For one UC Davis graduate, going to work means operating angst-ridden, singing puppets in packed theaters around the country. And yes, that is exactly as fun as it sounds.
Due to the recent pop rock rendition of Spring Awakening that made its Broadway debut several years ago, most people are totally unfamiliar with the musical's predecessor, the play Spring Awakening by Frank Wedekind, written in the late 19th century.
There was a soft silence in the crowd of more than one thousand people and then, the curtain rose, the beginning beats of a popular Hindi film song filled the air, and a group of dancers burst onto the stage. Their costumes shimmered in bright blues, shimmering reds and hot pinks as they threw their hands up in the air, twisted in a seductive pose, and began their routine.
Long Beach natives Cold War Kids' new album is filled with grown up melodies and commercial sound. Mine is Yours is a collection of tracks that is passionately played, cleverly written and filled with catchy melodic hooks. The bands ambiguous grace embodies the album as singer Nathan Willett croons to bluesy rock, filling it with emotional fervor, that at times does seem a little disingenuous.
There's something in the water in Portland, Ore., the origin of many great folk indie bands. The Decemberists' recently dropped album, The King is Dead, proves to keep with the same grand gesture of dazzled narratives and storylines of folk music.
Even though girl bands that aim for that punk/rock sound carry around a pretty nasty stereotype, this one at least shakes it off completely. The fresh sound of "Gossip Girl" star Taylor Momsen, who writes and sings the tracks, offers something new and exciting to the world of girl punk.
Does the inspiration behind a "starving artist" stem from madness or necessity? The pursuit of life in the art world often provokes many uncertainties and responses. But with each pursuit, there's a journey and incredible story to tell.
Glancing at the cold concrete floors smothered white with plaster and wooden chairs that are inked deep with layers of oil paint, you can only fathom what type of madness and art explorations are invented here.
Even at 5:30 a.m. last Thursday, I had a quick rush of adrenaline when I heard that a mother horse had given birth just minutes ago - these are the kind of pictures I live for. Not knowing exactly what to expect, I biked to the horse barn on campus trying not to crash in the thick early-morning fog. When I arrived, students were gathered in their pajamas, half awake and in awe. They were peeking through the stable bars at the adoring mother and her new wet foal. Only Joel Viloria, the animal resource supervisor at the horse barn, was allowed in the stable so I was limited to resting my camera in between the bars of the stable. I tried to capture what I could without disturbing the mother and her new baby. With so much going on, it was difficult to capture every little moment - so it was best to use a fast shutter speed. To properly expose, I had to keep my camera at an ISO of 1600 and have a large aperture of f5.6 to capture the movements going on and to get the horses and Viloria in focus. In this image, Viloria is holding the placenta of the mother, which had held the baby just hours before, while she is assisting the foal in his first steps of life.