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Monday, December 22, 2025
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Culture Corner

The Arts Desk’s weekly picks for television, movies, novels, music

Television: Forever

This Alan Yang and Matt Hubbard creation stars the incredible Maya Rudolph and Fred Armisen and follows June and Oscar — a plain, seemingly content married couple who navigate the afterlife together. What the New Yorker calls a “big hearted satire,” this show explores thought-provoking themes of love, hope and the time old question: what’s next? The beautiful and calm cinematography pairs well with the quirky charm of the SNL alums. While the story may not always take the turn you want it to, it takes the turn it needs to. All eight episodes are available to stream on Amazon Prime Video.

Movie: Empire Records

This 1995 Allan Moyle-directed teen classic features a young Liv Tyler and Renée Zellweger. Along with their edgy, quirky coworker friends and their father figure of a store manager, the plot tackles young love, capitalism, teenage angst and pressures (as well as the result of those pressures), all with a kickin’ soundtrack. The movie serves up a healthy dose of nostalgia and will leave you wanting to head down to your local record store. “Empire Records” is worthy of a rewatch on a Sunday afternoon.

Novel: Eleanor Oliphant is Completely Fine

Gail Honeyman’s debut novel centers on the socially awkward Eleanor, a 29-year-old with a degree in Classics from Glasgow, who lives an ordered, but lonely life with only her cat and two bottles of vodka from the corner market to keep her company. This page-turner will leave you feeling both embarrassed and in awe of Eleanor as she embarks on a journey to find love. The novel explores themes of isolation, loneliness and mental health in an intriguing way and will keep you invested right up to the final page.

Album: X100PRE

Bad Bunny’s long-awaited debut album is undoubtedly one of the greatest albums of 2019, although it was released in December of last year. This genre-defying album proves Bad Bunny is a Latin music chameleon; each song is a hit in its own right, but together, the songs create a work that seamlessly blends trap, R&B, reggaetón, bachata and dembow. The album, surprisingly, doesn’t feature a posse track like the ones that helped skyrocket Bad Bunny to fame, but does feature the Dominican Republic dembow king El Alfa, Latin superstar Ricky Martin, Diplo and Drake. This album will find you itching to press replay before the last song is even over.

Written by: Liz Jacobson — arts@theaggie.com

Student survival guide: Karen Bretz

From eagerly anticipating graduation to finding pride in extended education

When most students are in the midst of their fourth year in college, it usually signifies the closing of the curtains. All the time and effort put into getting a degree will finally come to fruition, however, is not like most students. The fourth-year biomedical engineering and art history double major has come to grips with the fact that, after Spring Quarter, she will “love Davis for an extra year,” as she put it. The decision was all hers; after a minor setback early in her academic journey, she accepted the reality of having to stay an extra year to accomplish her goals. Bretz shared her story to shine light on the struggles and obstacles that have come to define her growth and ambitions toward building her future.

Bretz began her academic journey by taking independence head-on, doing anything and everything she could to find her footing in an unknown environment.

“I ran with a lot of the things I knew from high school,” Bretz said. “I was involved in leadership in high school, so I did the Tercero leadership council in the dorms area. That was really cool because I knew how to plan events and I wanted to meet people in my housing area, so I got to meet a lot of them, and I still am friends with them now.”

While maneuvering through the various organizations offered on campus, Bretz recalls feeling anxious about joining clubs and being part of something so unfamiliar, but later finding a core group that alleviated the stresses of academics.

“I heard about lots of different clubs, like the hiking club and the astronomy club,” Bretz said. “One of my friends told me about that and I said, ‘That sounds weird, I don’t wanna go to that.’ But they dragged me along and I was like, ‘Oh my gosh, this is the coolest thing ever, I need to come here all the time now!’”

Pushing out of a comfort zone may not always be at the top of the agenda, but for Bretz, this was a necessary step to becoming more independent and finding comfort within herself to embrace the changes she would eventually face. Entering her first year, initially as a biomedical engineering major only, her early course loads were dense. But the real wake-up call came when Bretz entered her sophomore year.

“That’s when all the classes started to get a little bit harder,” Bretz said. “Classes my freshman year were familiar because I had taken similar content in high school. Sophomore year was like, ‘Whoa, this stuff is all new.’ In high school, I was so used to getting good grades, but in college, you can’t always do that.”

The challenges led Bretz to question her choice of study and doubt her ability to succeed in her engineering courses in the same way she did her freshman year.

“I started contemplating about switching majors,” Bretz said. “I had taken some art history classes and I thought about minoring in it, but I also thought about majoring in that instead of biomedical engineering. It was a mind exercise for me to get over the hurdle of not necessarily being the best or comparing myself to everyone else and saying, ‘They’re getting it, why am I not getting it?’”

Bretz strongly believes that students should take pride in their own personal abilities and avoid the dangers of constantly comparing yourself to others around you that may have greater experience with material and courses. She had to realize that everyone is in different situations, so a C+ grade in one class may be different from the A+ that can be achieved in another.

“My housemate has a quote on her desk that says ‘comparison is the thief of joy,’” Bretz said. “Everyone has different experiences, but that doesn’t mean you can’t perform well. You’re always going to do the best you can no matter what. You have to be okay with those students giving a perfect answer in class. It just means they have more experience, and that’s not something you can control.”

During the spring of her sophomore year, Bretz took a course specific to biomedical engineering students which serves as a prerequisite for entry into upper-division courses. Bretz described the significance of the class, explaining that if students fail the course, they either switch to a new major or wait another year to take the course again.

“I didn’t pass the course, so that was another obstacle that made me rethink about staying in my major,” Bretz said. “I really had to analyze my whole life, in a way – I felt like I needed to figure out what I wanted to do with the rest of my life. I had to step back and accept that these things happen to everyone; we’re all going through different stresses, but I needed to figure out what’s best for me. Things got easier after that, and I was happy I had my friends and my family to support me and tell me, ‘We love you still.’”

When initially faced with the idea of taking an extra year to complete her major, Bretz had the mindset of wanting to graduate on time, so having that goal out of reach was a hard reality to accept. She soon began to find comfort knowing that the decision was best for her moving forward, despite some of the circumstances surrounding her decision.

“It’s interesting because, being a fourth-year, a lot of my friends are graduating,” Bretz said. “I feel like it’s going to be interesting trying to figure out where my new community is and who my people will be. One of my friends is also a fifth-year, so I’ve been talking to her a lot and learning how she’s been thriving.”

Bretz remains fearlessly optimistic and views her fifth year as her grand finale at a campus she thoroughly enjoys.

“It’s your victory lap, you want to make it a good thing; you don’t want to be sad about staying,” Bretz said. “I have a lot of people who I still feel comfortable with on campus, and that still makes me feel welcome and like I’m part of the community here. I’m looking forward to it, it’s definitely not something to be upset or sad about.”

Bretz has seen her fair share of setbacks, and she admits that it’s still challenging trying to figure out the best way to handle those situations. Rather than trying to limit these challenges, Bretz finds that taking on more units and having greater responsibilities actually helps her become a stronger individual and put to practice the skills she wants to attain through hard work and staying consistent.

“Freshman year, my roommate had a lot of free time and only took three classes as opposed to the four classes I was taking,” Bretz said. “She wasn’t as diligent, but sophomore year, she realized she wanted to get involved more and was worried about the possible stress, but because she had all those responsibilities, she managed her time much better. I took a page out of her book and realized that, although I have a lot more going on, I can become a lot more organized.”

The natural trade-off that emerges from taking on greater course loads is that free time becomes thinner, forcing students to rethink their priorities and make decisions that are best for their goals. Bretz acknowledged that this was something that became a staple of her journey as she progressed, but she stressed the importance of making time for those important to her and setting out to study with friends or grab food together, any activity that could lend them time to spend with each other.

As Bretz continues along her journey and prepares to take on her fifth year, she is content with the progress she has made and looks ahead to the many opportunities that await her.

“Try not to be freaked out by all the possibilities out there and all the stresses that happen from day-to-day,” Bretz said. “Surround yourself with friends who will tell you you’re awesome and great and will have dance parties with you. Everything will be okay.”

Written by: Vincent Sanchez – features@theaggie.org

Students and professor discuss ethics surrounding high-tech ethics

Computer science ethics professor, students share opinions on tech ethics

Ethics are intertwined with practically all disciplines but recently are discussed increasingly in the context of technology. Updates on the Facebook Cambridge Analytica scandal continue to be published and discussed at length, along with calls for CEO Mark Zuckerberg to step down. The HBO documentary “The Inventor: Out for Blood in Silicon Valley,” which investigates the fraud at Theranos and its CEO Elizabeth Holmes, will release on March 18. Despite controversy at other companies such as Microsoft, the epicenter of such ethical scandal seems to be Silicon Valley — a renowned hub of STEM activity. Of undergraduates at UC Davis, over 56 percent major in STEM, and students aspire to work in Silicon Valley.

“There are many companies that I and other students would consider ideal workplaces, such as Google, Apple or Amazon,” said Christopher White, a first-year computer science major, who hopes to get a software engineering job in the Bay Area after graduating. “This is mostly due to pay, benefits, public reputation of the company and the enjoyment from working at these places.”

Employees in the tech industry, according to a New York Times article that discussed Microsoft’s work with Immigration and Customs Enforcement, are increasingly mobilizing against their companies’ actions. The article also mentions the letter signed by Google employees protesting Google’s involvement with the Pentagon regarding an artificial intelligence and weaponry program.

A professor in the department of computer science, Phillip Rogaway, referenced the Google employees’ letter when discussing the role of employees in holding their companies accountable. He still believes, however, that employees need to push back against unethical situations.

“Employees in the companies […] need to push back strongly against their employers’ decisions in many instances, to become whistleblowers or to obstruct management wishes,” Rogaway said. “You’ve seen a little bit of it with Google employees pushing back against [Department of Defense] ties […] It doesn’t happen much.”

Rogaway is a professor for ECS 188: Ethics in an Age of Technology, a class that he has made an effort to change significantly since 2004. The course was initially offered as a way to “reluctantly” satisfy the Accreditation Board for Engineering and Technology (ABET) requirement of having an ethics class for the computer science and engineering (CSE) major.

“I was interested in the ethics of our outgoing computer science students and wanted to check out how we were doing with that class,” Rogaway said. “[I] was very disappointed by what a weak class it was — how narrow in focus, how unchallenging to the students and how little I imagined that it would make a difference in their behaviors.”

It appears, however, that Rogaway has been successful in his attempts to reinvent the class. Since ECS 188 is an upper division course, White hasn’t had the opportunity to take it yet, but he hopes to, in part because he has heard people talking about it being one of their favorite classes. Rogaway says that in some ways, he is “most proud” of that class.

“[ECS 188] is the one that I think really has the best chance of changing students’ trajectories and getting them to be more thoughtful in their professional and personal choices,” Rogaway said. “And it’s the class that students come up to me years later and say, ‘Your class was important to me.’ […] Would the theory of computation change their life? But the ethics class seems to do that routinely.”

Rogaway thinks users of technology should stop being mindless consumers. According to him, remedies for this include turning gadgets off and not using them, yet he acknowledges that it is easier said than done. In his ECS 188 classes, he asks students to give up their phones for a week and says that he is lucky to get a couple students in a 24-student class to turn in their phones — and usually they do so because they are able to use their emails and messaging services on their laptops.    

In addition to users, Rogaway believes that the government should hold tech companies more accountable and that it should “go in and strongly regulate” these companies. Despite increased publicity recently, he doesn’t think that corporations are really changing all that much.

“I don’t think the recent publicity has changed the nature of the beast,” Rogaway said. “We have lots of corporations that are doing their very best to enrich themselves, their shareholders [and] their top management, and they create a kind of ludicrous fiction that they’re doing it all in the public interest. And there’s this myth that Silicon Valley is out there to create a new and wonderful world for us all, when of course, they’re primarily about making money.”

Alyssa Buchthal, a third-year computer science and communication double major, plans to do some “soul searching” and then find a job as a software engineer or project manager or do government work within the tech realm. She said that the job-searching process isn’t really affected by scandals that are seen in the news and that young techies consider “ideal” workplaces to be big name companies regardless — particularly because those workplaces generally offer well-paying jobs, are flexible and have additional “little things,” such as free food and drinks in the office.

“The difference in levels between Mark Zuckerberg and a recent Facebook hire is equivalent to people trying to make eye contact across an ocean,” Buchthal said. “When someone tells you they work at Facebook, you don’t automatically equate them with the FBI guy in your computer watching you all the time, or someone tracking your data and using it for illicit means. […] People in tech have a moral compass, but they also have a drive to feed themselves and have job security, and that is more likely to be found at bigger name tech firms than smaller start-ups or ailing companies.”

Rogaway has a different opinion, though. In past years, he was disappointed when he asked his students about their employment goals and would hear exclusively about their self-interests. Rogaway says it is “absurd” to discard one’s own interest, but it is at least as absurd to discard the social value of the work one is doing. He says that it is “a sad view of the human condition.”

“Social science research says that one of the best predictors of how happy an individual is is how much they feel they’re contributing socially,” Rogaway said. “I think if students internalized that that’s what matters — feeling good about your work and doing something positive and not maximizing your paycheck and benefits — then we’d have a lot more [of them] steering themselves in good directions. So tell them not to be so fearful, they’ll get a job.”

Fear is something Rogaway sees in his students a lot. According to Rogaway, for the most part, most of these students grew up in a time of domestic peace, historically low crime and high employment, so he finds it strange to see this fear. He is unsure what the cause is, but thinks that it could be attributed to the economic downturn that many students witnessed as children or even a broader cultural trend. In his opinion, fear is what causes “amoral, unquestioning behavior.” He says that if someone believes saying no to an interview at a particular company will leave them “destitute on the streets,” then that is definitely a hard “no” to utter. However, not taking that interview does not mean that the person won’t find another job.

Buchthal recognizes that the ethical problems are of high importance but thinks that at the employment level, a lot of people are focused on paying the bills and keeping their jobs.

“As someone who isn’t in the workforce, I’m also not imminently qualified to answer a lot of these questions for those people,” Buchthal said. “But I can speculate on the paths I’ve seen recent graduates take and how I know most people consider their future.”

Buchthal thinks that despite companies being in hot water, there seems to be a low chance of such companies actually closing, and students seem to keep this in mind when looking for jobs after graduation.

“The biggest thing[s] students need to consider when entering jobs like these is their personal moral compass and job security,” Buchthal said. “Most students won’t completely boycott a company like Facebook or Peoplesoft because of the scandals they’re facing in the media, but if you choose to do so, you can apply elsewhere and exclude those places from your job search. They won’t miss you. Otherwise, ensuring that you’ll have a job a few years down the line is equally important.”

Despite what Rogaway says about students being too fearful, to some extent, he does think that it makes sense, particularly with regards to employees who don’t want to speak against their company.

“Most employees are fearful that if they become vocal within their company, they’re likely to get fired or marginalized,” Rogaway said. “And I think that fear is valid. That’s probably exactly what happens to people who speak up. But that doesn’t mean they’re not supposed to do it. We need to encourage a more assertive and questioning and oppositional sentiment in our technical workforce.”

Written by: Anjini Venugopal — features@theaggie.org

Revisiting Books from our Youth

Books of the past compared to college reading

Looking back at books from our past, the novels that stand out are ones that were taught in high school classrooms, were trending with our peers, or were part of a larger phenomenon. College opens up a world of knowledge and education for many to explore their own literary preferences. This list serves as a short revisitation to books of the past in comparison with potential books that many have read in college.

Freshman Year

While many have strong opinions about the “Twilight” series, it was nevertheless a large part of everyone’s adolescence. Stephanie Meyer’s novels provided a fantasy world where love existed in the form of a sensitive vampire and a rugged werewolf. Memes aside, this series played a pivotal role in conversation and daily life for a freshman in high school trying to find love with the sparkling boy in their chemistry class. Sharing the theme of “light,” Virginia Woolf’s “To the Lighthouse” is a novel comparable to “Twilight” in the sense that they have nothing in common. The same way that freshman year of college was extremely transformative, the philosophical exploration of reality, work, intellect, and the passing of time in “To the Lighthouse” seemed to perfectly relate to themes present in freshman year of college.

Sophomore Year

During sophomore year of high school many students read J.D. Salinger’s “Catcher In the Rye” and remember a red hat and that everyone’s a “phony.”  This book polarized many people because they themselves were attempting to learn who they were and how they interacted with those around them. It put words to feelings they didn’t know how to express yet. For those who viewed life a little more optimistically, Holden’s disconnect from reality was sad and frustrating to read. This book will forever remain a staple in American literature. Joseph Heller’s “Catch-22” is another book with a cult following that might have been read around the same time, but seems to be more applicable to the college sophomore year experience. This book is longer and heavier than “Catcher in the Rye,” but where “Catcher in the Rye” left people saying everyone’s a “phony,” “Catch-22” left people saying “you’ve got flies in your eyes”. This post-World War II satire functions as a comical look into the absurdity of war, bureaucracy and American life. And for many, sophomore year of college is a time where they begin to question their major, the bureaucracy of the UC system and the American college experience. These books are completely different, but in considering their long lasting impacts and ability to appeal to a group of people who feel disheartened or lost, they both function similarly.

Junior Year

The junior year of high school curriculum seemed to differ depending on the English class, but “One Flew Over the Cuckoo’s Nest” by Ken Kesey, a popular choice, features the changing approaches to psychology and psychiatric institutions in the late 1950s. This novel is filled with allegory, symbolism and mature content that most students enjoyed because it was different from anything they had read before. This book felt like one of the first times in high school when students were trusted with heavier content, and with the context of further education, it serves as a great reread. Choosing a book that rhymes with “One Flew Over the Cuckoo’s Nest,” it seems that “Infinite Jest” would be fitting for junior year of college. David Foster Wallace’s famous 1,079 page novel is a complicated work that many have attempted to read and understand, and many have achieved. Or so it seems at least. It’s a novel that seems to fit the rigor and challenge of junior year of college. As a “postmodern encyclopedic novel,” this categorization seems to describe the academic rigor of junior year in which there probably was not enough time to fully commit to understanding the book, but at the very least, students felt accomplished knowing they finished it. If this seems daunting, I would recommend rereading “One Flew over the Cuckoo’s Nest” instead.

Senior Year

Senior year of high school was an introduction to existentialism and the theatre of the absurd, which has not so ironically seemed to remain a theme throughout college, especially senior year as many are faced with things that won’t be listed here as not to trigger any further existential crises. Samuel Beckett’s “Waiting For Godot” is a play that many read and enjoyed their senior year of high school. As two characters wait for Godot to arrive, they contemplate death, God and their life. The absurdity of this play seemed to excite everyone who read it, and those that didn’t enjoy it at least got a kick of their teacher asking people to read scenes. A novel with similar themes of existential dread, which has probably not been revisited by many since their parents gave it to them in middle school, is Judy Bloom’s “Are You There God? It’s Me, Margaret.” While this book mostly deals with a sixth-grader coming to understand herself and the world around her, there is no time like the imminent dread of entering the real world to reconnect with simpler times while reminding yourself that even at a young age, you still had to deal with life’s looming questions.

Written By: Rosie Schwarz — arts@theaggie.org

The Life of Pie: Improv comedy club Cherry Pie’s journey

The brief history of how the newest improv group on campus came to be

Centered around the theme of Valentine’s Day, Cherry Pie, UC Davis’ self-described newest and sexiest improv team, put on a show on Feb. 15 that completely filled Young Hall’s room 194. The setlist included many performance pieces that can also be found at their practices and Improv Jams. They played games such as “World’s Worst,” where actors act out or say slogans that embody the worst versions of an occupation or company. The group also played a game called “Apartments,” a format that begins as three sets of two actors performing different scenes in adjoining “apartments” that then join together and intertwine each story.

The group’s Facebook page, which lists all of their upcoming shows, “jams” and improv opportunities, is quirky, fun and inviting – just like the group itself.

Third-year genetics and genomics major Hannah Haensel is a member of the club and attests to the familial nature of the group.

“Everyone on the team is so supportive when you try something new, and doing improv has really helped me be more confident in my daily life,” Haensel said.

The 12-member group takes their craft very seriously and dedicates two days a week for practices. On weeks with shows, they’ll often allocate even more time.

Even though this seems like a lot of time and effort to spend on anything, third-year computer science and technology management major Abhay Sawhney finds it all to be worth it.

“There’s literally no downside, practices are fun, I love performing and I love the people that are on the team, so what’s not to love?” Sawhney said.

Besides being just a friendly group of people, Cherry Pie works to make sure that improv is something to be enjoyed by all.

Many of the group’s members have only been doing improv since joining the team. Like Haensel and Sawhney, fourth-year biological science major Sarah Karels started improv for the first time when she joined Cherry Pie.  

Sawhney also credited the supportive and caring nature of the group.  

“It is fairly easy for anyone to show up and just do their best,” Sawhney said.

Haensel said that there “is absolutely no judgement and you can just be weird,” providing this as her reason for enjoying improv.

Whether in the audience or up with the Cherries performing, Karels said that “improv is fun whether you are doing it or watching it.”

Updates on Cherry Pie are available on its Facebook page. Make sure to check out a show or attend one of their impromptu improv jams for an easygoing and comedic experience that is sure to get introduce a group of people who are as sweet as pie.

Written by: Isabella Beristain— features@theaggie.org

Why “Black Panther” didn’t win Best Picture

And why it didn’t deserve to (not that “Green Book” did)

When I walked into the theater to see “Black Panther” a year ago, I feared that I was about to watch a movie that had been grossly overhyped. By the time the end credits rolled around, I was glad to realize that my fears were unfounded. Despite thoroughly enjoying the movie and appreciating what an accomplishment it is for both diversity and for expanding the possibilities of the superhero genre, I must say I was relieved that “Black Panther” didn’t win Best Picture at this year’s Academy Awards ceremony.

While avid fans of “Black Panther” may disagree with this sentiment, especially given the movie that did win, I hope that they would listen to my reasoning before concluding that I’m racist, or worse, hating on superhero movies. On second thought, there may actually be a bit of the latter, but I can assure you, it’s justified.

Again, it isn’t possible to overstate the importance of “Black Panther” as a cultural milestone — it’s full of progressive promise for the industry and that, along with its diversity and inclusion, should be celebrated. The movie embraces blackness and pan-Africanness in ways that are seen nowhere near enough on both the big and small screens. This can be seen in the movie’s exquisite level of detail, such as its costumes, weapons, interiors, colorschemes, landscapes and futuristic cityscapes of Africa.

Additionally, it’s hugely significant for people of color to see themselves occupying the starring roles and the director’s chair in a genre and industry that has marginalized them through stereotypes and underrepresentation. Because of this underrepresentation, having prominent and powerful black characters, and of course a well-rounded cast of black actors playing them, serves as an important source of empowerment and inspiration.

It’s also worth mentioning the movie’s title, the significance of which may be so obvious that it goes unnoticed. Given the historical connotations of the Black Panther Party, I guarantee that many of the most unprogressive, unlettered, uncultured and unpigmented Americans probably immediately condemned the movie, thinking that anything called “Black Panther” was simply too radical. This helps make the movie subversive in a good way.

While these elements may be touted as reasons for why “Black Panther” should win Best Picture, they actually don’t relate to the quality of the movie as a work of unique visual storytelling. For the most part, this movie is much closer to average than exceptional. While the movie does distinguish itself visually from other superhero movies through the costume and design aspects, most of this novelty is not a result of unique filming techniques being used in unique ways to say something unique.

While “Black Panther” goes further than previous superhero movies to address racial themes, it is inherently held back from being more poignant and profound due to the nature of the genre. Additionally, the movie’s narrative arc is pretty similar to most other superhero movies. It misses a glorious chance to do something truly revolutionary for the genre by not actually killing off the main character when it seemed certain he had been killed. Instead, he survived in a miraculous way, which felt cheap. There are many over-the-top, on-the-edge-of-your-seat action sequences that also feel cheap. And while the villain is compelling and complex, this is not novel, not even for a superhero movie (see “The Dark Knight”).

We must remember that this is the Best Picture category, so shouldn’t we reward the film that actually is the year’s best example of filmmaking (*cough* “Roma”)? Rewarding “Black Panther” simply for breaking racial barriers may seem like a morally good, progressive and politically correct thing to do, but this wouldn’t be based on merit — it would be tokenism. Effectively incorporating these progressive aspects does not necessarily mean that this is an example of the highest-quality filmmaking. The fact that we have collectively given much less attention to recent films far superior to “Black Panther” (and especially to “Green Book”) that deal with racial issues in much more artistic and cinematic ways demonstrates that we really don’t care about embracing diversity as much as we do about revelling in the escapism that is the intended feature of the superhero genre.

Two years ago, “Moonlight” won Best Picture. In “Moonlight,” writer/director Barry Jenkins deals with how drugs, the absence of a father, repressed homsexuality and extreme poverty impact a young black man in Miami. And it does this with a gorgeous color palette, sweeping cinematography, immersive music and poetic nuance, finely tuning every cinematic technique to perfectly complement the story. I was overjoyed that this film won the award because it is one of the most worthy winners, both for its quality and its radicalism.

This year, Jenkin’s new film, “If Beale Street Could Talk,” wasn’t even nominated for Best Picture even though it oozes with the same level of filmmaking swagger as “Moonlight.” The film still takes on its own entirely distinct aesthetic, this time perfectly tempered for tackling how the criminal justice system and flawed policing tactics fail African Americans. Luckily, Spike Lee’s new film “BlacKkKlansman” was nominated this year for deftly bringing both seriousness and absurd humor to a rough adaptation of a true story of white supremacy and Nazism in 1970s Colorado, while drawing frightening parallels to modern-day trends in Trump’s America.

When trying to objectively evaluate these films based on how the cinematic techniques enhance the stories and make larger points about problems in society, it’s difficult to say that “Black Panther” is superior to any of these three films. All three viscerally force viewers, sometimes uncomfortably, to confront and contemplate serious societal problems, giving viewers an experience that changes them for the better. These are the signs of high quality films.

“Black Panther” only does a little bit of this, and doing so is not the intended function of the movie. It is escapism, just like every other superhero movie. After Stan Lee died last fall, Bill Maher got in trouble with Marvel fans for criticizing superhero movies and comic books, saying that it’s dangerous, stupid and, above all, childish to think that comic books are profound literature, adding, “Donald Trump could only get elected in a country that thinks comic books are important.”

Based on how obsession over a superhero movie like “Black Panther” promotes escapism and detracts from the more sophisticated films that have deeper things to say about those problems, it’s hard to disagree with Maher.

Written by: Benjamin Porter — bbporter@ucdavis.edu

Disclaimer: The views and opinions expressed by individual columnists belong to the columnists alone and do not necessarily indicate the views and opinions held by The California Aggie.

UC Davis is not just a STEM school

Arts and humanities deserve more support, recognition for academic, extracurricular endeavors

Yesterday, the UC Davis Department of Theatre and Dance kicked off its run of the musical “Flora the Red Menace.” This joint undergraduate and master of fine arts performance is sure to be another great production that reflects the high quality of arts and humanities programs UC Davis is to home to. Unfortunately, this production, like all of the performing arts at UC Davis, isn’t getting the recognition and publicity it deserves.

UC Davis, which heavily promotes its science, technology, engineering and mathematics programs, has a history of ignoring its humanities fields. When Gary May took on the position of chancellor, he debuted the “To Boldly Go” strategic plan, which outlines the university’s aspirations for the next 10 years. In the plan, “arts and humanities” is only mentioned once. “Science” is mentioned 23 times.

This utter lack of recognition is disappointing and surprising since UC Davis is, in many ways, a leader in the arts and humanities. While UC Davis does have top-tier STEM programs, it is not solely a STEM school. The university boasts a top ranked English Literature Ph.D. program, a new Masters in Creative Writing program and offers a diverse range of artistic majors. The UC Davis campus is also home to state-ranked A capella groups like the Lounge Lizards and the Spokes, improv comedy troupes like Birdstrike and Cherry Pie, student-run theatre organizations like Studio 301, dance troupes, musical ensembles, fashion designers and textile artists, poetry readings, open mics and artists including painters, sculptors, media and installation artists.

Recently, the Department of Theatre and Dance’s production of “The Bluest Eye,” which uses puppetry, was performed at the Kennedy Center American College Theater Festival Region 7 Finals. The cast is hoping to advance in the competition for the opportunity to perform at the Kennedy Center. This amazing accomplishment was only featured on arts department outlets.

Because of this intense focus on STEM, arts and humanities students, as well those involved in the arts, are forced to promote their events and programs for themselves. The arts on campus are seen only because of the work students put into advertising and promotion. Many students involved in the arts feel like the university trivializes both their academic pursuits in the arts and humanities and their creative extracurriculars.

In addition to making advertising a responsibility for performing students, UC Davis seems to ignore the arts and humanities in its marketing, including campus tours presentations that only feature STEM statistics and posters lining Unitrans busses that make arts and humanities majors appear to be accessories tied to more valuable STEM majors. This double major advertisement campaign suggests that arts and humanities majors should only be pursued when paired with a more “useful” STEM degree.  

Tickets for most performances don’t cost more than $20 and many are free, so take some time out of your evening to take in high caliber art, whether that’s “Flora the Red Menace” at the Wyatt Pavilion or the ever-changing student museum that comprises the first floor of the Art Building. The arts deserve more recognition on campus. The Editorial Board encourages students to take the time and effort to indulge in what our campus presents.

Written by: The Editorial Board

Humor: Blackface Chronicles: From Sambo house slippers to tar baby Democrats

BLACKFACE IS NOT OKAY!! Unless you’re willing to pay 😉

Gucci, Katy Perry and Ralph Northam are the latest idiots who have decided to participate in the blackface buffoonery chronicles. Of course, they were mercilessly exposed by Black Twitter during Black History Month for pandering to the Black community all while using some form of blackface.

Let’s start off with the lovely Virginian Democrat Ralph Northam, who was exposed for wearing blackface like an eminent badge of honor back in the “it’s okay to be kinda racist” days. Northam claims he was Michael Jackson for a dance contest and wore “a little bit” of shoe polish, as if Michael Jackson carried much melanin in the 80s. All that statement tells me is that Northam believed he needed to evoke the spirits of his racist ancestors who participated in blackface minstrelsy in order to make his costume authentic. Gotta throw the whole state away at this point.

The famous pop singer Katy Perry, who’s known for her popular song, “I Tried Blackface, and I Liked It,” was also exposed for her plain yet confusing blackface footwear. Katy “the queen of cultural appropriation” Perry claimed that the house slippers were “envisioned as a nod to modern art and surrealism,” just like blackface was in the 30s. Since the unattractive blackface house slippers have been criticized, Perry has “immediately removed” them from her highly questionable fashion line. Hopefully in the future she will immediately remove all thoughts and ideas of blackface from her creative team.

On the other hand, Gucci thought its buyers would love a more elegant, high-end take on blackface. A few months back, Gucci put out a $890 black knit turtleneck sweater that partially covered the mouth of a white model with a red-lipped Sambo caricature. During Blackface History Month, Black Twitter saw the perfect opportunity to drag Gucci by their overpriced heels and bring together the one percent of the one percent — black rappers.

By changing skin tones at the same rate that Jeff Bezos changes mistresses, white people should be paying reparations to black people — and everyone who’s had to write articles about blackface — at this point.

Written by: Hilary Ojinnaka — hiojinnaka@ucdavis.edu

(This article is humor and/or satire, and its content is purely fictional. The story and the names of “sources” are fictionalized.)

Guest: Blue Lives Matter is unacceptable, even after tragedy

Mourn Officer Corona — but don’t support Blue Lives Matter and the Thin Blue Line

49. That’s the number of unarmed black Americans who were killed by police in 2017. It’s a number that has hung at the back of many minds since police officer Natalie Corona was killed. Since her murder, the “Thin Blue Line” flag has adorned much of Downtown Davis, hanging in such regularly-visited places as the Chamber of Commerce and the University of Beer.

When a student group raised a minor objection to the memorial image, which displayed the slain officer waving the flag, citing its potential to hurt students of color, there was fierce backlash against their grievance. Many who disagreed claimed that the objection was insensitive, that there were no racial undertones to the flag or the “Blue Lives Matter” movement and that even raising this complaint was an insult to her sacrifice.

I want to be clear: Officer Corona did not deserve to die, and mourning her is absolutely not a racist act. Whatever structural problems there may be with the police, we should strive for a world where as few people as possible die. But working toward that better future runs contrary to flying the flag of “Blue Lives Matter.” While the phrase “thin blue line” is not a new one, it has been reinvigorated in response to the Black Lives Matter movement, which police violence apologists see as part of an increasing threat to law enforcement.

44. That’s the number of on-duty police officers who were shot and killed in 2017. Despite the police narrative of a “war on cops,” less of them are shot to death in one year than unarmed black Americans, a group which, unlike police, do not sign up for a job where death is a clear possibility. “Blue Lives Matter” is a parody of “Black Lives Matter,” a movement designed to continue the fight against American structural racism, of which police violence is a part. It’s a slogan whose message is akin to “I can breathe,” a phrase that appeared on the shirts of police supporters after the murder of Eric Garner, where the man was choked to death. The Thin Blue Line flag has come to symbolize the contemporary pro-police movement — and that movement is unquestionably racist. It’s not a coincidence that alt-right marchers waved the flag as they attended their infamous, murderous Charlottesville rally. Even if this flag began with good intentions, it has become a racist and anti-accountability symbol. How can you blame students for being afraid of police and their symbols given that history?

Officer Corona died as a police officer, and it’s only natural that memorials for her would acknowledge that fact. But to call any criticism of the appearance of those memorials “insensitive” is remarkably hypocritical. It’s insensitive to wave a flag that signifies the renewed fight against holding police accountable. It’s insensitive to mentally ill and queer students, who worry that they could end up like Scout Schultz, a nonbinary student at Georgia Tech who was shot dead while armed only with a multitool, desperately asking to be killed when what they needed was help. It’s insensitive to anyone who’s worried about ending up like Daniel Shaver, who was issued contradictory orders and killed when unable to comply. And it’s insensitive to black students who fear that this year, they could be one of those 49 — another black body dead on the street because of a bit of bad luck.

Mourn Officer Corona. But don’t support Blue Lives Matter and the Thin Blue Line if you truly believe in the importance of all lives, or you’ll erase many students’ very reasonable fears.

Written by: Tynan Brooks

The writer is a black first-year English major and a member of the Young Democratic Socialists of America at UC Davis.

University fails to proactively address dangerous man in Art Building

Students should be made aware of threats to their safety

A transient individual by the name of Nicholas Chavez had been living in the Art Building on campus for several weeks up until his arrest last Thursday. During this time, he reportedly sexually assaulted a student in the building last quarter, damaged university property, and allegedly also vandalized, stole property and sexually harassed a second student. While this was occurring, students — especially those who frequent the Art Building, sometimes staying until 4 a.m. or later to finish projects — expressed reasonable concerns for their safety and well-being.

Chavez, who had been arrested and later released last quarter after sexually assaulting a student, was obviously a dangerous presence on campus and was a threat to student safety. Students in the Art Department, those placed most directly in harm’s way, did receive more than one email about an unwarranted individual present in the building. But none of these emails contained any mention of Chavez having allegedly sexually assaulted and harassed two students, which is an inexcusable oversight.

Yet it’s not just students in the Art Department who frequent the Art Building –– classes that fall under a variety of departments are taught there. Chavez was also reportedly loitering in nearby arts and humanities buildings, which are close to a busy Unitrans stop. Given the multitude of students who spend time in this area, it’s unreasonable that no campus-wide email was sent out to inform students of the situation while police attempted to gain a warrant for Chavez’s arrest and Chavez remained on campus.

Though Chavez’s actions were a cause of concern, the university’s failure to act in a decisive and meaningful way kept students in the dark and made the situation that much worse.

After anti-Semitic fliers were posted on campus last October, the Editorial Board criticized administrators for their refusal to send out a campus-wide email informing students of this targeted attack. Chancellor Gary May later made his position on campus-wide emails clear, telling The California Aggie that a campus-wide email is only warranted if there’s an emergency or an immediate threat.

Apparently, according to this administration, hate crimes committed by neo-Nazi groups do not count as immediate threat to student safety, nor does an individual who has reportedly assaulted and harassed at least two students and who allegedly committed a string of other crimes.

Instead of an email sent by university officials, vague signs were posted in the Art Building telling students to report suspicious behavior and “study with a buddy” after hours. Although the Art Department held a town hall for the primary purpose of addressing the concerns of students, it wasn’t conducted until a week before Chavez was arrested.

Much of the student body had remained unaware of the situation. The university’s first public mention of Chavez’s presence was a news report about his arrest last week that came without any relevant background or context.

Students should not have to advocate for their own safety. The university must be proactive in addressing any threats to student safety as soon as these threats become apparent, even at the expense of becoming monotonous. Whatever happened to the old adage “better safe than sorry”?

Written by: The Editorial Board

UC Davis students author letter opposing proposed Title IX changes

Nearly 100,000 comments submitted across the nation during public comment period

Nearly 100,000 comments were submitted during the 60-day window allowing the public to submit feedback on the Department of Education’s proposed changes to campus sexual assault policies and guidelines. At least a portion of those comments came from UC Davis students.

Students, including those from the UC Title IX Student Advisory Board (UC TIXSAB), the ASUCD Sexual Assault Awareness Advocacy Committee (SAAAC), Senate and graduate students from Native American Studies, sent a letter to Brittany Bull of the U.S. Department of Education in late January regarding the department’s proposed changes to federal Title IX policy.

The letter sent to the department specifically addressed changes in policy which would create greater barriers for survivors seeking justice.

It also made note of explicit sections of the proposed changes that were of concern, including the definition of sexual harassment, “allowing universities to choose the standard of evidence,” the requirement that universities “use live hearings and cross-examinations to investigate a formal complaint” and narrowing the scope of what universities are held accountable.

“We believe the proposed regulations are fundamentally contrary to Title IX’s mission of protecting students from sexual harassment and gender-based discrimination,” the letter stated.

Claire Chevallier, a fourth-year psychology major, an undergraduate representative for UC TIXSAB and a committee member for ASUCD SAAAC, had previously voiced her concerns on the changes last December after lobbying at Capitol Hill.

Chevallier discussed the contents of the letter sent to the U.S. Department of Education this past January.

“The comment […] delineated our opposition to several of the proposed rule changes and explained how they would negatively impact our community,” Chevallier said. “The proposed guidance would further reduce the rate of sexual misconduct reports and thus make it more difficult for victims of sexual misconduct to seek justice. Current Title IX policies already take multiple measures to ensure a fair trial and, conversely, the new rule would cause an issue of due process.”

In the letter to the department, UC Davis students first addressed proposed limitations set on a university’s jurisdiction to on-campus incidents or incidents occurring “within a university program or activity.”

“Regardless of an event’s affiliation with the university, sexual violence and sexual harassment may significantly impact the education of the students involved,” the letter stated. “Therefore, if an institution does not consider non-university affiliated cases of sexual violence, it would fail to account for a significant quantity of cases. Consequently, the path to justice for many students would be severely narrowed, and students’ rights to a discrimination free educational environment would be threatened.”

By restricting the scope of complaints that fall under “sexual harassment,” the letter continued, universities would be “ill-equipped to address the broad array of cases which may not meet this strict definition but nonetheless hinder and harm student participation and performance in the academic environment.”

In their reference to the proposed allowance of universities to choose their own evidentiary standards and the proposed live cross-examinations, UC Davis students argued that proposed policy changes would not only heighten the pain and pressure experienced by survivors, but “elicit a culture of disbelief” surrounding the cases that are reported.

Chevallier said she and the other students who authored the letter hope Education Secretary Betsy DeVos takes the “thousands of concerns” submitted during the public comment period to heart.

“We have expressed in our comment we would like to see the DoE adopt legislation in line with the 2011 Dear Colleague letter, which proposed policies that highlighted equity and due process without creating an unlevel playing field for the accuser,” Chevallier said.

Students can remain updated about the latest news concerning Title IX policy and UC Sexual Violence and Sexual Harassment policy and procedures via the UC TIXSAB Facebook page.

Written by: Priyanka Shreedar— campus@theaggie.org

Campus news reporter Rebecca Bihn-Wallace also contributed to this report.

Makeup as an art form

Are eyeshadow palettes equal to paint palettes?

With the growing popularity of Instagram and YouTube, people have found new ways to showcase their art. Art on social media, however, isn’t limited to drawings or paintings. People are posting their makeup routines online, and these accounts have grown to be considered a real business. So that leaves people wondering: should makeup be considered an art?

“[Art] is like a gray area, it’s not something clear cut,” said Cassaundra Sanchez Crisologo, a fourth-year psychology major. “I can’t give [art] one straight, short definitive definition, but it has to be something visual, and it sparks interest or it sparks a discussion.”

The appeal of doing makeup or watching videos of makeup gurus stems from a similar personal expression that can be found in the act of painting a portrait or sketching a drawing.

“I like doing it because it makes me feel more confident,” said Lindsey Rose Cochran, a second-year history major. “Like, I had a midterm today so I dressed up, and also it’s just fun. Sometimes I do it to de-stress. I paint and draw for the same reason.”

The artistic aspect of makeup can be noticed in both the way that makeup fosters personal expression as well as the time and effort makeup users put into creating their looks. From sitting in front of the mirror to watching online makeup routines featuring different palettes and brands, each scenario holds an element of artistry.

“My sister is a makeup artist and seeing her do her looks, it takes her like a minimum of two hours to complete,” said Naveena Ujagar, a third-year biomedical engineering major. “So I think putting that much time and effort and having it sometimes play a story with your own face or communicate some type of emotion or experience. Like sometimes people physically draw pictures on their face. That would still be considered makeup. Or drag makeup, I feel like it’s expressive. I would consider that art.”

While classes take up a lot of time, there are still some students that make sure their daily routine includes putting on makeup to face the day.

“People are always like, ‘You take so long with your makeup, you must wake up like an hour before,’” said Sonia Alejandra Zuniga, a third-year sociology and philosophy double major. “I think in some aspects if you’re trying something new it does. But if you’re not, it’s kind of just a way of treating yourself, and in those 15 minutes that I get up in the morning earlier than everybody else, it’s a way of doing something for myself that I enjoy. For some people, it’s like meditation for 15 minutes in the morning. I’m not good at that, so for me it’s just self care. It’s just looking good and doing my makeup for myself.”

Many makeup enthusiasts find themselves defending their definition of art.

“If we’re going to keep art as a canvas and paints it really limits our creativity and other aspects,” Zuniga said. “You can’t just say ‘oh, that’s not art’ simply because it’s different from what it’s been known to be like. So you have to think outside the box. You can’t say that’s not art without actually analyzing it, or having a say in it or actually trying it out.”

The definition of art is an ongoing debate because the subject itself is broad. There isn’t just one way of expressing art.

“Some people only consider art [as] whatever is in a museum, which isn’t necessarily true,” Cochran said. “I mean, definitions are subjective anyway, but I think art takes on multiple forms. I think people just need to broaden their horizons.”

Although the process of learning how to put on makeup and finding the right shade might be scary, the key to getting the perfect look is simply practice. To Crisologo, the worries of messing up or using the wrong color for eyeshadow isn’t something to shy away from.

“There is a lot of skill that even comes to just doing a daily routine. It’s not an easy thing to do,” Crisologo said. “But I’d say just try it. And even if you’re not going anywhere, just practice. Even though it may feel like you’re wasting your product, that’s the only way to get good at it. I know now I feel pretty confident in how I do my makeup, but that’s because it took years of practice. When I started putting on makeup, it did not look pretty, but you just have to keep practicing and then see what works well.”

Makeup is a form of art that can be tailored to the individual.

“I do definitely think that’s one artistic part of me that a lot of people always are going, ‘Oh, your makeup is really good, it’s really well blended and this and that,’” Zuniga said. “It makes me feel good when I get those compliments, but at the same time it’s also like, ‘Oh, look it’s a little bit of the artsy form of me.’ I have done other arts before, but none of them have really stuck. So I think this one is definitely one of the ones that I will continue to [pursue].”

Written By: Itzelth Gamboa — arts@theaggie.org

McColloch leads new era of beach volleyball

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UC Davis’ newest sport prepares to debut in early March

After 10 long months, the wait for UC Davis to introduce its newest sport on campus is almost over.

Last April, the Director of Athletics Kevin Blue and the UC Davis Athletics department announced that the school added two new women’s sports programs, equestrian and beach volleyball, to the school’s lineup of 25 Division I teams. Equestrian is already off to a flying start, but now the time is near for another debut and the unveiling of a brand-new facility: the four beach volleyball courts on the south edge of Howard Field, next to Toomey Field.

In early July, Ali McColloch, a former professional volleyball player who has competed around the globe, was hired to be the inaugural beach volleyball Head Coach and build the program from the ground up.

Since she arrived, there has been a race against time to get every aspect of the program in order in preparation for the season opener against Sacramento State on March 2.

Given time constraints and numerous challenges associated with starting a program from scratch, the last eight months have been an absolute whirlwind for McColloch.

She has been tasked with putting together a makeshift roster for the team’s first season, without the luxury of an incoming recruited class. As a result, this year’s 18-person roster is comprised of 14 players from the women’s indoor volleyball team and another four that made the cut during tryout sessions in late December.

“The indoor athletes are extremely athletic and that is very appealing to me,” McColloch said. “They can jump very well, move fast and are prime athletes.”

McColloch isn’t too concerned about the contrasts in playing style between the two sports but more wary of the toll that playing a pair of intense, back-to-back seasons can have on a player’s body.

“The transition is a little hard but not that bad,” McColloch said. “My concern is transitioning back and forth between the two, and how little time I get with them. We only have about three months with them. Once they’re done with our season, they go straight into spring training for indoor. They don’t get much of a break which is tough.”

This inaugural season will serve as a trial period for many of the indoor players and help determine how the program’s roster will be constructed in future years.

“It’s a very unique situation,” McColloch said. “It was optional for them to be fully practicing, travel and play with us, or some girls could just use it as training for indoor. This is basically a year-long tryout for all the girls. Next year, if there are players that we think can help the program, we’ll keep them.”

Starting this winter, McColloch had a chance to start recruiting at the high school level for the first time and revealed her ultimate goals for the long-term structure of the roster.

“In the long run, I think it’ll be 90 percent beach-only players,” McColloch stated. “We’ve had a lot of interest from beach-only players wanting to come here. That was something I wasn’t expecting because most of them are walk-on’s, and there’s not a lot of scholarship money right now. By the end of next year, we should have a full 10-12 person roster [that] is what I’m hoping for, assuming they fit our culture.”

Nonetheless, indoor Head Coach Dan Conners will oversee both programs and continue to work with McColloch to implement a strategy that benefits the long-term prosperity of each team.

“We’ll always leave the option for indoor players to play and I don’t ever want to close that off,” McColloch said. “[Conners] and I work really well together on that.”

In addition to player development, McColloch was also faced with the challenge of compiling a schedule of opponents for the season, which is extremely difficult to accomplish in such a late stage of the offseason. As a general rule, teams typically set their schedules well in advance, and McColloch is already putting together dates for the 2020 season.

“It was hard for me because everyone already had their schedule pretty locked in when I got here,” McColloch said. “Our schedule has Stanford, Cal, Boise State and the Big West Challenge. Our conference, specifically, is really tough and Cal Poly, Hawaii and Long Beach are three of the top teams in the NCAA.”

Given the unusual circumstances facing the program, McColloch admitted that her team will face difficult challenges once they step onto the court in March. That doesn’t change her long-standing goals and what she hopes to see the players achieve.

“It’s going to be tough,” McColloch said. “I don’t have expectations for the girls and never have expectations for winning. Our success is not about winning and losing, it’s about the effort you put in every time you play and doing the best you can possibly do every day.”

McColloch was originally drawn to the coaching job due to her positive impressions of UC Davis Athletics as a whole and the department’s recent progress under Blue.

“When I came on my interview, I was really impressed with the way that Davis looks at their student-athletes,” McColloch said. “When they think of student-athletes, they are students and then athletes. That doesn’t happen at a lot of big D-1 programs.”

“Davis, to me, is really a top D-1 program athletically and they’re showing that in their facilities, making a push for better resources for the players and reaching out to the community to help support those athletes better.”

McColloch also mentioned her admiration for the Aggie EVO program and explained how a similar system would have greatly impacted her own college experience at UCLA.

“When I was done with college, I was still playing volleyball but then after that I had no idea how to write a resume or get a job,” McColloch said. “All I knew how to do was play volleyball and then coach volleyball because I needed money in college. I spent a lot of time learning how to develop relationships, run my own business, but that took me six to seven years to figure it out. When you’re here, they’re trying to help you do that while you’re at school. I think that’s really cool and that’s something I want to be apart of.”

When the team finally plays its first home games on Picnic Day weekend, McColloch hopes to see a lot of fans cheering on the team and enjoying this new environment that has never been seen before at UC Davis.

“We want to make it a really fun and relaxed environment, where it feels like you’re at the beach,” McColloch said. “That’s pretty exciting and it’s just a matter of the weather clearing up.”

McColloch is currently working with UC Davis Athletics on a plan to create the best possible gameday experience for supporters and make the team’s presence known across campus. Some of the ideas being floated around include a “meet and greet” with the players, movie nights on Howard Field and youth clinics for young members of the community to gain exposure to the sport. McColloch is also teaching a half-unit physical education class on beach volleyball next quarter, which will take place on Mondays and Wednesdays at 1:10 p.m.

All in all, there is a lot of positivity surrounding the launch of yet another Division I sport on campus. Assuming the weather starts to clear up in the coming months, afternoon games on the beach of Howard Field promise to provide a nice change of scenery for Cow Town.

Written by: Brendan Ogburn — sports@theaggie.org

Häagen-Dazs Honey Bee Haven

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What is it and what does it do?

The Häagen-Dazs Honey Bee Haven (called The Haven) is an outdoor museum and demonstration garden that is part of UC Davis’ entomology and nematology department. Located on Bee Biology Road, the public can observe and learn about bees’ roles in nature and about what they can do to help the bee population. The Haven was established in 2009 by the ice cream company Häagen-Dazs on the UC Davis campus.

“The facility was established because Häagen-Dazs recognized that many of the ingredients in their ice cream (the fruits and the nuts) were dependent on bee pollinators,” said Christine Casey, the manager of the facility. “They had heard about Colony Collapse Disorder and health issues with bees and wanted to provide a forum for the public to learn about bees and their problems and learn what they can do to be a part of the solution.”

Häagen-Dazs provided funding to establish the garden and financial support for the first few years of operation. Casey noted that the Haven is now self-supporting through grants and donations.

“They also gave some money to Penn State,” Casey said. “Penn State did not establish an independent garden like this one; they established a garden that was a part of their arboretum.”

Casye explained that the uniqueness of the garden resides in its being part of the entomology department and is operated by the people who work with bees and do bee research.

“As far as I know, we are the only bee garden in the United States run by entomologists that is open to the public free of charge, all the time,” Casey said.

The land The Haven was planted on is filled with labeled shrubbery and flowers. Hundreds of bees buzz in and around these flowers as they perform their biological niches. Maintenance occurs on the garden daily by Casey herself and volunteers with tasks including pruning, planting, mulching and weeding. Some volunteers who have experience in beekeeping assist Casey in taking care of the beehive as well.

“There are so many different types of bees and so many different types of plants that from week to week, things can look quite different,” Casey said. “There are about 85 species of bees that have been observed here, and there are about 300 that occur in Yolo County.”

The Haven functions to educate the public about the importance of bees in our daily lives, most prominently in our nutrition. According to their website, “bees are responsible for about ⅓ of all the food we eat, including most of the fruits, nuts, and vegetables […] Bees also pollinate many of our wild plants that in turn provide food and habitat for other wildlife.” Each day, about five to 10 groups come visit and tour the garden to learn about what it does. Visitors can safely observe and interact with bees and identify them.

Because nearly half of the maintenance that occurs on the facility is done by volunteers, The Haven welcomes students who would like to be involved in its efforts with the bee population and education of the public. More information on volunteering and the Häagen-Dazs Honey Bee Haven as a whole can be found on its website.

Written by: Linh Nguyen – features@theaggie.org

Police Logs

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Stop leaving behind luggage

February 5

“Injured jackrabbit near the grassy strip between curb and sidewalk by address.”

February 6

“Unattended black suitcase left in the plaza area across from above location.”

February 7

“Coyote seen running through the park. Not aggressive.”

February 8

“Unknown male came into gas station and dropped off backpack.”

February 9

“Loud bass.”

February 10

“Aggressive panhandler in front of store.”

February 11

“Loud rap music coming from the back bedroom.”

February 12

“Female yelling inside a vehicle, looked like she was trying to run over a male who was on the sidewalk.”