of interesting groups can often result in a band’s sophomore effort being dismissed as too similar (or worse: too “produced”) in comparison to the first. Luckily, Unknown Mortal Orchestra sidesteps this folly, with II providing an even-tempered expansion of the style laid out on their self-titled debut in 2011.

The sound can be described as a sun-baked ride through faded 1960s West Coast utopia; fuzzy bass interlocks with drum breaks worthy of hip-hop instrumentals, centered around distorted, classically psychedelic guitars and reverby, sibilating vocals. On some tracks, the inclusion of piano and synthesizer adds a degree of depth not heard on their even more lo-fi first album. Nevertheless, II does not immediately grab one’s attention as much as the previous album, whose abandoned, uptempo summer-of-love melodies were endlessly repeatable.

Despite these facts, II is a solid effort that may improve one’s opinion further upon more intent listening. Overall, the album is more downtempo and expressive than its predecessor, and is more than adequate for long gazes into a sunrise (or sunset).

Give These Tracks a Listen: “Swim and Sleep (Like a Shark),” “Monki”
For Fans Of: Tame Impala, The Flaming Lips, MGMT

— Andrew Russell